Team Hillary Clinton: Jeffrey Katzenberg, Lena Dunham and Her 2016 Supporters

Jeffrey Katzenberg

Several months ago, Jeffrey Katzenberg reached out to Hillary Clinton to assure her that if she runs for president in 2016, he will support her. Katzenberg is one of Hollywood’s premier political kingmakers and one of the Democratic Party’s top national fundraisers, so the call had to be a welcome one. For Clinton, who failed to secure his support for her unsuccessful run at the Democratic nomination in 2008, it also was crucial.

Steven Spielberg

In February 2007, Jeffrey Katzenberg banded with his former DreamWorks partners — Steven Spielberg and David Geffen — to host the industry’s first big fundraiser for then-Illinois Senator Barack Obama. The invitation to the Beverly Hilton event brought curiosity seekers, such industry people as Universal Studios president and COO Ron Meyer and Paramount Pictures chairman and CEO Brad Grey as well as headlines like one on the ABC News website: “Hillary’s Hollywood Friends Switch Sides.”

Ted Danson and Mary Steenburgen

Danson and wife Mary Steenburgen have been close friends with the Clintons for years (Bill Clinton even walked Steenburgen down the aisle for the couple’s wedding). In 2014, Danson admitted that he wasn’t pressuring Hillary Clinton to run for president because she was first and foremost a family friend, though he added, “If she decides to run, I am so there, absolutely.”

Andy Spahn

“Obama raised the bar,” says industry political consultant Andy Spahn. “There isn’t anyone you would talk to who wouldn’t say whoever runs for president needs to build on Obama’s success.”

Lena Dunham

After Hillary Clinton announced her second presidential bid on April 12, Dunham took to social media to lend her support. The Girls creator posted a photo of Clinton texting on her Blackberry and captioned it: “This is Hillary reading a text from me that says ‘with you every step of the way, gurl‘ #mypresident.”

Barbra Streisand

No president and first lady have enjoyed a closer relationship with Hollywood than Bill and Hillary Clinton. The romance bloomed when then-Arkansas Gov. Bill Clinton was running against George H.W. Bush in 1992. Shortly before the election, Barbra Streisand made a rare singing appearance at a glittering fundraiser packed with entertainment titans.

Michael Kives

Among the new-generation power brokers likely to form Hillary Clinton’s Hollywood cabinet are CAA agent and former Clinton aide Michael Kives and UTA’s Jay Sures.

Jack Nicholson

Nicholson endorsed Clinton during her 2008 presidential bid with a viral video campaign that incorporated some of the actor’s most popular screen roles. In an interview with MTV News, he called himself a “longtime Clintonite,” adding, “I was raised by women. I know how tough they are when the tough gets going. … This woman can do this job. Make no mistake about that.”

America Ferrera

The Ugly Betty actress was co-chair of one of Clinton’s youth outreach programs, HillBlazers, which was established as part of her 2008 campaign. Following Clinton’s 2015 bid for presidency, Ferrera tweeted in support: “I believed in her then, I believe in her now.”

Rob Reiner

Eight years ago, the bitter struggle between Clinton loyalists and Barack Obama disciples riveted Hollywood. It divided families, neighbors, business partners and friends. Rob Reiner broke with his “second father,” Norman Lear, an early Obama fan.

Casey Wasserman

Casey Wasserman, chairman and CEO of the L.A.-based Wasserman Media Group, works closely with Bill Clinton on the president’s philanthropic efforts to combat the nation’s childhood obesity epidemic through the Clinton Foundation.

Peter and Megan Chernin

On Nov. 11 in New York, Clinton will be honored by Malaria No More, a group co-founded by media mogul and longtime Clinton supporter Peter Chernin.

Elton John

The Elton John AIDS Foundation honored Clinton with the Founder’s Award in 2013 for her advocacy for gay rights and fight against HIV and AIDS. Before presenting her with the award, John said, “I’ve always been a big Hillary fan. I hope she’s the next American president. … She’s a great human rights campaigner for people of color, for people of [varied] sexual orientation.”

Jay Sures

The town’s Democratic fundraisers are not taking meetings with any other presidential hopeful as they wait for Clinton’s decision, says UTA managing director Jay Sures, another early Obama supporter. “Hollywood in general likes to place their money on the winner,” says Sures, “and when there is a clear-cut leader, people will think twice about making donations to candidates they don’t think have a shot.”

Madeleine Albright

Albright, former secretary of state, showed her support for Clinton by calling her “smart, caring and determined” shortly after Clinton announced her bid for presidency in April. “She is going to be an outstanding president! #Hillary2016,” Albright tweeted.

Haim Saban

Clues to the will-she-or-won’t-she question might begin to be revealed Oct. 30, when Hillary is scheduled to attend a luncheon fundraiser at billionaire Haim Saban’s Beverly Hills home for Virginia gubernatorial candidate and longtime Clinton loyalist Terry McAuliffe. Tickets to the event cost $15,000 a person or $25,000 a couple. Later that evening, Clinton is expected to headline a gala at the Beverly Wilshire hotel for Oceana, a key cause for Ted Danson, a longtime supporter.

Steve Bing

The Shangri-La business group founder is a longtime friend of the Clintons and supported Hillary’s 2008 presidential run.

Irving Azoff

Top music exec Irving Azoff has described himself as a “Hillary loyalist from the start.” In 2013, he voiced his support for the possibility of Clinton launching a 2016 campaign, telling THR, “The Clinton brand of the Democratic Party has been the most successful in what? Fifty years? Why wouldn’t people return to that?”

Cindy and Alan Horn

The longtime activist power couple — Alan, chairman of the Walt Disney Studios, and Cindy, a fundraising veteran — are strong supporters of the Democratic party, no matter who’s at the head of the ticket.

Magic Johnson

Johnson was among the celebrities tweeting in excitement about Clinton’s recent bid for presidency. Shortly after her announcement, the former NBA star posted multiple messages of support to his own Twitter account, once of which read, “I feel @HillaryClinton will be a great President for the American people and she will make sure everyone has a voice!”

Warren Buffett

In 2014, Buffett donated $25,000 to Ready for Hillary, a group that was established in 2013 to encourage Clinton to launch a 2016 presidential bid. That same year, he confidently told Fortune that Clinton would be running and was definitely “going to win.”

Michelle Kwan

Kwan, former figure skating champion and Olympic medalist, will help oversee outreach programs as an official staff member of Clinton’s presidential campaign. She previously worked for the State Department as a U.S. public diplomacy envoy and is a member of the Council to Empower Women and Girls Through Sports (an organization launched by Clinton).

 

http://www.hollywoodreporter.com/gallery/team-hillary-clinton-jeffrey-katzenberg-651583/1-jeffrey-katzenberg

Scandals Only Make the Clintons Stronger

The Republican plan to defeat Hillary Clinton is doomed. It’s time to go easy on her.

One has to wonder: When Republicans gathered earlier this year to scheme the defeat of Hillary Clinton, who was the genius who stood up and said, “I know. We’ll challenge the Clintons’ pristine record on ethics. They’ll never see that one coming.”

But of course they did. We all did.

A little newsflash about our past (and probably future) First Family, who pundits, long predicting the Clintons’ coronation, are now suddenly beginning to count out: Scandal surfing is what they always do. They skip the top of the waves, sometimes even giving the impression they might succumb to them. But they never do.

The Clintons have been sent off to their certain doom more times than Tyrion Lannister. During their last sojourn on Pennsylvania Avenue, operators all but installed a new message on the White House switchboard, “If you’re calling with a subpoena for the Clintons, please press 7 now.”

Yet whatever the storm—from blue dresses to funny money from China to an actual impeachment trial—Bill and Hillary are this generation’s Six-Million Dollar Man (and Woman). They always rebuild faster, stronger, and a hell of a lot richer than ever.

