A Channel of One’s Own—With Vampires

Veteran filmmaker Robert Rodriguez’s new cable channel is aimed at a young Hispanic audience that is more likely to watch English-language thrillers than telenovelas.

By John Jurgensen | The Wall Street Journal
March 6, 2014 6:43 p.m. ET
SNAKE DANCE: Robert Rodriguez with a character from his new show. El Rey Network

Last week in New York, Robert Rodriguez gazed down at his iPhone, watching work in progress on his first television series. On the screen, a video feed from the cameras in his studio in Austin, Texas, let Mr. Rodriguez monitor rehearsals and footage in real time. When he noticed that an actor looked too low in a chair, he sent a text message to the director on set. Moments later, someone appeared with a pillow to boost the actor in his seat.

A veteran filmmaker known for action movies such as “Spy Kids” and “Sin City,” Mr. Rodriguez is an executive producer of the new TV show, which premieres Tuesday and is an adaptation of his 1996 movie “From D1usk Till Dawn.” He had another incentive for checking in on the production from afar: He’s also an owner of the new cable channel which will air the series.

His fledgling El Rey Network exists in the hinterlands of the channel menu and isn’t available on all cable carriers, but its appearance marks a notable experiment in niche programming. El Rey primarily targets young U.S. Hispanics, an audience that grew up speaking English and whose TV diet is as likely to include the “The Walking Dead” or “American Horror Story” as anything on Spanish-language networks like Univision or Telemundo.

The Films of Richard Rodriguez‘From Dusk Till Dawn: The Series’ El Rey Network

Apart from its name—”el rey” means “the king”—the channel’s intended audience won’t necessarily be obvious. That’s because Mr. Rodriguez, a 45-year-old Mexican-American born in San Antonio, is programming the channel to please viewers with certain tastes, not just a specific language or ethnicity. El Rey went live in December with a schedule of vintage TV shows (“Starsky & Hutch,” “The X-Files”) and cult movies from the categories of grindhouse (“Switchblade Sisters”), horror (“Fright Night”) and Kung-Fu (“Five Fingers of Death”).

Mr. Rodriguez directed the movie “From Dusk Till Dawn,” a bloody vampire film starring George Clooney and Quentin Tarantino, who wrote the screenplay. The director is hoping the continued popularity of the film (which spawned two straight-to-video sequels) will draw attention to his unknown channel, which joins a crowded field dominated by networks such as AMC and FX.

As does the movie, the show follows two bank-robbing brothers (played by D.J. Cotrona and Zane Holtz) who flee to Mexico and stumble into a world of demonic creatures. Mr. Rodriguez, who directed four out of 10 episodes, says he is using the show to explore stories from Aztec and Mayan mythology.,

On Saturday in Austin, the TV show gets a red-carpet premiere at the South By Southwest festival. TV networks have a new foothold at the sprawling nine-day event built around interactive media, film and music. “From Dusk Till Dawn” is screening in a new SXSW category called “episodic,” which gives film-festival treatment to shows from AMC, HBO, Hulu, Fox and Showtime.

El Rey came out of Comcast’s merger with NBCUniversal in 2011. As a condition of its terms with the FCC, Comcast agreed to distribute at least 10 new independent channels, with a priority on minority-owned networks. Those offerings include Magic Johnson’s Aspire and Sean “Diddy” Combs’s music channel. Mr. Rodriguez co-founded El Rey with FactoryMade Ventures, a Hollywood incubator.

The channel has financial backing from Univision, and Mr. Rodriguez is creating customized ads for launch sponsors Heineken and General Motors. El Rey’s biggest disadvantage is its lack of promotional clout compared with established networks, said Scott Sassa, the channel’s vice chairman: “We have to compensate by being nimble.” El Rey has about 60 employees, some of them at Mr. Rodriguez’s Troublemaker Studios, based at a former airport in Austin. In the past, startup networks could build audiences by simply loading up on licensed movies and TV reruns in syndication. Now, viewers use DVRs to follow favorite shows and care less about which channels carry them.

New networks have to produce original programs to use as bait. El Rey’s budding roster will also include “Matador” (created by “Star Trek” writers Roberto Orci and Alex Kurtzman), about a CIA operative who uses his career as a soccer star as cover. “Lucha Libre” (named for a culture of Mexican wrestling and produced by Mark Burnett of “Survivor” and “The Bible”) involves everyday folks overcoming evil. Mr. Rodriguez hosts a show starting in April on which famous directors interview fellow directors.

Mr. Rodriguez said, “I have five kids. I know they have nothing on television that represents who they are in this country—English-speaking Hispanic. But anyone can tune in, because it’s cool.”

http://online.wsj.com/news/articles/SB10001424052702303824204579421361490077206?mod=wsj_streaming_stream&mg=reno64-wsj

April Bloomfield VRP

April Bloomfield

Twitter: @AprilBloomfield (19.7K followers)

Facebook: 6,019 likes
https://www.facebook.com/pages/April-Bloomfield/223514161107613

April Bloomfield (born 1974), is a British chef best known for holding a Michelin star at two restaurants, The Spotted Pig and The Breslin. She had previously worked at a number of restaurants in the United Kingdom, including The River Café and Bibendum.

A native of Birmingham, England, April began her culinary studies at Birmingham College. From there, she went on to hone her craft through cook positions in various kitchens throughout London and Northern Ireland, including Kensington Place and Bibendum. It was under the guidance of Ruth Rogers and Rose Gray at The River Café where she learned to appreciate the beauty and simplicity of food.

Before moving to New York, April spent the summer of 2003 in Berkeley, California at the legendary Chez Panisse. In February 2004, April and restaurateur Ken Friedman opened New York City’s first gastropub, The Spotted Pig. Under April’s direction, The Spotted Pig has earned one star from the Michelin Guide for seven consecutive years, and since 2010, April & Ken’s The Breslin Bar & Dining Room also earned one star two years in a row in the esteemed guidebook. As Food & Wine Magazine’s ”Best New Chef,” April continues to receive widespread attention for her food. In fall 2010, she and Ken opened The John Dory Oyster Bar, which joined The Breslin at New York’s Ace Hotel and earned a glowing, two-star review from the New York Times. April’s first cookbook, A Girl and Her Pig, was published by Ecco in April 2012.

Chef Bloomfield is also noted for achieving the highest score of any single challenger in Iron Chef America history, accomplishing the feat during her 56–53 victory over Michael Symon in 2008.

A Day in the Life of Chef April Bloomfield
Famous for her New York gastropubs, the English chef is going global with a San Francisco eatery, a PBS series and a forthcoming cookbook devoted to vegetables
10/10/2013 | The Wall Street Journal
http://online.wsj.com/news/articles/SB10001424052702304213904579093573862146500

CHEF APRIL BLOOMFIELD’S New York City gastropub the Spotted Pig is known for its famous investors, Jay Z and Bono among them.

So it should come as no surprise that Bloomfield and her business partner, Ken Friedman, acquired their newest restaurant in San Francisco with some celebrity help: When Sean Penn discovered that one of his favorite watering holes, Tosca Cafe, was closing its doors, he rang up his pal Friedman, who immediately began hatching plans to take over. After a summer-long kitchen renovation, Tosca reopens this month. With it, Bloomfield, 39, returns to her Italian cooking roots—a style that most Americans, blinded by the beauty of the burgers she serves at Michelin-starred the Spotted Pig and the Breslin Bar & Dining Room, likely aren’t aware she has.

Bloomfield’s rise to fame began at age 16, when she missed her deadline to apply to the police academy and opted to enter cooking school in her native Birmingham, England. By her late twenties she was crafting risottos and raviolis at the renowned River Cafe in London, where fellow Brit Jamie Oliver also cut his teeth. There, Friedman and Mario Batali discovered Bloomfield while searching for a chef for the Spotted Pig. She apprenticed at Alice Waters’s Chez Panisse in 2003 before making history the following year by introducing New Yorkers to their first gastropub: “the Pig,” as it’s known. Bloomfield now presides over four of the city’s most popular kitchens, having opened the Ace Hotel’s John Dory Oyster Bar in 2010 and Salvation Taco earlier this year.