Much is now being made of a CNN poll finding that a majority of Americans—57 percent—do not believe Hillary Clinton is honest or trustworthy.  But is that really news? Roughly half of the country has felt that way for a long time.  Forty-three percent of Americans said that a year ago. And forty-six percent said that back in 2007.

Under the headline, “Hillary Clinton’s honesty problem,” an earnest reporter for The Hill newspaper asks, “Is it possible to win the White House if more than half the electorate thinks you’re dishonest?” Uh, of course, it is, people. The Clintons do this all the time.

Clinton’s margins against her potential Republican contenders is thin, to be sure, but not much different than they have been for months. And, by the way, even in purplish New Hampshire, she’s still beating them all—from Bush to Walker to Rubio. Nationally, CNN has her beating Washington’s favorite Republican, Jeb Bush, by eight points.

If history is any guide, the latest series of Clinton scandals will only end to their advantage. Just like they always do. Indeed, it’s long past time for the GOP to learn this lesson before the Clintons whip them again. (Spoiler alert: They won’t.)

Time and again, it’s the Clintons’ accusers who end up humiliated, run out of town, ruined by sex scandals, or left to write soft-porn memoirs about supposed romantic dalliances that read like a letter to a trashy magazine. (“Dear Penthouse, I can’t believe this happened to me…”)

From the day he announced his candidacy for the White House in 1992, the litany of charges against Bill Clinton never stopped—he was a liar, a draft dodger, an adulterer, he had an illegitimate African-American son. Then-President George H. W. Bush himself made a not-to-subtle claim that Clinton might have had pro-Soviet tendencies while a student at Oxford.

Hillary fared no better; she was an alleged drug runner, a hater of marriage and family run amok, a co-conspirator in homicide. A list of the Clintons’ supposed murder victims is still making the rounds on the Internet—right next to other baffling mysteries, like the Loch Ness monster and the plot line of “Revenge.”

Losing to the Clintons in 1996, a frustrated Bob Dole yelled, “Where’s the outrage?” Of course, he yelled that to the very voters who couldn’t care less about Clinton sleaze. They’d heard it all before—again and again.

The Clintons are often fortunate in their opponents—an assortment of professional prudes and ethical hypocrites who push too hard, who revel in it too much, and who focus not on one charge that might stick but a hundred that go in more directions than a Tolkien novel. Which scandal are we on now? Benghazi? Erased emails? Clinton Cash? The death of Vince Foster? An outrage to be named later?

And have no doubt, lurking somewhere in some GOP strategy room at this very moment is a folder fat with new details on that Ny-Quil of Clinton political scandals, Whitewater.

“What is Whitewater?” asked absolutely no one.

Well, back in 1993, a man named David Hale claimed that back in 1978, two other people named Jim and Susan McDougal and the Clintons got into a land deal in Arkansas and then in 1985 they…. (you can’t possibly still be reading this sentence, can you?). Fear not.  Whitewater will be back to bore you to tears for at least one more election cycle.  At least, we’ll have Caitlyn Jenner’s wardrobe to keep us otherwise occupied.

I suppose it’s possible that this year voters will wipe their hands of the Clintons once and for all and move on to other candidates. Or that someone will finally have footage of Hillary Clinton setting an American flag on fire while smoking a crack pipe at a Nazi appreciation meeting with Kim Jong Un.

But just in case the Republicans actually decide to win an election for a change without waiting for the Clintons to totally implode, a few pointers:

Suggestion #1. Pull a Costanza. In one of Seinfeld’s iconic episodes, George Costanza resolves to do the opposite of every impulse or instinct he’s ever had. As Jerry sagely advises him, “If every instinct you have is wrong, then the opposite would have to be right.”

For decades, the GOP has virtually knocked over people to run to a microphone with attacks on Bill or Hillary, only to see it blow up in their face. Imagine what independents or persuadable Democrats might think of a GOP nominee who says something completely unexpected about the latest Clinton scandal—something that runs totally opposite of their every instinct. Something like, “You know, it’s easy to pile on the Clintons, but I’m going to give them the benefit of the doubt and hope that the media does its job. My focus is on my campaign and my message to the voters, which is blah blah blah.” (Note to candidates: You’ll have to fill in the blah, blah, blah yourselves.)

Suggestion #2. Study Thy Enemy. Has anyone else noticed that Hillary Clinton is suddenly wearing a lot of green? And no, not green like the color of money. Just a vivid, eye-popping, deep hue.

She wore green at her Benghazi hearing and when she went to Iowa right after announcing for president. As Secretary of State, she memorably wore green at a G-12 summit.

I mention this because there is little that the Clintons do, at least in the presidential context, that is unplanned. These are people, after all, who infamously polled where they should vacation.

Hillary Clinton’s team is very proud of their efforts to portray their boss as confident, calm, and soothing—like a pastoral green meadow, perhaps? And Secretary Clinton has hired someone with that very task in mind. That the former diplomat has calmly weathered a deluge of scandals that would drown lesser men (word choice intentional) only bolsters that image. Even now, as her polls numbers droop, she still scores well as a strong leader, far ahead of her rivals. It’s as if the Clinton camp is telling voters, if Hillary has the steel to withstand all of this mess, you can trust her to take on whatever ISIS throws at her.

Maybe GOP candidates might give similar thought to their own demeanor and even their wardrobe. Do they come across to voters as serious, future-oriented, or presidential? Or do they instead favor weird turtlenecks or wear large round glasses that we last saw on our high school science teacher?

Suggestion #3. Out-Clinton the Clintons. Notice what the Clintons do when serious allegations surface. They go out and give speeches. About campaign finance reform. Or juvenile justice reform. The key word, of course, is “reform.” As in change. As in the future.

They don’t worry about Washington-manufactured crises— such as counting how many times Hillary Clinton has answered questions from the press. (The latest pseudo-Clinton scandal.) They only care about that if it has an impact on people outside the Beltway. And then they adjust and adapt.

Bill and Hillary Clinton learned long ago what should be obvious to anyone spending a day in politics: Voters care about their own lives, their own futures, far more than they do about the latest Washington feeding frenzy. Ideas trump innuendo. This is why the Clintons keep winning.

Until the GOP gives us its obsession with the former First Family. Until it positions itself as the party of the future and the Clintons, implicitly, as relics of the past, then the party is going to be in for another shock next year—this one even bigger than 1992.

 

Matt Latimer is a former speechwriter for President George W. Bush. He is currently a co-partner in Javelin, a literary agency and communications firm based in Alexandria, and contributing editor at Politico Magazine.

 

http://www.politico.com/magazine/story/2015/06/scandals-clintons-stronger-2016-foundation-president-118683.html?ml=tl_1#.VXTdmUZRJ1E

Censorship and Salesmanship at America’s Biggest Book Fair

The New Yorker   6/5/2015  By Christopher Beam

The China Pavilion at BookExpo America failed to attract crowds.

One evening last week, a group of writers, including Paul Auster, A. M. Homes, Jonathan Franzen, Ha Jin, Francine Prose, and Murong Xuecun, gathered on the steps of the New York Public Library to denounce censorship in China. Franzen read aloud a letter written by the Uighur scholar Ilham Tohti, who was sentenced to life in prison in 2014 after being convicted of separatism. Homes read a poem by Liu Xia, the wife of the imprisoned democracy activist and Nobel Peace Prize recipient Liu Xiaobo. Behind them, protesters held up Shepherd Fairey–style portraits of the artist Ai Weiwei and the Tibetan writer Woeser. A sign in front read “Governments Make Bad Editors.”

The rally, organized by the PEN American Center, was timed to coincide with BookExpo America, the publishing industry’s largest trade show in the United States, which was held across three days at the Jacob K. Javits Convention Center. As this year’s “guest of honor,” the Chinese government had sent a delegation of more than five hundred people from a hundred publishing houses, as well as twenty-four authors, and had rented twenty-five thousand square feet of space for a China-themed pavilion. “The Chinese government is using B.E.A. to paint a rosy picture of the world of letters in China, and to present its approved literature to the world,” said Andrew Solomon, president of the PEN American Center, in a speech on the library steps.

The backlash did not surprise B.E.A.’s organizers. “This is not specific to B.E.A., and this is not specific to China,” said Ruediger Wischenbart, head of international affairs for B.E.A., who has also worked at the Frankfurt Book Fair. Such events, he stressed, are always coming under fire for their invitees. In 2001, four weeks after September 11th, the Frankfurt Book Fair hosted a number of radical Muslim publishers. “People would ask, ‘Why are they here?’ ” he said. “I would say, ‘That’s the role of the book fair.’ ” At the Frankfurt fair in 2009, which also featured China, two dissident writers were invited to speak at an event, then disinvited, then re-invited after German journalists and diplomats protested, prompting Chinese officials to walk out and the fair’s director to apologize to China. In 2013, B.E.A. invited Russia; two years before that, Book World Prague hosted Saudi Arabia. These events, Wischenbart said, are not forums for literary or political debate. “Fairs are very practical things.”

The PEN protesters argued that the Chinese government was exploiting B.E.A.’s pragmatism for political purposes. In a speech at the rally, Suzanne Nossel, executive director of the PEN American Center, called the expo “an opportunity for China to spread its soft power and show that creativity and literature are flourishing despite repressive one-party rule.”

That may indeed have been China’s goal when it accepted B.E.A.’s invitation. But when I visited the Javits Center, a massive glass complex on the Hudson River, China’s soft-power push didn’t seem to be making much headway. If anything, the China-themed events highlighted the failure of Chinese publishers to sell books abroad, and reflected the challenges the country faces as it tries to improve its public image and export its culture around the world.

The China pavilion was set off from the rest of the fair, both geographically and aesthetically. Whereas the tables of American and international publishers were covered in colorful banners and stacks of books and swag, the China section, which occupied its own square on the top floor, looked like an extremely well-maintained, poorly attended library. Plants sprouted from rugs of fake grass laid across white benches. What little explanation there was of the book displays did not appear to have been proofread. One sign announced, “Book Exhibition for the World Anti Fascist War Victory Memorial Cum Chinese People Anti Japanese War Victory Seventy Anniversaries.” (Perhaps governments do make bad editors.)

Walking into the main event space for the pavilion’s opening ceremony, I noticed that the audience was almost entirely Chinese (something I noticed at later events, as well). During his opening remarks, Wu Shangzhi, vice minister of the State Administration of Press, Publication, Radio, Film, and Television, said he looked forward to a “deep conversation” between Chinese publishers and authors and their American counterparts. But the target audience seemed to be viewers back home.

A theme quickly emerged: China is the second-largest publishing market in the world, but a massive gap remains between the number of American books published in China and the number of Chinese books published in the U.S. In his speech at the opening ceremony, the Chinese ambassador to the U.S., Cui Tiankai, celebrated our cultures’ shared love of books, quoting both Confucius (“You never open a book without learning something”) and Thomas Jefferson (“I cannot live without books”). But he acknowledged that “the number of Chinese works that have been translated and published in the U.S. remains very small.” According to vice minister Wu, in recent years China has published six times as many American books as the U.S. has published Chinese books.

I asked Zhang Gaoli, an editor for China Publishing Group, why Chinese publishers had trouble attracting American audiences. He had just finished screening a video that was part of a multimedia package called “The Chinese Dream,” in which talking heads had discussed the rise of China against B-roll of street cleaners, flying birds, and a smiling Xi Jinping. “Most Americans don’t understand China,” Zhang told me. Translation is part of the problem, he said, as is the obliviousness of most Americans to global affairs and the foundations of Chinese culture. But he seemed confident that the tables would soon turn. “In a few more decades, China will become the most advanced culture in the world,” he said, at which time Americans will want to study it. For now, China just needed one big book, one big author, to blow open the American market.

The problem, from what I could tell, was that publishers didn’t seem to know what American readers wanted. After the opening ceremony, the two Chinese officials, Wu and Cui, gave deputy U.S. Trade Representative Robert Holleyman a tour of the pavilion, showing him around the display shelves while a gaggle of Chinese media trailed behind. They paused to point out such books as Xi’s autobiography (largely a collection of speeches), an academic work called “Why and How the CPC Works in China,” and another book, titled “Confessions of Japanese War Criminals for Carrying Out Aggressions Against China.” The American nodded politely. If anyone present saw a connection between the overtly propagandistic nature of the books being promoted and disappointing sales outside the mainland, they didn’t let on, but the tour did seem to suggest that suppressing independent voices wasn’t just bad for writers, but bad for business.

Even the Chinese delegation’s most promising soft-power weapons, the twenty-four authors, had trouble drawing crowds. On Friday, a Chinese newspaper lamented the lack of attendees at the on-site book signings. “Where Did the Readers Go?” read the headline. According to the article, during one signing featuring the crime novelist A Yi, the author grabbed a book and tried to push it on a middle-aged American man as he walked by. A Yi soon returned, dejected. “You’d better stop,” said another author, Su Tong, jokingly patting him on the shoulder. “You’ll humiliate our country.” The article went viral in China, before being deleted. (ChinaFile has a translation here.) The rest of the planned book signings were cancelled as a result.

I asked Xu Zechen, whose novel “Running Through Beijing” focusses on the gritty life of an ex-con, why, given the critiques from some Chinese writers and PEN America, he had agreed to participate. He said it was simply a matter of promoting the English translations of his books. He hadn’t heard about the protest against the book fair, he said: He only has a Chinese cell phone, so “I can’t get online here.” When I told A Yi that some Chinese authors, such as Murong Xuecun, were criticizing those who joined the delegation and asked for his reaction, he responded, “I’m sorry, that is a very hard question for me to answer.”

Close observers of the Chinese literary world argue that breaking down the community of writers into dissidents and collaborators misses the nuances of Chinese publishing and politics. Some of the authors who were invited to join the B.E.A. delegation, such as Sheng Keyi, who published the novel “Death Fugue, about the 1989 crackdown in Tiananmen Square, have had books banned in China. (Sheng was unable to get a visa at the last minute.) Others, like Feng Tang, also pride themselves on writing about taboo subjects.

“People use the term ‘dissident writer’ in a very confused way,” said Eric Abrahamsen, an American translator and publishing consultant who lives in Beijing, and who drew up the initial list of Chinese authors to invite to B.E.A. Chinese writers don’t go to jail for writing novels, he said: “If that was happening in China, Sheng Keyi would be in jail. Yan Lianke would be in jail. And not only are they not in jail, they’re part of the system. They’re part of the Writers Association. They’re drawing a stipend from the government. They’re getting literary prizes. They have difficulties—sometimes they have trouble publishing, sometimes they don’t win prizes they would have otherwise—but their feet are on the streets.” Dissidents like Woeser, Tohti, and Liu Xiaobo, he added, are jailed for their political activities, not their creative writing. “People talk about Liu Xiaobo as a poet,” he said. “But he’s not a very good poet, and he’s not in jail because of his poetry. He’s in jail because of his political commentary on Charter 08.”