As if all that weren’t enough, this month Bloomfield will also be featured on the PBS travel-cooking series The Mind of a Chef, which took her from New York City to Sarasota, Florida, and back home to England. On October 26, she’ll participate with 40-plus chefs from around the world in Cook It Raw, a chef’s summit in Charleston, South Carolina. And next summer, she’s set to publish her second cookbook, A Girl and Her Greens, the vegetable-heavy antidote to her glowingly reviewed A Girl and Her Pig.

While Bloomfield was working to get Tosca off the ground, she lived out of her suitcase at Hotel Zetta, eating poached-egg breakfasts and morning buns at her favorite local eateries and rolling up her sleeves to do everything from inspect her new restaurant’s custom-made white-enamel Viking stove to befriending the town’s top butchers.

Ted Allen VRP

Ted Allen


http://www.tedallen.net/
Facebook: https://www.facebook.com/tedallenofficial (51,266 likes)
Twitter: @ChopTedAllen (110K followers)

Ted Allen (born May 20, 1965) is an American writer, cookbook author, and television personality. He was the food and wine connoisseur on the American Bravo network’s television program Queer Eye and has been the host of the TV cooking competition series Chopped since its launch in 2009. He regularly appears on the Food Network’s show The Best Thing I Ever Ate and other television cooking shows. He also will host another Food Network show, “America’s Best Cook,” debuting on April 13, 2014.  He is a longtime contributing writer to Esquire magazine, the author of two cookbooks,

He is author of The Food You Want to Eat: 100 Smart, Simple Recipes (Clarkson Potter) — a collection of vibrant, all-natural dishes — and recently released In My Kitchen: 100 Recipes and Discoveries for Passionate Cooks. He also co-wrote the New York Times best-seller Queer Eye for the Straight Guy: The Fab Five’s Guide to Looking Better, Cooking Better, Dressing Better, Behaving Better, and Living Better.

Since 1997, Ted has been a contributing editor to Esquire magazine, where he writes about food, wine, style and everything else the American man needs to know. He was a finalist for a National Magazine Award for his Esquire feature on the little-known phenomenon of male breast cancer. Ted also writes for such publications as Bon Appétit and Food Network Magazine. Before joining Esquire, Ted was a senior editor and restaurant critic at Chicago magazine.

Ted volunteers his time to several national and local charities. The year 2011 marks his fourth year as spokesperson for Dining Out For Life, an annual fundraiser held on the last Thursday in April in which more than 3,000 restaurants donate a portion of the day’s proceeds to local AIDS service organizations. In 2010, Dining Out for Life raised more than $4 million in 50 cities in the United States and Canada. Ted also serves on the Culinary Council of the Food Bank for New York City and emcees GMHC’s annual Savor fundraiser.

Allen is openly gay and lives in New York City with his partner of 20 years, Barry Rice. On June 26, 2013, he announced that he was engaged to Rice. On July 30, 2013, the two were married in New York City.

Education:

-Purdue University
B.A. in Psychology (1987)

-New York University
Science and Environmental Reporting Program
M.A. in Journalism

In the Media:

Ted Allen, Chopped Host, Gets Engaged to Longtime Partner After DOMA Decision
7/27/2013 | US Weekly

Ted Allen, Chopped Host, Is Engaged!

Doug quint and Bryan Petroff (Big gay ice cream) VRP

Big gay ice cream guys – Doug quint and Bryan Petroff


Big Gay Ice Cream:

@biggayicecream (55.6K followers)
Facebook: https://www.facebook.com/BigGayIceCream?ref=br_tf (25,568 likes)
http://biggayicecream.com/

Doug Quint is a free-lance classical bassoonist and was looking for a secondary occupation in the summer off-season. A flutist friend had been operating an ice cream truck of her own and suggested doing the same to Quint, who took her up on the suggestion. In June, 2009, Doug Quint and his partner, Bryan Petroff, founded and began operating the Big Gay Ice Cream Truck at Brooklyn Pride in Prospect Park, Brooklyn. They currently operate the Big Gay Ice Cream truck during the summer months, parking at various locations throughout New York City, and tweeting their location and specialty items du jour to their followers.

After two years of just a truck, they opened their first store. As of March 2014 they also have two stores, about 30 employees, during the summer, and are opening a location in Los Angeles.

The Big Gay Ice Cream Truck has made use of social media outlets such as Twitter and Facebook to connect directly with their clientele rather than through traditional means of advertising. Quint and Petroff also frequently blog about their experience both on and off the truck.

Doug Quint:

Twitter: @GotTheShakes  (493 followers)

Vimeo: https://vimeo.com/user5371623
IMDB: http://www.imdb.com/name/nm4961493/

Credits:
Unique Sweets (TV Series) (2012-2013)
Ice Cream Nation (TV Movie)(2013)
Big Morning Buzz Live with Carrie Keagan (TV Series) (2012-2013)
United Tastes of America (TV Series) (2011)

Bryan Petroff:

Twitter: @BryanPetroff (99 followers)
LinkedIn: http://www.linkedin.com/pub/bryan-petroff/7/735/89a

Experience:
Co-Founder- Big Gay Ice Cream
July 2009 – Present (4 years 9 months)New York, NY

Learning & Communications Manager – Warnaco
March 2008 – July 2011 (3 years 5 months)
-Support both the Learning & Development & Internal Communications departments in training, various programs, meetings & events, & communications.

HR Project Manager – New York & Company
1998 – 2007 (9 years)

Education:
The School of the Art Institute of Chicago
BFA, Fine Arts 1992 – 1996

In the Media:

Let the Big Gay Ice Cream Takeover Begin!
Doug Quint & Bryan Petroff plan to set up shop in Los Angeles this spring
1/29/2014 | OUT
http://www.out.com/travel-nightlife/city-guides/los-angeles/2014/01/29/big-gay-ice-cream-takeover-begins-guys-are

“We had no interest in West Hollywood, like we have no interest in opening up a shop in Chelsea in New York. For someone coming from New York, it’s a nice way of easing into Southern California lifestyle. There’s that downtown canyon corridor experience with 100-year-old buildings and converted lofts. And homeless people carrying plasticized mailbox cartons around with bungee cords. It feels like when I moved to New York in ’96. But we do love the idea of being in great company. We can have a kooky, funky-looking spot, and finally get the space to build a production facility.”

Known for their quirky dipped cones with soft-serve flavors such as Salty Pimp, Petroff says that they plan on developing popsicles and hard-packed ice cream in their new facilities. Plus, the ability to get fresh produce will expand their options for fresh ingredients for seasonal flavors.
……

Doug Quint: The Ice-Cream Man Cometh
May 2012 | The Julliard Journal
http://www.juilliard.edu/journal/doug-quint-ice-cream-man-cometh

“Stop making milkshakes and practice milkshakes,” an imaginary Frank Morelli whispered as his former student Doug Quint was failing to perfect the milkshakes he was trying to sell. “It was like I had jumped into a performance without practicing them and I went back and sort of dissected milkshakes from the beginning to the end,” Quint told The Journal recently. A native of Portland, Me., Quint received his master’s in bassoon from Juilliard in 1994 and eight years later is a part-time freelance musician and full-time ice cream entrepreneur. But shedding milkshakes, so to speak, was far from anything he could have seen himself doing during his Juilliard days.

Bassoon alum Doug Quint applies pumpkin butter sauce to vanilla soft-serve on his Big Gay Ice Cream Truck, which has been roaming Manhattan during ice-cream season since 2009. Now he has a store in the East Village, too.

In the spring of 2009, Quint said, he noticed a friend’s Facebook post seeking summer ice-cream truck drivers. “I thought, ‘I just want to do something weird for the summer after finishing my comprehensives and practice—but not have to worry about going to festivals or making money,’” said Quint, who at the time had been working toward a D.M.A. at the CUNY Graduate Center and freelancing with the Orchestra of St. Luke’s, Orpheus Chamber Orchestra, and a number of ensembles in Boston.