The twenty-four invited authors did ultimately manage to bridge some of the gap with American audiences, and perhaps sell some books in the process. On Saturday afternoon, the poet Lan Lan read some of her works at the Bowery Poetry Club, to a mixed Chinese and American audience. At the China pavilion, the literary critic Dale Peck talked to Xu Zechen about, among other things, his views on Tolstoy. And, at the Center for Fiction on Friday night, A Yi, who was a cop before he became a crime writer, expounded on the psychology of Travis Bickle in “Taxi Driver.” Occasionally, there was even substantive political debate. At the Javits Center, Zhang Weiwei, a professor at Fudan University, argued in favor of the Chinese government’s authoritarian model, while Robert Lawrence Kuhn, an analyst who hosts a show on China Central Television and wrote an authorized biography of former president Jiang Zemin, challenged Zhang’s assertions that this model will be sustainable once economic growth slows down.

When I approached Franzen at the PEN rally, he told me that, after visiting China, he’d come to understand the case for censorship. “China has known so much misery, so much social instability in the last century, that there’s this deep cultural fear of it that cuts substantially across political lines,” he said. “From the point of view of the Chinese government, trying to maintain social stability, there are reasons for censorship. And that’s a point of view that has a right to be heard, in the same way that the writers we were supporting here have a right to be heard.”

This post was amended to correct the number of Chinese authors who appeared at BookExpo America.

 

 

http://www.newyorker.com/business/currency/censorship-and-salesmanship-at-americas-biggest-book-fair

De Blasio ally to hold Clinton fundraiser

Ken Sunshine has been a longtime friend of the Clintons, but his strongest political tie is to de Blasio.

One of New York City Mayor Bill de Blasio’s most loyal and fiercest supporters is throwing a fundraiser for Hillary Clinton.

Clinton will attend a fundraiser on June 29 in Manhattan hosted by public relations executive Ken Sunshine and his wife, Nancy Hollander. The couple is co-hosting the event with Janet and Marvin Rosen, the former finance chairman for the Democratic National Committee who in 1996 was at the center of a fundraising controversy for helping to arrange sleepovers in the Lincoln Bedroom for wealthy Bill Clinton donors.

Sunshine has also been a longtime friend of the Clintons, but his strongest political tie is to de Blasio, who worked under him when he served as chief of staff to former Mayor David Dinkins. The two have remained close ever since.

De Blasio served as Clinton’s campaign manager when she ran for Senate, but so far has publicly refused to endorse her, instead using the 2016 election to position himself as a national leader on progressive issues. That has made some longtime supporters of both politicians, like Sunshine, feel awkwardly caught in the middle.

Sunshine, whose firm is Sunshine Sachs, hosted the first fundraiser de Blasio ever held, when he was running for a seat on the New York City Council after managing Clinton’s Senate campaign. During the 2013 mayoral race, many of de Blasio’s fundraising committee meetings were held in Sunshine’s conference room, and as Mayor, de Blasio has on occasion continued to use Sunshine’s office when he needs meeting space away from City Hall.

“I love Bill, and if I’m not the first, I’ll be among the first to contribute to his reelection campaign,” Sunshine said. “That doesn’t meant I’m not going to be an early supporter and fundraiser for another friend, whose name happens to be Hillary Clinton. I assume Bill will eventually endorse her, but a lot of his friends like me are going to do it before him.”

The Sunshine and Rosen fundraiser could end up being a star-studded affair. Some of Sunshine’s longtime clients include Barbra Streisand, Jennifer Lopez, Ben Affleck, Jon Bon Jovi and Leonardo DiCaprio.

 

http://www.politico.com/story/2015/06/de-blasio-ally-to-hold-clinton-fundraiser-118694.html

Dennis Hastert, Impeachment, And Why The Clintons Might Not Trust The Press

Media Matters   6/2/2015   by ERIC BOEHLERT

The raucous political warfare of the 1990s returned into view late last week with the stunning news that former Republican Speaker of the House Dennis Hastert is under indictment for allegedly agreeing to pay more than $3 million in hush money to cover up sexual abuse involving a male student at a high school where Hastert taught decades ago.

Hastert’s unsettling case doesn’t have anything to do with partisan politics, per se. But his rise to the speakership back in 1998 sure did. Like virtually everything else inside the Beltway at the time, Hastert’s promotion revolved around the Republicans’ relentless impeachment pursuit against President Bill Clinton. And today, Hastert’s alleged crime once again throws into focus what a strange and hypocritical spectacle it was for GOP men to play sex cop and crusade for impeachment.

The impeachment of Bill Clinton defined American politics in the 1990s. It also defined the Beltway press, which still clings to many of the bad Clinton-related habits it formed that decade. The impeachment farce, where the press teamed up with Republicans to wage war on a Democrat, could also explain why the Clintons today might not fully trust the media as Hillary Clinton expands her presidential run and the press stands “primed” to take her down.

Why won’t Hillary Clinton open up to the press? Why can’t Bill and Hillary handle the media? Why has she “withdrawn into a gilded shell“? Why does she wear media “armor“? Those questions have been rehashed in recent months as journalists focus on themselves and what role they’ll play in the unfolding nomination contest.

A suggestion: Follow the path back to Dennis Hastert’s impeachment era for clues to those Clinton press questions.

During the 1990s, Hastert remained a firm advocate of impeachment, at one point condemning the president for his “inability to abide by the law.” Hastert stressed, “The evidence in President Clinton’s case is overwhelming that he has abused and violated the public trust.”

Of course it was the impeachment imbroglio that elevated Hastert, indirectly, to his lofty position of speaker of the House; a position he later leveraged into millions by becoming a very wealthy lobbyist.

The background: Former Republican Speaker Newt Gingrich was forced to resign in 1998 after the impeachment-obsessed GOP faced disastrous midterm losses. (Gingrich later admitted he was engaged in an affair with a Congressional aide at the time.) Up next was Rep. Bob Livingston (R-LA), chairman of the powerful Appropriations Committee. “One of the loudest of those calling for the House to impeach Clinton over an extra-marital affair,” noted the National Journal, Livingston was soon ousted after he was forced to publicly confess to committing adultery “on occasion.”

Into that void stepped Hastert.

That means all three Republican House leaders who pursued Clinton’s impeachment have now confessed or been accused of sexual and moral transgressions themselves. Those were the people the D.C press took its cues from during the impeachment charade?

As Orin Kerr noted in the Washington Post following the Hastert indictment:

If I understand the history correctly, in the late 1990s, the President was impeached for lying about a sexual affair by a House of Representatives led by a man who was also then hiding a sexual affair, who was supposed to be replaced by another Congressman who stepped down when forced to reveal that he too was having a sexual affair, which led to the election of a new Speaker of the House who now has been indicted for lying about payments covering up his sexual contact with a boy.

While some in the press have conceded that the ’90s impeachment was a strange circus, the truth is the Beltway press basically served as executive producers for the GOP’s doomed theatrical run. It was the media elite who legitimized for years the right-wing’s Javert-like pursuit of all things Clinton. “So much of the media was invested in breathless, often uncritical coverage of Clinton’s impeachment,” wrote Josh Marshall at Salon in 2002, while detailing the final release of the independent prosecutor’s $70 million Clinton investigation.

Put another way, the same D.C. press corps that openly taunted the Clintons for years in the ’90s, culminating with impeachment, is the same D.C. press corps that’s now openly taunting them, for instance, regarding the Clinton Foundation,  Hillary Clinton’s emails, and anything/everything else that can be presented as a Clinton “scandal” story.

That’s why when the New York Times story about Hillary Clinton’s email account first broke in March, “The media and politicos and Twitterati immediately responded with all the measured cautious skepticism we’ve come to expect in response to any implication of a Clinton Scandal,” noted Wonkette. “That is to say, none.” And that’s why Times columnist and chief Clinton sex chronicler Maureen Dowd has, to date, published 100 columns mentioning “Lewinsky.”

More than twenty years ago, the Clintons understood that the so-called liberal media was working with conservative activists and Republican prosecutors to try to destroy Bill’s presidency. For the GOP, the motivation was purely partisan. For the press, it seemed to be a mix of careerism (Clinton bashing proved to be good for business), combined with a genuine dislike of the Clintons.

Today, it’s often difficult to recapture just how completely bonkers the D.C. media establishment went during the impeachment saga, and how on some days it seemed journalists were more pruriently obsessed with the Clintons than their tireless Republican tormentors. The recent Hastert sexual abuse allegation helps bring into focus the absurdity of the era, and reminds us why, as a new campaign season unfolds, the Clintons might not fully trust the Beltway media.

 

http://mediamatters.org/blog/2015/06/02/dennis-hastert-impeachment-and-why-the-clintons/203845

How To Keep Screenwriters And Producers In Sync – Produced By

Deadline   5/31/2015  

Movies, obviously, are a storytelling medium and as such, at a fundamental level the process of getting a movie made is the process of establishing a healthy relationship between a film’s producer and that film’s screenwriter. How you go about that was the subject of a consistently hilarious and often illuminating discussion during the From Script To Screen: Getting On The Same Page With Your Writers panel during Produced by 2015.

In attendance, moderator Chuck Roven, with Panelists writer Kay Cannon (Pitch Perfect, 30 Rock), producer Jennifer Fox (Nightcrawler, The Bourne Legacy), writer-director Dan Gilroy (Nightcrawler, The Bourne Legacy), and writer-director-producer Jeffrey Nachmanoff (Traitor, The Day After Tomorrow). The discussion sprawled, touching on topics such as the fact that producers don’t actually earn a living that often, and the differences between working in television and film. Most often, it stuck tangentially to the panel discussion, not that the audience was complaining. It’s no shock that a panel made up of writers and people who work with writers would be frequently funny as hell, the result being a conversation notable for as many bon mots as for nuggets of useful advice.

Of course, the point was to talk about how to get writers and producers on the same page, a question that was mostly answered near the end of the discussion. Cannon advised that producers familiarize themselves with the craft of storytelling. “If you can ask yourself ‘how well do I understand story and story structure?’ – I’ve been in many writers rooms, where the writers who are hired to write don’t understand story,” she said. “And I think practice and studying and making that a skillset of yours strong is gonna help you so much.”

produced-by-conference-2015Gilroy agreed, comparing the relationship between the producer and the writer to that of a director and actor, and urging aspiring producers to be specific, and knowledgable. “A script is a blueprint, you might as well be building a plane,” gilroy said. “If someone comes in and says ‘it could be bigger,’ or ‘maybe it could be red,’ that’s not the same as ‘the rivets are in the wrong place, at 400 miles per hour it’s going to destroy itself.’”

“Writers know their scripts,” he continued. “Good writers know their scripts. I know the math of my scripts, I know every element of my script, and I don’t see what’s wrong with it all the time, I might see it but I don’t see the mistakes, but I understand how it’s built. I sit down with someone who starts giving me notes and I get the sense that they don’t know the script, or they don’t understand story – and you encounter this all the time – that’s when my eyes start to glaze over.”

Nachmanoff had the last word, saying “notes are a conversation between the producer and the writer, and it should be an intelligent conversation. Don’t try and tell people who presumably you’ve hired for a lot of money what to type. You’re much better off explaining what your issues are, what you’re trying to get at in the scene or in the moment, that you’d like to change, then put the writer’s brain to work on how to solve that problem.”

 

http://deadline.com/2015/05/produced-by-conference-screenwriters-producers-1201435124/

Hooray for Hillarywood?

The New York Times   5/30/2015   by Maureen Dowd

IS Hollywood really ready to give a 67-year-old woman a leading role in a big-budget production?

Hillary Clinton’s campaign has echoes of various classic movies: “Single White Female,” with Hillary creepily co-opting the identity of the more trendy Elizabeth Warren; “My Fair Lady,” with Hillary sitting meekly and being schooled on how to behave by tyrannical Pygmalions (Iowa voters); “The Usual Suspects,” with Hillary’s hoodlums, Sidney Blumenthal and David Brock, vying to be Keyser Söze; and, of course, “How to Steal a Million,” a caper about a heist plotted by a couple that doesn’t need the money.

From a narrative point of view, Hollywood is more intrigued with the scenario of their old raffish Southern favorite, Bill Clinton, as the first First Lad than the earnest Midwestern Hillary as the first female POTUS.

On TV, after all, women presidents are old hat.

I recently interviewed several dozen Hollywood players, mostly on background because of fears about the famed Clinton vindictive streak.

They aren’t over the moon about Barack Obama anymore, and even feel burned. He was like a razzle-dazzle trailer that turned out to be a disappointing movie with mediocre box office.

You hear plenty of complaints about the president’s mingy care and feeding of donors.

“It’s not unheard-of to think that liking people is part of the job,” one political consultant to the stars said tartly.

Hollywood is mostly united behind Hillary, with a few Bernie outliers and Elizabeth dreamers. But it’s a forced march.

“There’s this feeling like, ‘Oh, damn! Now we’re all going to have to show up to Jeffrey’s event,’ ” said one studio big shot.

Drinking wine at his glamorous house, an Obama bundler who is trying to work up some Hillary enthusiasm, agreed: “‘Jeffrey Katzenberg is calling’ is a call that you avoid in a way that you couldn’t before.”

Because the Clintons have been in politics for decades, there is a throng at the teat, making donors, bundlers and retainers fret that the rewards and appointments will be spread thin.

“Hollywood needs perpetual attention from its presidents, from filming bar mitzvah congratulations to stays in the Lincoln Bedroom,” said one Obama associate in Hollywood.

The sheer size of the Clinton universe has caused, as a political consultant to bold-faced names says, “a palpable lack of energy amongst the people who have been insiders for years.” Not to mention a huge management challenge.

“Money in this town is value driven, ego driven,” one major fund-raiser said. “It’s not about tracking legislation as it affects our own interests.”

Hollywood helped create Clinton Inc., finding an early pop-culture affinity with the young governor of Arkansas and jumping in to be his A.T.M.

The symbiotic attraction between the two capitals of illusion peaked — and even got a little overripe — during Bill’s reign, when he acted like a Hollywood groupie, hanging with the moguls and stars under the palms into the wee hours. Even some in Hollywood thought it unseemly when he began flying around with high-fliers Ron Burkle and Steve Bing.

Bill and Hillary were stunned and furious when David Geffen, Steven Spielberg and Katzenberg held a fund-raising reception at the Beverly Hilton and a dinner at Geffen’s home for Obama — a knife in the heart of Clinton Inc. Now Hollywood must kiss the ring to fund the restoration and counteract conservative dark money, ponying up a chunk of the billion-plus Hillary plans to spend on her campaign.

Katzenberg made his peace with Hillary and is helping spearhead her “super PAC.” Geffen, who has not talked to the Clintons, gave her primary campaign the maximum of $2,700. Bill Maher, who sent Obama’s super PAC a check for a million (and never got a thank-you note) says he will vote for her but won’t fork over another mill.

Haim Saban, the Mighty Morphin Power Rangers billionaire who describes himself as “a former cartoon schlepper,” never deserted Hillary and this month hosted a $1.9 million fund-raiser for her at his Beverly Hills mansion.

Recalling the bitter 2008 civil war as we nibbled biscotti in his L.A. office, he waved off those who yearn for fresh and new.

“When I go to buy potatoes and tomatoes, I look for fresh and new,” he said. “We’re talking about electing the leader of the free world.”

But his childlike excitement is less common than the jaded attitude of a Hillary supporter who sighed: “Nobody wants to go to a fund-raiser and get another picture with her. But we have to figure out how to get her there,” for the sake of their issues.

The joke circulates in Hollywood that Hillary is like Coca-Cola’s Dasani water: She’s got a great distribution system, but nobody likes the taste.

Fortunately for her, there’s no difference between an enthusiastic check for $250,000 and an unenthusiastic check.