That summer, Quint and his partner, Bryan Petroff, adopted a beat-up old Mister Softee truck and began dishing out soft-serve with unusual toppings, like crushed wasabi peas, olive oil, and toasted curried coconut. They named it the Big Gay Ice Cream Truck and soon gained something of a cult following, with upward of 1,000 Twitter followers (this number has since grown to more than 30,000) and a write-up in The New York Times Dining section. Factor in a spot on The Village Voice’s list of best street food and two Vendy (best street vendor) Award nominations, and the venture’s success was promising enough to drive the first-time business owners to plan for a second year using more conventional business strategies. But for the winter months, Quint got back in musical shape and continued his bassoon career.
……

Big Gay Ice Cream’s business secrets
3/12/2014 | CNN
http://money.cnn.com/2014/03/11/smallbusiness/big-gay-ice-cream/index.html

Be different.

The couple, both in their 40s, used a castoff Mister Softee truck and focused on unexpected sweet-savory combinations. They experimented with olive oil, salt, vinegar — ingredients rarely found in desserts for the masses.

Embrace your customers.

Understand your niche.

Don’t dilute the brand.

They know ice cream is a slower sell in the winter, but you’ll never see a cauldron of Big Gay Chili or a specialty macchiato.

Tegan and Sara VRP

Tegan and Sara

Tegan and Sara are a Canadian indie rock duo formed in 1995 in Calgary, composed of identical twin sisters Tegan Rain Quin and Sara Keirsten Quin (both born September 19, 1980). Both musicians are songwriters and play the guitar and keyboards.

The twins are openly gay. Tegan lives in Vancouver, British Columbia, Sara lives in Montreal, Quebec, and also in New York City with her girlfriend; they have been dating since 2011.

Background and early work: 1997–2003

Tegan and Sara Quin were born September 19, 1980 in Calgary, Alberta. They began playing guitar and writing songs at age 15, forming a band called Plunk without a drummer or bass player. In 1997, they used their school’s recording studio to record two demo albums: Who’s in Your Band? and Play Day. In 1998, they won Calgary’s Garage Warz competition, using the studio time they won to record their first professional demo, Yellow tape, which was followed by Orange tape and Red tape.

In 1999, they released their debut album Under Feet Like Ours independently under the name “Sara and Tegan”. Two songs from Red tape appeared on the album, and two from Orange tape. They later changed their name to “Tegan and Sara” because it was easier to pronounce and because they wanted their name to stand out amongst the other “Sara” musicians at the time such as Sarah McLachlan and Sarah Slean. They reprinted their first album under the name Tegan and Sara. Neil Young’s manager signed them to Young’s Vapor Records label and they released This Business of Art through Vapor in 2000. They have toured extensively since then. In 2002, the band released their third album If It Was You. Their fourth album, So Jealous, was released in 2004 and led to wider success. This album was released through both Vapor and Sanctuary. One track on the album, “Walking with a Ghost”, was covered by The White Stripes, who released it on their Walking with a Ghost EP.

Mainstream success: 2007–2011

Their 2007 album, The Con, was released by Vapor and Sire. The album was co-produced by Chris Walla. Jason McGerr of Death Cab for Cutie, Matt Sharp of The Rentals and previously Weezer, Hunter Burgan of AFI, and Kaki King all appear on the album.

On October 27, 2009, Tegan and Sara released their sixth album Sainthood, produced by Chris Walla and Howard Redekopp, as well as a three-volume book set titled ON, IN, AT, which is a collection of stories, essays, journals, and photos of the band on tour in America in the fall of 2008, writing together in New Orleans, and touring Australia. The photographs in the book are by Lindsey Byrnes and Ryan Russell. Sainthood debuted on the Billboard top 200 albums at number 21 selling, 24,000 copies in its first week. While recording Sainthood, Tegan and Sara spent a week writing songs together in New Orleans. The song “Paperback Head” appeared on the album, making it the first song on any Tegan and Sara album that they wrote together. Spin magazine gave Sainthood four out of five stars and wrote, “Tegan and Sara’s music may no longer be the stuff of teens, but its strength remains in how much it feels like two people talking.”

In 2011, they launched 2011: A Merch Odyssey, which saw at least one new item in the official online stores every month, all year long. A live CD/DVD combination package titled Get Along was released on November 15 and contains three films titled “States”, “India” and “For The Most Part”. Get Along was nominated in the 2013 Grammy Awards for “Best Long Form Music Video”.

Heartthrob: 2012–present

Tegan and Sara started recording their seventh studio album, Heartthrob, on February 20, 2012. The first single, “Closer”, was released on September 25, 2012. The album was released on January 29, 2013 and debuted on the Billboard top 200 at number 3, the band’s highest charting record to date, selling 49,000 copies in its first week. Heartthrob debuted at number 2 on the Canadian chart, digital downloads chart and hit number 1 on the rock and alternative album charts. In July 2013, the album was shortlisted for the 2013 Polaris Music Prize.

In 2009, Tegan and Sara worked as producers for the first time. Tegan worked with char2d2 on the 2009 Small Vampires EP, while Sara worked on 2010 debut albums for Fences and Hesta Prynn.

Tegan and Sara have appeared on American, Canadian, and European television shows, including The Ellen DeGeneres Show (2013), Jimmy Kimmel Live! (2005, 2013), Jonovision, The Late Late Show with Craig Kilborn (2004), Late Night with Conan O’Brien (2005, 2007, 2009, 2012), Late Show with David Letterman (2000, 2008, 2012), The NewMusic, The Tonight Show with Jay Leno (2008, 2013), C à vous (2013), and ZeD.

Tegan and Sara songs have been featured in the films “Dallas Buyers Club”, “G.B.F.”, Monster-in-Law, Sweet November, and These Girls, and in the television shows Degrassi: The Next Generation, 90210, Being Erica, Ghost Whisperer, Grey’s Anatomy, The Hills, Hollyoaks, jPod, The L Word, Life Unexpected, Melrose Place (2009 series), One Tree Hill, Parenthood, Rookie Blue, Vampire Diaries, Veronica Mars, Waterloo Road (2011) and What’s New, Scooby-Doo?. Their song “Closer” was covered by Glee on the episode “Feud” which aired March 14, 2013 at 9pm EST on Global for Canada and Fox for USA. The song is also used in the teaser trailer for the 2013 independent comedy film, “Exes”.

In 2006, Tegan and Sara performed in The L Word episode “Last Dance” (season 3, episode 11). In 2008, they appeared on the kids music television show Pancake Mountain where they acted in a skit and performed their songs “Back in Your Head”, “Hop a Plane”, and an acoustic version of “Walking with a Ghost”. In 2010, they appeared on CBC’s Mamma Yamma, revising their single “Alligator” into a children’s song. In 2012, Tegan and Sara appeared in the 90210 episode “The Things We Do for Love” performing “Closer” and “Now I’m All Messed Up” from their album Heartthrob.

In 2011, Sara Quin was a panelist on the CBC Radio 1 program Canada Reads, defending Jeff Lemire’s graphic novel Essex County. The book, the first graphic novel to be featured as part of Canada Reads, was voted off after the first round but then later placed #1 in a “People’s Choice” poll with more votes than all other books combined.

In March 2013 during the SXSW festival Tegan and Sara co-hosted the mtvU Woodie awards with rapper Machine Gun Kelly. They also performed their single “Closer”. The Woodie Awards aired on MTV on March 17, 2013. On September 30, 2013, Tegan and Sara performed “Closer” on Today.

Tegan and Sara have collaborated with The Lonely Island on a song called “Everything Is Awesome!!!” for The Lego Movie soundtrack. The movie opened in theaters on February 7, 2014. The song debuted at number 62 on the Billboard Hot 100 chart and number 24 on the Official UK Singles chart.

Official Website: http://www.teganandsara.com/

Twitter (420K followers)

https://twitter.com/teganandsara

Facebook (1,040,378 likes)

https://www.facebook.com/TeganandSara

My Space (51K & 322,058)

https://myspace.com/teganandsara

Tumblr

http://teganandsara.tumblr.com/

IMDB: http://www.imdb.com/name/nm1763207/

Soundtrack credits: The Lego Movie (2014), Altitude (2010), Dallas Buyers Club (2013), 90210 (TV Series) (3 episodes) (2009-2012), Grey’s Anatomy (TV Series) (performer – 8 episodes, 2005 – 2007) (writer – 3 episodes, 2005 – 2012)

Tegan Quin on Her ‘Awesome’ Vocals and Tegan and Sara’s ‘Lego’ Song

“We were told we should sing it with as much excitement and jubilation as possible,” singer tells Rolling Stone

2/18/2014 | The Rolling Stone

http://www.rollingstone.com/music/news/tegan-quin-on-her-awesome-vocals-and-tegan-and-saras-lego-song-20140218

When the musical comedy trio the Lonely Island reached out to Tegan and Sara with the prospect of recording a song for The Lego Movie, Tegan Quin remembers their reaction was, “Legos, cool!” The indie-pop sister duo worked on a demo and within two weeks, found themselves recording “Everything Is Awesome” with Devo frontman Mark Mothersbaugh. “Two hours later, we watched the video and voila,” Quin says. The ebullient hit single debuted at Number 11 on Billboard’s Dance/Electronic Songs chart.

Quin says they spent all of a couple of hours working on the song, futzing around with its tempo and its key to get it just right. She was happy with the result. “Obviously we got to end up as Legos,” she says. “We saw a couple of scenes from the movie and I thought it was really smart and funny.” Rolling Stone caught up with Quin to put together (har har) how the song was recorded.

6 major reasons Tegan And Sara are on fire right now
Everything is awesome for musical sister duo

2/18/2014 | HitFix Music

http://www.hitfix.com/immaculate-noise/6-major-reasons-tegan-and-sara-are-on-fire-right-now

Tegan and Sara Quin made a very conscious decision to make their music more “accessible” with the release of their last album “Heartthrob” last year.

“Look at Adele and Coldplay, who are accessible to more people. For their fans, that’s really raw and emotional… I can’t change my voice. I’m never gonna sound like Katy Perry or Chris Martin or Adele,” Tegan told me back in May 2012. “There’s always going to be fans who wish we still sat on stools and didn’t have a band and played our shows that way… but now I want to share my music with as many people as I can.”

“Heartthrob” became one of the sister-duo’s best-selling album to date, and yielded their biggest singles, and thrust them further into music’s mainstream — and main stage, big screen, small screen and into headlines. And even moreso lately, it seems, they’re everywhere.

Here’s six major reasons Tegan and Sara have been totally killing it so far in 2014:

1. “Everything Is Awesome.” It is indeed. Anybody who has set foot in “The Lego Movie” and/or The Internet will be unable to deny the attractive power of the film’s, erm, anthem “Everything Is Awesome.”

Everything is cool when you’re part of a team. And it took a team. Mark Mothersbaugh of Devo produced and co-wrote the soundtrack to “Lego Movie,” including this brain-gum of a single. Tegan and Sara plus comedy troupe The Lonely Island all piled on to its “remix,” which itself should be the topic of a masters thesis class in contemporary pop music. It not only makes fun of popular music tropes, but has its own lyrical subversion and performances that T&S knock out of the park.

2. Opening for Katy Perry. A few months ago, I had the privilege of seeing Katy Perry take the stage at the Hollywood Bowl, and some of her own personal favorite, hand-picked artists open the show. T&S, who have performed with Perry before, lit up the Hollywood Bowl with their typically hysterical banter. Their appreciation for each other, their acumen to warm a (literally) chilly and mainstream crowd and their kinship with Perry could kindle even the coldest cockles.

Perry has tapped T&S among her set openers for the forthcoming Prismatic World Tour, with Tegan and Sara’s spots starting Sept. 9 in Vancouver. Don’t expect “Everything Is Awesome” to make the setlist, though.

“Without the Lonely Island guys traveling with us, I can’t really imagine it within our set. But that’s not because I’m not proud of it,” Sara Quin told Billboard.

3. “Don’t Find Another Love.” I have listened to this new song from the soundtrack to “Endless Love” about 700 times. It’s equal parts Ellie Goulding, Local Natives and Diana Ross, and yet still inextricably Tegan and Sara. Upbeat and “wicked,” it’s simple and unapologetically sweet.

Do not see the movie. I’m sorry. Do listen to this amazing soundtrack, which also has some Immaculate Noise favorites like Nonono, Cults, The Tallest Man On Earth and The Bird And The Bee with The National’s Matt Berninger. There is no pouty Pettyfer to contend with.

4. Oreos. God, as if I didn’t love Oreos enough. Tegan and Sara retained their distinct style and voices for a fresh commercial for the milk-loving cookie co. And they didn’t write this “Wonderfilled” jingle, ad company The Martin Agency did. How did they manage to find the perfect opportunity to line their pockets with fresh, delicious money without compromising their sound? Well, of course, it helps that their sound has drastically changed from their early career, but the dance-pop version of T&S is a no-brainer for partnerships like these.

This campaign started around the Grammys last month. Now give me a bite.

5. “Shudder to Think.” Still hungry? How about their original song for Oscar-nominated “Dallas Buyers Club?” Beyond even that: 10% of the sales of the soundtrack went to (RED) in the global fight against AIDS. This burst of awesome has staying power into 2014 because “DBC” is up for a whopping six Academy Awards in March, including Best Picture. How about a Best Song nod for T&S soon, huh?

6. That Ellen Page name-check. The “Juno” actress and your new best friend gave a nine-minute speech on Valentine’s Day as a coming-out, during a human rights conference. “I am here today because I am gay,” Page said, then saluting others’ efforts to “promote safety, inclusion, and well-being for LGBTQ youth.”

“There are pervasive stereotypes about masculinity and femininity that define how we’re all supposed to act, dress, and speak, and they serve no one. Anyone who defies these so-called ‘norms’ becomes worthy of comment and scrutiny, and the LGBT community knows this all too well,” Page said from the podium at the Human Rights Campaign Foundation’s Time To THRIVE conference. “Yet there is courage all around us. The football hero Michael Sam; the actress Laverne Cox; the musicians Tegan and Sara Quin; the family that supports their daughter or son who has come out.”

Tegan and Sara were “out” as lesbians in their teens. Fifteen years on, strangers still approach them and tell them their own stories of coming-out. T&S have been powerful and vocal activists and advocates for LGBT rights, starting by being who they are and being very talented. A hat-tip from a high-profile actress is not just lip service but a testament to power by example. A very cool moment.

‘The Lego Movie’: Why Tegan & Sara Went Chirpy for ‘Everything Is Awesome’ (Video)

2/17/2014 | The Hollywood Reporter

http://www.hollywoodreporter.com/earshot/video-lego-movie-why-tegan-680761

The duo worked with Andy Samberg’s Lonely Island and film composer Mark Mothersbaugh for the blockbuster’s insanely upbeat track.

While this week’s Hot 100 chart includes two songs in the Top 20 that were first heard in feature films (Pharrell’s “Happy” from Despicable Me 2, and Idina Menzel’s “Let It Go” from Frozen), a wacky single from current box office champ The LEGO Movie is also finding an audience. “Everything Is Awesome,” a collaboration between Tegan & Sara, the Lonely Island and film composer Mark Mothersbaugh, debuts at No. 11 on the Dance/Electronic Songs chart, with 34,000 downloads sold to date, according to Nielsen SoundScan.

The chirpy, insanely upbeat track does not exactly fit into the nuanced indie-pop catalogue of Tegan & Sara, but that’s what attracted the veteran sister duo toward the project, the group’s Sara Quin tells Billboard.

“We want to be a ‘serious’ musical band, while also being funny people,” says Quin. “But this was so adorable, and the movie looked great, and the opportunity to do something with Mark Mothersbaugh and the Lonely Island… it was sort of a no-brainer, and it’s turned out to be this really cool moment. We feel like it was a win-win.”