The prevailing mood in this faltering Dream Factory is cynical. Some worry about the drip-drip of revelations about the Clintons. “It’s like that Dorothy Parker line, ‘What fresh hell is this?’ ” said one top Hollywood Democrat.

Said another: “It sits badly when something drops and it’s, here they go again, thinking they can write their own rules, be cute by half.”

Some still worry, as Geffen did in 2008, that Bill shenanigans will get Hillary into trouble.

Sipping vodka at the Chateau Marmont, Bill Maher said he was not concerned, noting: “Who could have less to do with Bill Clinton’s sex life than Hillary?”

http://mobile.nytimes.com/2015/05/31/opinion/sunday/maureen-dowd-hooray-for-hillarywood-hillary-clinton.html?smid=tw-nytimes&_r=1&referrer=

The Fake Clinton Scandals Are Back

The right’s newest crusade has an old fake villain.

Has Washington learned nothing from Whitewater? The Clintons have spent their entire political lives in the capital dogged by one fake scandal after another. And, as we’ve been reminded this week, the fake villain in many of their fake scandals always seems to be the same: Sidney Blumenthal.

By leaking emails between Blumenthal and Hillary Clinton to the New York Times, the House Select Committee on Benghazi majority staff evidently aimed to frame Blumenthal into a sinister narrative of Libyan intrigue, encouraging dark suspicions about his work for the Clinton Foundation and his relationship with the former Secretary of State. The fact that Blumenthal was paid some $10,000 a month for working at the Clinton Foundation doesn’t change anything: This remains a fake scandal that will fail to turn up any real wrongdoing.

Having known Sid for nearly 40 years, I feel confident predicting that Rep. Trey Gowdy (R-SC), the committee chair, will find nothing to substantiate the fantasies marketed by his staff to the Times, which set the stage for Blumenthal’s subpoena and deposition in a political show trial that will unfold sometime in the coming weeks. Sid passed along information that he thought might be useful to his friend, the secretary of state—someone he has known for nearly 30 years and with whom he worked closely in the Clinton administration.

As the emails illegally purloined from his computer by the Romanian hacker called “Guccifer” indicate, he kept that role separate from discussions about a Libyan relief project, which was intended to provide hospital beds and medicine. That project never got beyond the concept phase and remained entirely distinct from Blumenthal’s job at the foundation, which involved several projects—mostly concerned with President Clinton’s legacy. Certainly it was no crime for the foundation to pay him for that work.

Unfortunately, the Washington press corps tends toward exaggeration and worse when the subject is Sid—and, come to think of it, often when the subject is the Clintons, too. It was no surprise to see Karen Tumulty declare in The Washington Post that “Blumenthal had business interests in Libya,” as if he was making money there—when the reality is that he was never paid a penny and never asked the secretary for anything.

The Wall Street Journal editorial page went even further, demanding a Justice Department investigation of those alleged “business interests,” complete with a far-fetched theory that his emails to her were somehow “in violation of State rules,” while noting darkly that both “used private email addresses.”

The Journal editorialists, whose style harks back to their page’s decade-long Whitewater obsession, don’t specify what kind of email address Blumenthal, who is after all a private citizen, should have used. (Whether Hillary Clinton should have imitated her predecessors in using private email is a separate question that she has already addressed—and again, Blumenthal can’t be blamed for that.) But the Journal’s sinister, heavy-breathing tone, like so much coverage and commentary, remains unsupported by anything but speculation.

Meanwhile, nobody asks why the Republican Congressional leadership should feel entitled to squander millions of tax dollars on yet another Benghazi inquisition—despite last year’s exhaustive 2014 report by the House Permanent Subcommittee on Intelligence, which effectively dismissed all the crackpot conjecture about cover-ups and conspiracies, following several other lengthy official investigations. Rather than any perfidy on the part of Blumenthal or Clinton, this episode demonstrates how little the Washington press corps has learned over the past two decades from pursuing bogus scandals like Whitewater.

It is telling when reporters suggest, for instance, that Blumenthal represents a “paranoid” streak in Hillary Clinton’s thinking—as if the years of conniving against her and her husband by a network of right-wing adversaries never occurred.

The media appears to have forgotten how, during Blumenthal’s first summer working in the White House, ideological refugee David Brock told him about wealthy conservatives, notably Pittsburgh billionaire Richard Mellon Scaife, who were spending millions of dollars on a secretive scheme known as the “Arkansas Project” to destroy Clinton’s presidency—and how those same figures lurked behind the Whitewater investigation, Kenneth Starr’s Office of Independent Counsel and the media campaign to smear the Clintons as somehow culpable in the 1993 suicide of White House lawyer Vince Foster.

Sid recounted this partisan offensive in The Clinton Wars, his account of the Clinton administration’s struggle against Whitewater prosecutor Kenneth Starr and the entire constellation of forces determined to bring down a Democratic president they considered illegitimate. In that struggle, he served as a loyal partisan, defending Bill and Hillary Clinton and, as he and others in the White House believed, the Constitution of the United States.

When Bill Clinton first invited Blumenthal to join the White House staff, the newly re-elected president wasn’t hiring a hatchet man. Over the preceding decade, they had established a friendship based not on common animosities, but a shared interest in how to renew the Democratic Party and progressive politics. Blumenthal had introduced Clinton to Tony Blair, then the new leader of Britain’s Labor Party and future Prime Minister, whose outlook was strikingly similar. Bringing together social democratic leaders across Europe with the U.S. president in what became known as “the Third Way” movement was a substantial part of Sid’s portfolio as a special assistant to Clinton.

But Blumenthal’s years of reporting on the American right had prepared him for a less uplifting mission—to confront the ongoing plot against Clinton by right-wing lawyers, operatives, and financiers, which already was building toward a climax by then. When the unfolding crisis finally concluded in Clinton’s Senate impeachment trial, Sid became the target of House and Senate Republicans (and his old friend Christopher Hitchens), who tried to set him up for a perjury trap.

In the process he was “demonized” in the Washington media, later writing: “To the right wing, I was the focus of evil in the White House. To the scandal-beat press, as a former journalist, I was a traitor, a Lucifer-like figure who had leaped from grace to serve the devil.” He had committed no offense, but left public service with over $300,000 in legal bills.

Not everyone was pleased by impeachment’s denouement—and many still suffer from Clinton Derangement Syndrome. So Sid has emerged again as an almost fetishistic object of spite (and a convenient surrogate for attacks on Hillary Clinton). He evokes turbulent emotion on the editorial pages of the Journal, the New York Post, and kindred outlets, which depict him as a ruthless, manipulative schemer, constantly immersed in skullduggery on behalf of his powerful patrons.

Rather than a perpetrator of dirty tricks, however, Sid has been a victim—and not just of Guccifer. On the first day that he went to work in the White House in the summer of 1997, the Drudge Report gleefully published a false, defamatory, anonymously sourced post that accused him of abusing his wife Jackie, to whom he remains happily married after 39 years. (The main suspect in that ugly episode was, not incidentally, a political columnist for the Journal.)

While his critics and enemies never succeeded in bringing Blumenthal down, they have concocted an image of him that is strangely flat and clichéd. Blinded by animus, they have no realistic sense of who he is, what he has done, or why the Clintons might continue to value his friendship. He’s a bit more interesting and complicated than their imaginary hobgoblin.

A talented and industrious writer, Sid has authored several significant books on American politics and co-produced two movies, including Alex Gibney’s Oscar-winning documentary on the Bush administration’s torture policies, Taxi to the Dark Side. (Currently he is working on a four-volume series for Simon & Schuster about the political life of Abraham Lincoln.) Unafraid to dissent from the Clinton-bashing consensus among Washington elites, he indeed became a dedicated ally to Hillary and Bill, but not only to them—he has developed a substantial network of friends and contacts around the world. Familiar as he is with practical politics, what drives him is a commitment to liberal values and ideas.