Tegan & Sara signed on to record “Everything Is Awesome” after hearing an early version of the song, which didn’t yet have the Lonely Island delivering the rap breakdown. Although the duo typically writes its lyrics, the song’s cleverness and catchiness pushed Tegan & Sara to cut vocals for a new version of the “Awesome” song.

“It’s a crazy earworm,” says Quin. “As someone who prides myself on being able to write things that are memorable and hooky, the second that we heard this song, I was astounded. Whether you like the song or not, whether you think it’s funny or annoying, there’s no denying that it’s a ridiculously hooky thing. As soon as you hear it, it never leaves your brain.”

Quin says that her sister Tegan went into the studio with Mothersbaugh — the leader of Devo who composed music for films like 21 Jump Street and Cloudy with a Chance of Meatballs — to record the song’s main vocals, while Sara sent in backing vocals from her apartment. Although the pair was never in the studio with the Lonely Island, Quin says that the final product is a “fun, spontaneous” combination of their pop stylings and the Andy Samberg troupe’s off-the-wall antics. And after The LEGO Movie earned positive reviews and grossed $69.1 million over its opening weekend last week, Quin says that she’s noticed a swell of interest in the song over the past week.

Tegan & Sara have been on the road for over a year supporting their 2013 album Heartthrob, and will be opening on part of Katy Perry’s Prismatic arena tour this summer. However, fans shouldn’t expect to hear “Everything Is Awesome” nudged in between recent tracks like “Closer” and “I Was A Fool” at Tegan & Sara concerts.

“The other night, we were playing a show and were about halfway through the set when I heard a guy go, ‘Play “Everything Is Awesome”!’ And I was like, ‘Oh no, this could become a problem,'” says Quin with a laugh. “Without the Lonely Island guys traveling with us, I can’t really imagine it within our set. But that’s not because I’m not proud of it.”

 

Tour schedule:

http://www.teganandsara.com/shows/

End of an Era? Clinton Media Strategy May Be Due for an Overhaul

2/28/2014 | The New York Times

(Hillary Rodham Clinton in February 2013 leaving the State Department, where news media coverage was generally favorable.)

WASHINGTON — Soon after Hillary Rodham Clinton left the State Department, her longtime spokesman talked wistfully about their paradise lost.

“We knew the golden age was coming to an end,” Philippe Reines said.

Mr. Reines was referring to the coverage Mrs. Clinton received from the State Department press corps — in his view, a substantive, high-minded and worldly lot who diligently covered her diplomatic travels and policy initiatives. They were, Mr. Reines explained, in sharp contrast to “the parallel press corps” of political reporters who have scrutinized Mrs. Clinton’s every utterance, scratched at any scent of scandal and speculated about her ambitions since she first refused to bake cookies.

As Mrs. Clinton has now moved back into that parallel universe ahead of a potential second presidential run in 2016, Mr. Reines and the other press operatives entrusted to guard her image remain armored and armed against a media they believe has it in for the former first lady. But some veterans of past Clinton campaigns think her bunker mentality toward the press is outdated, and that it is the couple’s own psychological baggage that could hurt her chances.

After all, Mrs. Clinton has simply outlasted many of her old combatants — real and imagined — from the media wars of the 1990s. In their place is a virtual clean slate of Clinton reporters whose formative experiences with her come from the last campaign or her time as a senator. Some of the babies ready to board the 2016 campaign bus were actually babies in the 1990s.

“I wasn’t politically engaged in that time,” said Ruby Cramer, a reporter who was in single digits at the time of the Whitewater scandal and who covers Mrs. Clinton for BuzzFeed, the attention-grabbing Web publication whose news operation was not yet conceived in 2008. She has written pieces surveying Mrs. Clinton’s support in Iowa and profiling her chief donors in California, but other than receiving warnings about the Clinton press operation, she said. “I don’t think I came with any baggage.”

Mrs. Clinton’s press strategy will have a critical bearing on her political fortunes, especially as she faces earlier and more extensive coverage than any potential candidate in history. Reporters at a raft of publications, including this one, are treating Mrs. Clinton as a beat, an exceptional development for an undeclared candidate two years out from an election.

How and if Mrs. Clinton engages that press offers the first hint of the tone her possible campaign could strike in 2016, and whether it would be different from the approach of 2008, 2006, 2000, 1996 and 1992.

Mrs. Clinton’s media skepticism is a longstanding condition. In 1995, Lisa Caputo, Mrs. Clinton’s press secretary in Bill Clinton’s first presidential term, wrote about the first lady’s aversion to the national Washington media. That memo was among nearly 4,000 Clinton White House documents made public by the National Archives on Friday, the latest entry in a flurry of AOL-era flashbacks.

As a national figure for three decades, half of which has been spent representing or residing in the media capital of the world, Mrs. Clinton is encountering at least her third wave of political reporters. Through Whitewater, Monica Lewinsky, the vast right-wing conspiracy, the Senate candidate carpetbagger era, the Suha Arafat kiss, the presidential flirtations and finally the 2008 campaign, she has developed and maintained an attitude skeptical of the press. (“HC says press has big egos and no brains,” Mrs. Clinton’s late friend Diane Blair wrote in her personal papers during the 1993 White House Travel Office scandal.)

Most reporters acknowledge that Mrs. Clinton’s perception of them as enemy combatants is not entirely irrational. But it is a view that has not always served her well.

In the 2008 presidential primaries, as Mrs. Clinton challenged an upstart media sweetheart, Barack Obama, many reporters in her press corps knew her primarily as the senator from New York and not the former first lady. Nonetheless, Mrs. Clinton kept those reporters at bay and failed to employ the charm offensive of which she is highly capable. Only on the eve of the disastrous Iowa caucuses, when relations between the campaign and reporters had already broken down, did she venture onto the press bus with coffee and bagels. “I didn’t want you to feel deprived,” she said during a visit that lasted one minute and 28 seconds. Hardly anyone ate a bagel.

Some Clinton veterans point out that while young reporters might not come into the campaign with chips on their shoulders, they often answer to editors who have their own Clinton histories.

“On one hand, you’ve got reporters in their early 20s whose direct experience watching her is as a largely praised secretary of state and a glass-ceiling shattering presidential candidate,” said Blake Zeff, a former spokesman for Mrs. Clinton who is now the political editor at Salon. “On the other, you have older editors who come at this with a much longer view, steeped in old fights dating back to the 1990s and the Senate.”

To the extent that Mrs. Clinton is following the old playbook of stiff-arming the media, so far it seems to be working out just fine. Polls show her as a prohibitive favorite — for now —and there is no candidate on the horizon who seems capable of generating the media heat Mr. Obama did. Mrs. Clinton’s presumed supremacy has generated a virtual cottage industry of Democratic press operatives working on speculation to boost Mrs. Clinton and police her coverage.

While some of those pro bono boosters have sought to woo new reporters on the Clinton beat, there is still built-in skepticism about the media’s intentions. “What’s the point?” said a former Clinton press operative about shifting to a strategy of greater engagement when interest in Mrs. Clinton is already so intense, and when any tiny error could be amplified.

Sometimes, Mrs. Clinton’s press handlers can seem more obsessed with the past and perceived institutional biases than the reporters covering her. The two veterans who essentially run the Clinton press operation — Matt McKenna, a Montana-based strategist employed by Mr. Clinton and his foundation, and Mr. Reines, who works for Mrs. Clinton — are both known to keep blacklists.

But it is Mr. Reines, varyingly caustic and charming, who is the ultimate Clinton survivalist and the operative who perhaps most embodies his boss’s tortured relationship with the press. He has resided in Hillaryland for almost his entire career and developed a less than favorable view of the political press, comparing it to the hungry T-rex in Jurassic Park. “If you stand still, it doesn’t notice you. But once you move even a little bit it’s on the scent and you can’t get rid of it,” he said.

Mr. Reines, who was sidelined for much of the 2008 campaign, benefited from his exile as he found himself well positioned to follow Mrs. Clinton to the State Department, where he traveled with her extensively and entered her inner orbit. He is now considered a Clinton lifer.

On Thursday on the enclosed rooftop of the W hotel, Mr. Reines arrived late to the book party for “HRC,” a new book that describes Mrs. Clinton’s time at the State Department in a mostly positive light. His mere presence was a reminder to the myriad reporters and pundits in the room of the Clinton press shop’s Golden Rule: “We treat others in the way they treat us.”

As reporters gravitated toward him, Mr. Reines laughed with one of the book’s authors and then sipped the evening’s signature champagne cocktail. It was called the State Secret.

Brace Yourself for Hillary and Jeb

3/1/2014 | The New York Times

WASHINGTON — OY. By the time the Bushes and Clintons are finished, they are going to make the Tudors and the Plantagenets look like pikers.

Before these two families release their death grip on the American electoral system, we’re going to have to watch Chelsea’s granddaughter try to knock off George P.’s grandson, Prescott Walker Bush II. Barack Obama, who once dreamed of being a transformational president, will turn out to be a mere hiccup in history, the interim guy who provided a tepid respite while Hillary and Jeb geared up to go at it.

Elections for president are supposed to make us feel young and excited, as if we’re getting a fresh start. That’s the way it was with J.F.K. and Obama and, even though he was turning 70 when he got inaugurated, Ronald Reagan.

But, as the Clinton library tardily disgorged 3,546 pages of official papers Friday — dredging up memories of a presidency that was eight years of turbulence held steady by a roaring economy and an incompetent opposition, a reign roiled by Hillarycare, Vince Foster, Whitewater, Webb Hubbell, Travelgate, Monica, impeachment, Paula Jones, Kathleen Willey and Marc Rich — the looming prospect of another Clinton-Bush race makes us feel fatigued.

Our meritocratic society seems increasingly nepotistic and dynastic. There was a Bush or a Clinton in the White House and cabinet for 32 years straight. We’re Bill Murray stuck at 6 a.m. in Harold Ramis’s comic masterpiece, “Groundhog Day.” As Time’s Michael Crowley tweeted on Friday, “Who else is looking forward to potentially TEN more years of obsessing about Hillary Clinton’s past, present and future?”

The Clintons don’t get defeated. They get postponed.

Just as Hillary clears the Democratic field if she is healthy and runs, a major Romney donor told The Washington Post that “if Jeb Bush is in the race, he clears the field.” Jeb acknowledged in Long Island on Monday, referring to his mom’s tart comment that “if we can’t find more than two or three families to run for higher office, that’s silly,” that “it’s an issue for sure.” He added, “It’s something that, if I run, I would have to overcome that. And so will Hillary, by the way. Let’s keep the same standards for everybody.”

We’ve arrived at the brave new world of 21st-century technology where robots are on track to be smarter than humans. Yet, politically, we keep traveling into the past. It won’t be long before we’ll turn on the TV and see Lanny Davis defending President Clinton (the next one) on some mishegoss or other.

When the Clintons lost to Obama, they simply turned Obama’s presidency into their runway. Jim Messina, Obama’s 2012 campaign manager, and a passel of other former Obama aides, are now helping Hillary. And Bill is out being the campaigner-in-chief, keeping the Clinton allure on display in 2014.

The new cache of Clinton papers is benign — the press seems more enamored of speechwriters’ doodles than substance — but just reading through them is draining. There are reams of advice on how to steer health care, which must have filled the briefing binders Hillary famously carried. But did she absorb the lessons, given that health care failed because she refused to be flexible and make the sensible compromises suggested by her husband and allies? She’s always on listening tours, but is she hearing? As one White House health care aide advised in the new document dump, “We need to be seen as listening.”

Just as in the reminiscences compiled by Hillary’s late friend, Diane Blair, a political science professor at the University of Arkansas — some of which were printed in the Washington Free Beacon three weeks ago — the new papers reflect how entangled the Clintons’ public and private lives were in the White House.

In a 1995 memo, Lisa Caputo, the first lady’s press secretary, sees an opportunity for the upcoming re-election campaign by “throwing a big party” for the Clintons’ 20th wedding anniversary.

“We could give a wonderful photo spread to People magazine of photos from the party coupled with old photos of their honeymoon and of special moments for them over the past 20 years,” Caputo wrote, adding that they could turn it into “a nice mail piece later on.”

Both sets of papers are revealing on the never-ending herculean struggle about how to present Hillary to the world, how to turn her shifting hairstyles and personas into one authentic image.

“Be careful to ‘be real,’ ” media adviser Mandy Grunwald wrote to her before the launch of her listening tour at Daniel Patrick Moynihan’s farm in upstate New York. “You did this well in the Rather interview where you acknowledged that of course last year was rough. Once you agree with the audience’s/reporters’ reality like that, it gives you a lot of latitude to then say whatever you want.”

Grunwald advises the first lady to “look for opportunities for humor” and “Don’t be defensive.”

It’s hard to understand why so many calculations are needed to seem “real,” just as it’s hard to understand how Hillary veers from feminist positions to un-feminist ones.

In the Blair papers, Hillary’s private view of the Monica Lewinsky affair hewed closely to the lame rationales offered by Bill and his male friends.

“HRC insists, no matter what people say,” Blair said, after talking to Hillary on the phone, “it was gross inappropriate behavior but it was consensual (was not a power relationship) and was not sex within any real meaning (standup, liedown, oral, etc.) of the term.” The president dallying with a 22-year-old intern was not “a power relationship” and certain kinds of sex don’t count?

Like her allies Sidney Blumenthal and Charlie Rangel, Hillary paints her husband’s mistress as an erotomaniac, just the way Clarence Thomas’s allies painted Anita Hill. A little nutty and a little slutty.

“It was a lapse,” Blair wrote, “but she says to his credit he tried to break it off, tried to pull away, tried to manage someone who was clearly a ‘narcissistic loony toon’; but it was beyond control.”

The cascade of papers evoke Hillary’s stressful brawls — with her husband, the press, Congress and the Vast Right-Wing Conspiracy. And they evoke the issue about her that is so troubling and hard to fathom. She is an immensely complex woman with two sides. She is the tireless and talented public servant. And she is the tired warrior who can be insecure and defensive, someone who has cleaved to a bunker mentality when she would have been better served getting out of her defensive crouch.

Talking to her pal Blair, Hillary had a lot of severe words for her “adversaries” in the press and the G.O.P. Blair also said Hillary was “furious” at Bill for “ruining himself and the presidency” by 1994.

Hillary may have had a point when she said in 1993, after criticism of the maladroit firing of the veteran White House travel office staff, that the press “has big egos and no brains.” But it speaks to her titanic battles and battle scars.

Hillary has spent so much time searching for the right identity, listening to others tell her who to be, resisting and following advice on being “real,” that it leaves us with the same question we had when she first came on the stage in 1992.

Who is she?

Jon Stewart’s Punching Bag, Fox News

4/23/2010 | The New York Times

Jon Stewart of “The Daily Show” continues to take on a cable channel.

George W. Bush and Dick Cheney are long gone. Fox News Channel is Jon Stewart’s new enemy No. 1.

Last week that comedian did something that the hosts of “Fox & Friends,” the morning show on Fox News, did not do: he had his staff members call the White House and ask a question.

It may have been in pursuit of farce, not fact, but it gave credence to the people who say “The Daily Show” is journalistic, not just satiric. “Fox & Friends” had repeatedly asked whether the crescent-shaped logo of the nuclear security summit was an “Islamic image,” one selected by President Obama in his outreach to the Muslim world. The White House told “The Daily Show” that the logo was actually based on the Rutherford-Bohr model of the atom.

“This is how relentless Fox is” in savaging President Obama, Mr. Stewart said.

On the subject of Fox, Mr. Stewart is pretty relentless too. As demonstrated by that crescent segment and dozens of others since Mr. Obama took office, he may well be television’s pre-eminent fact-checker of Fox News, the nation’s highest-rated cable news channel.

It has been noticed by, among other people, the Fox host Bill O’Reilly, who called Mr. Stewart a “devoted critic” of Fox News and said “his influence is growing.”