“Sidney Blumenthal was not as billed,” acknowledged the late Pennsylvania Senator Arlen Specter in his 2000 memoir, recalling the day he deposed the presidential aide and longtime journalist in the impeachment trial of Bill Clinton. Specter, then a Republican, evidently intended a gruff compliment. Expecting a tense and combative witness—the “Sid Vicious” of tabloid headlines—he was surprised instead to find the White House aide and longtime journalist to be cooperative and even cordial.

Today it still seems rather simple-minded to define Sid, in the words of that Journal editorial, as an “opposition hit man.” And it is absurd to suggest, absent any evidence, that he committed some legal or ethical offense.

With another Clinton seeking the White House, an epidemic of derangement was sadly inevitable. Before November 2016, there will surely be more to come. But if there is indeed any scandal in this affair, it lies in the partisan abuse of power by Congressional Republicans, trying desperately to sustain a Benghazi investigation that should have ended many months ago.

Like the effort to frame Blumenthal during the impeachment trial, this too shall pass—and then fizzle away.

 

The Bookstore Built by Jeff Kinney, the ‘Wimpy Kid’

The New York Times   5/22/2015  

If anyone knows how to sell books, it’s Jeff Kinney.

Over the last eight years, Mr. Kinney has built one of the most popular and lucrative franchises in publishing. His middle-grade series, “Diary of a Wimpy Kid,” the fictional illustrated diary of a middle-school misfit, has more than 150 million copies in print, in 45 languages. The series has spawned three feature films that have earned more than $225 million worldwide at the box office.

His fans still want more. Mr. Kinney is finishing the screenplay for a fourth film, working on two animated TV specials for Fox and furiously writing jokes for the 10th book.

But lately, Mr. Kinney’s attention has wandered elsewhere.

“If my whole life were ‘Wimpy Kid,’ it wouldn’t be very fulfilling,” he said during a recent interview. “I don’t want to be designing ‘Wimpy Kid’ pillow cases for the rest of my life.”

Jeff Kinney’s soon-to-open bookstore, An Unlikely Story, in Plainville, Mass., his adopted hometown.

He’ll keep a studio on the third floor, where visitors can catch a glimpse of him at work, drawing on the 23-inch tablet that he uses to create his cartoons.

“We’re hoping my notoriety as a children’s author will be a draw for people,” he said. At the same time, Mr. Kinney says he’s wary of leaning too heavily on his brand and wants the store to outlast him. “This is not going to work if it’s just a shrine to my books,” he said.

Mr. Kinney, who made more than $20 million last year, might have become a patron rather than a practitioner of the trade, like the novelist James Patterson, who donated more than a million dollars to 178 bookstores around the country last year. But he wanted to leave a physical mark on Plainville, a former manufacturing town that is home to about 8,200 people.

“I wanted to add a bookstore to the landscape,” he said. With this foray into retailing, Mr. Kinney is joining a handful of authors who are injecting cash and a dose of literary celebrity into what seemed a dying trade. The novelist Ann Patchett came to the rescue of the Nashville literary community when she opened an independent bookstore there in 2011. Other authors who moonlight as booksellers include Larry McMurtry, Louise Erdrich, Garrison Keillor and the poet Lawrence Ferlinghetti.

Many small bookstores nationwide, surprisingly, are holding steady and even thriving. After years of decline, booksellers have rebounded lately as print sales have stabilized, and their ranks are swelling. Last year, the American Booksellers Association counted nearly 2,100 member stores, compared with about 1,650 in 2009.

Ms. Patchett, the co-owner of Parnassus Books in Nashville, said she had expected her store to be a financial drain. Instead, Parnassus has flourished, so much so that the store is expanding with a mobile book van. Ms. Patchett has used her clout as an author to persuade prominent writers like Elizabeth Gilbert, Donna Tartt, David Sedaris and Michael Chabon to give readings at the store.

When Mr. Kinney visited Nashville last year for a “Wimpy Kid” event held by Parnassus Books, he grilled Ms. Patchett about her business.

“He looked at me and said, ‘Just between us, how much money did you lose the first year?’ ” Ms. Patchett recalled. “And I said, ‘Jeff, I made money.’ ”

Jeff Kinney has built one of the most popular and lucrative franchises in publishing. His “Diary of a Wimpy Kid,” the fictional illustrated diary of a middle-school misfit, has more than 150 million copies in print.

Mr. Kinney says he doesn’t expect to recover the millions of dollars he sank into the construction of the store, but he wants to create a sustainable business, one that could have a ripple effect and help revitalize the town. “Hopefully, we’ll break even,” he said, adding optimistically, “or even make a profit.”

Plainville, Pop. 8,200

Mr. Kinney, who was born on an Air Force base in Maryland and grew up in a suburb of Washington, has lived in Plainville for the last 12 years, with his wife, Julie, and their two sons, ages 9 and 12. He’s easy to spot riding around town on his red scooter. A tall, energetic, boyish-looking 44-year-old, Mr. Kinney coaches soccer and still works at his day job as the creative director of Poptropica, a story-based gaming website he created in 2007.

The Kinneys settled in Plainville because it was the one place that met all their criteria. They were looking for a town near her parents in Worcester and close to Boston, the headquarters of Funbrain, a company where Mr. Kinney worked. They drew a Venn diagram on a map of New England, and Plainville was in the middle. They took to the town immediately. They considered moving to a bigger city when the first “Wimpy Kid” book became a breakout best seller in 2007 but decided against it.

“We like the size of it,” he said. Instead of leaving, they moved into a bigger house.

With the bookstore, Mr. Kinney is extending his roots in Plainville.

“Obviously, the man could live anywhere in the world, and he chose to live in Plainville,” said Joseph Fernandes, the town administrator. “The real fortune for Plainville is that Jeff doesn’t have to rely on how much money he makes running a bookstore to feed his family. Without Jeff Kinney, I don’t know how well a bookstore would do at that location.”

The store’s playful name is meant to evoke tall tales, but it is fitting in other ways. The arrival of a bookstore is an unlikely turn for Plainville, a town incorporated in 1905 that was once home to manufacturers of jewelry, eyeglasses and plastic parts. The new store is an anomaly next to venerable institutions like Gerry’s Barber Shop and Don’s Diner (“Family Owned Since 1936”).

A scene from the 2010 film version of “Diary of a Wimpy Kid.” The title character, played by Zachary Gordon, is third from right.

In 2012, Mr. Kinney surprised residents when he bought a crumbling building in the town’s historic center for $300,000. Over the decades, the building, which dated to the 1850s, was a barbershop, a drugstore, a tearoom and a general store. Then, for 17 years, it sat vacant, a depressing blight on the town. Like everyone else in Plainville, Mr. Kinney grew tired of looking at it.

Mr. Kinney was not sure what to do with his new purchase at first. At one point, he sought advice from his core audience, a group of local fifth graders, whose suggestions included a roller coaster, a swimming pool filled with M&Ms and a bookstore.

The bookstore idea stuck, especially since a nearby Borders had closed. “What’s the thing that everybody loves and treasures the most?” Mr. Kinney said. “It’s a bookstore.”

The project had a rocky start. An inspection revealed that the building could not be salvaged, and it had to be demolished rather than restored. “That was a tough day for a lot of people,” Mr. Kinney said. “You felt history being erased.”

In its place, Mr. Kinney commissioned a three-story building with architectural echoes of the old general store. The building is made from reclaimed wood and other recycled materials, and the interior features hand-painted replicas of old signs that hung on the building over the decades. Mr. Kinney designed the store’s logo and sign himself: a bug-eyed cartoon elephant holding a book with its trunk, under the words “An Unlikely Story.”