Separately, this week Mr. Stewart’s contract was renewed by Comedy Central into 2013. Combining the earnestness of a journalism professor and the sarcasm of a satirist, Mr. Stewart routinely charges that Fox’s news anchors and commentators distort Mr. Obama’s policies and advance a conservative agenda. He reminds some viewers of the left-wing group Media Matters but much funnier.

“Stewart does a great job of using comedy to expose the tragedy that is Fox News, and he also underscores the seriousness of it,” said Eric Burns, the president of Media Matters.

The segments about Fox are often replayed hundreds of thousands of times on blogs and other Web sites, amplifying their significance. “Media criticism has become part of his brand,” said Mark Jurkowitz, the associate director of the Project for Excellence in Journalism, who noted that Mr. Stewart had also dissected CNN and CNBC in lengthy segments in the past.

It is true that the often-left-leaning “Daily Show” deals with a wide array of topics, but Fox is one that Mr. Stewart is overtly passionate about; he said on the show this week that he criticizes the network a lot because it is “truly a terrible, cynical, disingenuous news organization.”

According to “The Daily Show” Web site, thedailyshow.com, Fox News has been a subject of 24 segments so far this year, including eight in the month of April. The lower-rated news channel CNN, by contrast, has been a subject of five segments this year.

In many of the segments, Mr. Stewart questions Fox’s journalistic practices. He noted that Fox had hired former Gov. Sarah Palin of Alaska to be a political analyst in a January segment he called “News of the Weird.” But he wasn’t laughing when he asserted that Fox is “functioning as her de-facto rapid response media arm, and they’re paying her for the privilege of doing it.”

In February he noted that Fox News had stopped showing President Obama’s widely praised meeting with Republican leaders while CNN and MSNBC had carried it start to finish. Mimicking a Fox anchor, Mr. Stewart said, “We’re gonna cut away because” — humorous pause — “this is against the narrative that we present.”

In March he ridiculed the news anchor Megyn Kelly for lining up guests who were opposed to the Democratic health care overhaul and citing polls that claimed the American people were opposed to it. Then he played a clip from October 2008, when Mr. Obama was leading in most polls, of Ms. Kelly’s saying “don’t trust the polls.”

In the past week and a half he found himself in a fight with Bernie Goldberg, the Fox News contributor, after suggesting that Mr. Goldberg and others were hypocritical for having bemoaned generalizations about the Tea Party while having demonized liberals.

As Fox’s ratings have surged, so too has the amount of criticism, particularly surrounding its combination of news programs and conservative opinion programs. Asked on Friday about Mr. Stewart’s criticism, a Fox spokeswoman, Loren Hynes, said the channel would pass on an opportunity to comment.

Mr. O’Reilly responded to Mr. Stewart on his Fox program on Wednesday, calling “The Daily Show” a “key component of left-wing television” and concluding: “Here, we have all kinds of views, all kinds of debates, and we’re not boring. That’s why Jon Stewart loves us, and, yes, needs us, especially Bernie Goldberg.”

Mr. Stewart and his executive producers usually let their segments speak for themselves, and they declined interview requests about Fox this week. Friends and colleagues of Mr. Stewart say privately that he cares deeply about media issues and happens to be in a position to talk about them.

His staff members regularly dismiss claims that “The Daily Show” is a form of journalism. “I have not moved out of the comedian’s box into the news box,” Mr. Stewart said on the show on Tuesday, adding, “The news box is moving toward me.”

But there he was, checking in with the White House when Fox didn’t. The inspiration for the “Fox & Friends” segment about the “Islamic image” came from The New York Post, which, like Fox News, is owned by the News Corporation. Mr. Stewart cut up the clips of the co-hosts Brian Kilmeade and Gretchen Carlson reckoning that the flags of Muslim nations look a lot like the summit logo — followed by Ms. Carlson’s saying “you be the judge” — before letting rip.

“Yeah, you be the judge,” Mr. Stewart said, hurling an expletive and continuing, “We’re just curious citizens, wondering if we put that logo up with four Muslim flags, whether you’ll have a visceral reaction that our president is perhaps Muslim.”

He concluded: “Anyway, what do you think? We’re just doing the math and then giving you the answer, and then asking you to check our work.”

 

http://www.nytimes.com/2010/04/24/arts/television/24stewart.html?_r=0

A version of this article appeared in print on April 24, 2010, on page C1 of the New York edition.

Mark Gordon VRP

Mark Gordon VRP

Mark Gordon
Wikipedia: http://en.wikipedia.org/wiki/Mark_Gordon

IMDBPro: https://pro-labs.imdb.com/name/nm0330428/

Mark R. Gordon (born October 10, 1956; age 57) is an American television and film producer. He is the President of the Producers Guild of America. He’s known for Criminal Minds (2005), Grey’s Anatomy (2005), Saving Private Ryan (1998) and Source Code (2011).

Gordon was born in Newport News, Virginia. He is a graduate of the New York University Film School. He married in 1997 with Karen Villeneuve, a Canadian social entrepreneur and former model. The couple however divorced in 2003. Together they have two daughters, aged 10 and 12. On June 18, 2011, his ex-wife married Diana, Princess of Wales’s brother Charles Spencer, 9th Earl Spencer. She gave birth to his seventh child in July 2012. Mark married Sally Whitehill in December 2011.

Gordon’s first producing effort was the Off-Broadway production of The Buddy System at Circle in the Square downtown. Over the years, he has produced 68 movies since How to Be a Perfect Person in Just Three Days (1988) and 29 TV projects (the first one’s a TV comedy series Good Time Harry (1983), created by Steve Gordon, 1938-1982), and is currently working on 32 movie projects.

Gordon owns the Mark Gordon Company, and was a partner in Mutual Film Company with Gary Levinsohn.

Representative:
Craig Jacobson
+1 310 248 3101 phone
cj@hjth.com

The Mark Gordon Company / Mark Gordon Productions
+1 310 943 6401 phone
+1 310 943 6402 fax
12200 W Olympic Blvd
Ste 250
Los Angeles, CA 90064

The Mark Gordon Company (also known as Mark Gordon Productions) has been producing Mark Gordon’s movie and TV projects since 2005. Productions include Criminal Minds, Grey’s Anatomy, Source Code, and upcoming The Chronicles of Narnia: The Silver Chair.

Staff:

Mark Gordon Principal / Producer
Brian Harvey SVP TV (Executive)
Nicholas Pepper Head, TV Drama (Executive)
Shara Senderoff VP, New Media (Executive)
Drew Simon Director of Development (Executive)
Sara Smith Creative Executive (Executive)

Personal Quotes:

And the older I get, the less the idea of failure has any meaning. Just because something doesn’t work, doesn’t mean you’ve failed.

Up until about 10 years ago, I was very caught up in outcome. I wanted to be a member of the Big Hit Club, and then I wanted to stay a member of the Big Hit Club. So instead of enjoying, or even noticing the process, I was always racing ahead to see what would happen next.

The 2010 Produced By Conference in Los Angeles, California: At the every least, the conference should help give producers an attitude adjustment. ‘It’s how does one turn lemons into lemonade.’ Take the renewed focus on sequels and remakes. ‘It’s frankly a little depressing for everyone because most people have a passion for storytelling and don’t want to rehash the same thing over and over again.’ That’s the reality of the business right now.’ You can either say ‘This is not interesting for me’ and go play somewhere else. Or you can figure out a way to deliver what studios want while developing passion projects independently.
In the Media:

Showtime Ripped Off ‘Ray Donovan’ Concept, Screenwriter’s Lawsuit Claims
2/14/2014 | Deadline.com
http://www.deadline.com/2014/02/showtime-ray-donovan-breach-of-implied-contract-lawsuit/