The story of Mr. Kinney’s rapid rise to fame is itself pretty unlikely. He studied computer science and criminal justice at the University of Maryland, and he intended to become an agent with what is now called the Bureau of Alcohol, Tobacco, Firearms and Explosives. Instead, he ended up as a programmer at a medical software company and then a game designer at Funbrain, an educational gaming website.

On the side, he created comic strips, which he had loved since his childhood. But his work was rejected by newspaper syndicates. In 1998, he came up with the idea for “Diary of a Wimpy Kid,” the illustrated diary of an acerbic and devious middle-school boy named Greg Heffley. The stories were semi-autobiographical, loosely based on Mr. Kinney’s childhood and “put through the fiction blender.”

He had been working on the series for six years when his boss at Funbrain suggested he post it on the company’s website. It attracted millions of readers. Two years later, he sold it to Abrams, an art and illustrated-book publisher.

“Diary of a Wimpy Kid: Cabin Fever” is the sixth book in the series.

When Mr. Kinney started writing “Wimpy Kid,” he had adult readers in mind. His editor persuaded him to publish it as a children’s book instead. The Abrams children’s imprint, Amulet Books, had measured expectations and printed 15,000 copies of the first book in 2007. It was an overnight success that has grown exponentially with each book. Last year, demand was so high that Amulet printed 5.5 million copies of the ninth book in the series. This fall, the 10th book will be published simultaneously in more than 90 countries.

Mr. Kinney’s empire has grown so large that Abrams measures “Wimpy Kid” sales separately from the rest of its children’s and adult imprints. A “Wimpy Kid” team made up of about half a dozen people meets weekly to manage the brand.

“When you’re buying enough paper for five and a half million books, the stakes are high,” said Michael Jacobs, president and chief executive of Abrams.

Bringing a Store to Life

One morning, a few weeks before the May 30 opening day, Mr. Kinney was a bit groggy as he surveyed the store’s progress. He had had just three hours of sleep the previous two nights. He spotted a patch of ceiling in the basement that needed to be painted, and he questioned the placement of a big bookcase in the cafe. The shelves, with enough space for 3,500 books, were still bare, but the leather armchairs and display tables for new releases had arrived.

The space was coming to life, with fanciful touches like flying books hanging from the ceiling with their pages spread like wings. A few chalkboards were scattered through the section, hidden at toddler level behind secret panels, so children could write messages or discover one of Mr. Kinney’s doodles.

The store will have a prominent “Wimpy Kid” section, with a roughly 500-pound bronze statue of Greg Heffley by the sculptor Allyson Vought, along with “Wimpy Kid” books, stationery and T-shirts.

The nearly 16,000-square-foot building will double as an event space for local theater performances, yoga classes, ballroom dancing, karaoke nights and occasional screenwriting and cartooning workshops, which Mr. Kinney will teach. It will also serve as the new headquarters for Wimpy Kid Inc., which Mr. Kinney and his two full-time employees now run out of a small house next to his home.

Over the years, Mr. Kinney has visited hundreds of independent bookstores. When he decided to open his own, he needed to learn how to run one. He sought advice from the owner of one of his favorites, the Northshire Bookstore in Vermont, and took a few of his staff members there for a retreat last summer.

“We talked about the nitty-gritty of running a bookstore, everything from numbers to relationships with publishers and the aesthetics of a store,” said Chris Morrow, co-owner of the Northshire Bookstore.

Early on, Mr. Kinney hired Paz & Associates, an organization that trains and counsels independent bookstore owners, which studied the town’s population size and traffic patterns and advised him on a variety of things, including the store’s layout and inventory and how many employees and parking spaces it would need. They told him that a bookstore in Plainville would have been impractical for the average owner, but a world-famous author had a better shot at succeeding at making it a destination.

“I’m sure they were thinking we were crazy to open a bookstore in a town of 8,000,” Mr. Kinney said. “Maybe they still do.”

http://www.nytimes.com/2015/05/24/business/media/the-bookstore-built-by-jeff-kinney-the-wimpy-kid.html?action=click&pgtype=Homepage&version=Moth-Visible&module=inside-nyt-region&region=inside-nyt-region&WT.nav=inside-nyt-region

Video: Diary of a Bookstore and a ‘Wimpy Kid’

http://www.nytimes.com/video/business/100000003698077/the-wimpy-kids-unlikely-story.html?action=click&gtype=vhs&version=vhs-heading&module=vhs&region=title-area

Jeff Kinney, author of the “Diary of a Wimpy Kid” series, is opening a bookstore. “If one kid’s life is changed because of this bookstore, then the whole thing was worth it,” he says.

How Black-ish Went From WTF? to Must-See TV in 10 Easy Steps

As the series heads into its season 1 finale, we look back at how the family comedy became one of America’s favorite new sitcoms.

The Root   5/20/2015   By: Akilah Green

As we prepare for the season 1 finale of ABC’s Black-ish, let’s take a look back at how Black-ish quickly became one of America’s favorite new sitcoms.

1. Remember when the Black-ish trailer first aired, promising the story of a well-to-do African-American father grappling with how to ensure that his family maintains a sense of cultural identity in the face of his and his wife’s success? The premise was met with reservations, side eyes and several questions, like, was Black-ish going to be the new Cosby Show? And what exactly did they mean by “Blackish“?

2. But Black-ish creator Kenya Barris and the show’s writing staff let us know what kind of show we could expect and quickly won skeptics over with defining moments like this one from episode 3, “the Nod,” in which Dre teaches his son, Junior, about the long-standing tradition of acknowledging other black people with a simple head nod. As Barris stated, “The show is about a black family—not about a family that happens to be black.”

3. Not only did Black-ish introduce us to the charming and delightful Johnson kids, masterfully played by Yara Shahidi, Marcus Scribner, Miles Brown and Marsai Martin …

4. … but we’ve also had the pleasure of watching their parents, Andre (Dre) and Rainbow (Bow) Johnson, played by Anthony Anderson and Tracee Ellis Ross—who experienced very different upbringings—hilariously employ a “make it up as they go” method of parenting, seldom getting on the same page about anything other than the fact that they both love their children.

5. Dre and Bow’s parenting efforts are further complicated by Pops, Dre’s father, played by Tony and Emmy Award winner Laurence Fishburne, who represents a more “old school” way of thinking and is always criticizing and questioning Dre’s parenting skills … and his blackness.

6. The show added another layer of hilarity when it introduced Dre’s mother and Pop’s ex-wife, Ruby, played by everybody’s favorite aunt, Jenifer Lewis, serving up her signature scene-stealing style as she constantly spoils Dre and butts heads with Bow.

7. Then Black-ish topped it off with Dre’s quirky co-worker, Charlie Telphy, played by Deon Cole, who can best be described as “touched.”

8. Together these endearing characters take America inside the living room of a black family as it tackles issues such as how (some) black people refuse to acknowledge their gay relatives, and how (most) black people don’t vote Republican.

9. In doing so, Black-ish, through the use of “inside” jokes and references, gives many African Americans the (not-so-common) opportunity to watch characters on TV with whom we identify culturally while it shares these experiences with a broader audience. Most impressive is the show’s ability to entertain both groups in the process, like the time Dre and his sister, played by Raven-Symoné, had an entire conversation about nothing by stringing together a series of phrases—familiar to many African Americans—that have absolutely no relevance.

10. Not only has Black-ish brought us the first black-family sitcom on a network in years, but its success has already helped open the door for more shows centered on families of color, such as ABC’s forthcoming Uncle Buck and Dr. Ken.

What are some of your favorite moments from Black-ish’s first season?

 

http://www.theroot.com/articles/culture/2015/05/how_black_ish_went_from_wtf_to_must_watch_tv_in_10_easy_steps.html