Somebody wants a piece of Showtime’s Ray Donovan. Specifically that someone is one Brian Larsen, who is claiming that the premium channel lifted his idea to create the hit Hollywood-fixer series starring Liev Schreiber. Southland creator Ann Biderman is credited with coming up with Donovan and is an EP on the Mark Gordon Company show. Not so, says Larsen, though neither Binderman nor Gordon is named as a defendant. In an 11-page breach of implied contract and breach of confidence complaint filed February 13 in L.A. Superior Court (read it here), the seemingly creditless Larsen and his Radical Pictures LLC  says Donovan “mimics” his 2009 fixer concept The Swissman. Touting that the series has “enriched Defendants to the tune of millions of dollars,” Larsen wants Donovan stopped via an injunction and is seeking wide ranging but unspecified damages of more than $25,000.
‘Happy Endings’ EP Set as Showrunner on NBC’s Mark Gordon Comedy ‘Fifth Wheel’ (Exclusive)
2/11/2014 | The Hollywood Reporter
http://www.hollywoodreporter.com/live-feed/happy-endings-ep-set-as-679215

The ensemble comedy centers on a young woman who confronts her new reality after her last single friend gets engaged. YouTube duo Heidi Niedermeyer and Elena Crevello (Shit People Say in L.A.) will pen the script and serve as supervising producers. The multicamera comedy hails from ABC Studios and The Mark Gordon Co., with Gordon and Andrea Shay, who launched the comedy division four years ago, on board to executive produce. Groff, whose credits include How I Met Your Mother and Scrubs, also will serve as showrunner on the comedy.
PGA Awards: Hawk Koch and Mark Gordon on Making a Mark for the Industry
1/17/2014 | The Hollywood Reporter
http://www.hollywoodreporter.com/news/pga-awards-hawk-koch-mark-670765

The guild’s co-presidents talk to THR about their biggest accomplishment, how their show has changed and what’s next for the guild.

Since June 2010, Mark Gordon and Hawk Koch have served as co-presidents of the Producers Guild of America. (Hawk took a leave of absence in 2012 to serve a one-year term as president of the Academy of Motion Picture Arts and Sciences.) With their tenure as head of the trade group that represents the interests of film and TV producers ending this summer, they took a moment to look back at the growth of the guild, which is approaching 6,000 members.
ABC Orders Mark Gordon-Produced Pilot ‘Clementine’
1/16/2014 | The Wrap
http://www.thewrap.com/abc-orders-mark-gordon-produced-pilot-clementine/

Drama project revolves around a habitual criminal who’s hounded by zealots who fear that she possesses supernatural abilities

ABC is getting deeper into the Mark Gordon business.

The network has ordered a pilot for the drama “Clementine,” which “Grey’s Anatomy” producer Gordon is executive producing.

The pilot, from 2004 “The Manchurian Candidate” writer Dean Georgaris, revolves around a  habitual criminal who digs into the mystery of her origins after she becomes the target of a group of zealots who fear she possesses latent supernatural abilities that she will one day harness for either profound good or monstrous evil.

The Mark Gordon Co. is attached to executive produce. Nicholas Pepper and Ilene Staple are also executive producing.

Ridley Scott, Simon Kinberg, Mark Gordon to Remake ‘Murder on the Orient Express’ for Fox
12/12/2013 | The Hollywood Reporter
http://www.hollywoodreporter.com/news/ridley-scott-simon-kinberg-remake-665493

The studio has picked up the screen rights to the classic Agatha Christie murder-mystery book Murder on the Orient Express that was made into a 1974 Oscar-nominated hit, and has set powerhouse producers Ridley Scott, Simon Kinberg and Mark Gordon to produce, The Hollywood Reporter has confirmed.

… Gordon just announced he was developing a new Narnia movie, The Chronicles of Narnia: The Silver Chair.
Jason Isaacs, Mark Gordon Sell Private Eye Drama to ABC (Exclusive)
10/30/2013 | The Hollywood Reporter
http://www.hollywoodreporter.com/live-feed/jason-isaacs-mark-gordon-sell-651812

The drama project is being developed for Isaacs, a Golden Globe nominee, with Stephen Chin on board to write it. The former Awake star was integral in the development and sale of the ABC Studios project and will serve as a producer working closely with The Mark Gordon Company, which has an overall deal at ABC. Gordon and Nick Pepper will serve as executive producers.

The sale marks the ninth for Gordon this season, with a diverse development slate that includes four comedies (Fifth Wheel, Clothing Optional, After Party and Benched) and four dramas (Conviction, Clementine, Untitled Price & MIllard and Untitled Tom Donaghy). His series portfolio includes ABC’s Grey’s Anatomy and Showtime’s Ray Donovan, among others.

Mark Gordon, ‘Shit People Say in L.A.’ Duo Set Up Comedy at NBC
10/11/2013 | The Hollywood Reporter
http://www.hollywoodreporter.com/live-feed/mark-gordon-shit-people-say-647345

Mark Gordon has set up his latest project this development season.

The prolific producer (Grey’s Anatomy, Ray Donovan) has set up comedy Fifth Wheel at NBC, The Hollywood Reporter has learned.

The comedy hails from viral video “Shit People Say in L.A.” duo Heidi Niedermeyer and Elena Crevello and is described as a 20-something ensemble show about a girl learning to deal with being the only single person in her group of friends.

Niedermeyer and Crevello will pen the script, with Gordon and Andrea Shay exec producing for ABC Studios-based The Mark Gordon Co.

The duo, via their YouTube channel, The Trashy Class, has made a series of viral sketch videos including “The Ghost of KCRW” and “Shit People Say In L.A.,” the latter of which has more than 2 million streams. In a 2012 LAist interview, the duo explained that they met in high school at a summer theater camp and remained friends while studying in New York, often performing off-Broadway and in improv clubs. Niedermeyer has appeared on Rules of Engagement and multiple College Humor videos.

For Gordon, this marks his seventh sale this development season, joining family drama Conviction, from Aaron Stockard (ABC); a detective drama from Kathryn Price and Nichole Millard (ABC); an adult ensemble comedy, The After Party (ABC); and Fox’s Clothing Optional, the latter two from writer Scott King.

Hawk Koch Resumes Duties as PGA President Alongside Mark Gordon

8/5/2013 | The Hollywood Reporter
http://www.hollywoodreporter.com/news/hawk-koch-resumes-duties-as-599627

The PGA recently announced that all six major studios have signed on to implement the Producers Mark certification, indicated by the letters “p.g.a.” following a motion picture’s “Produced By” credit.  The Producers Mark is the result of a long campaign led by Gordon and Koch to develop and launch a vetting process that clearly certifies who did the majority of the producing work on a film while also establishing an authentic seal of approval.

Mark Gordon, ABC Studios Prep Time-Travel Drama
3/26/2013 | The Hollywood Reporter
http://www.hollywoodreporter.com/live-feed/mark-gordon-abc-studios-prep-430970

Mark Gordon is heading into the future.

Through his overall deal at ABC Studios, The Mark Gordon Company has forged a joint venture with Sonar Entertainment to produce Fix It Men, a drama created by John Glenn. Under the terms of the deal, ABC Studios will tackle distribution in North America while Sonar does so for the rest of the world.

Mark Gordon Signs New Deal With ABC Studios, Inks First-Look Pact With Disney
4/7/2011 | Deadline.com
http://www.deadline.com/2011/04/mark-gordon-signs-new-deal-with-abc-studios-inks-first-look-pact-with-disney/

Mark Gordon has renewed his deal with ABC Studios, where he has been for 10 years. Additionally, he has inked a first-look pact  with Walt Disney Studios. The four-year Disney deal covers overhead for Gordon’s banner, Mark Gordon Company, on the film and TV side. “I’m so incredibly fortunate to have such a long and successful relationship with ABC Studios,” said Gordon. “I’m especially pleased we were able to expand our partnership into film with a first-look deal with Walt Disney Studios.” Despite Gordon’s long tenure at ABC Studios, I hear he also fielded offers from other studios, and it came down to the wire between ABC Studios and Sony Pictures TV.

Gordon currently has five series on the air for ABC Studios: ABC’s Grey’s Anatomy and Private Practice, CBS’ Criminal Minds and Criminal Minds: Suspect Behavior, as well as Lifetime’s Army Wives. Gordon is currently producing ABC/ABC Studios’ drama pilot Identity, starring Angela Bassett. “Mark is a tremendous talent with a great track record,” said Paul Lee, president of ABC Entertainment Group.

Gordon’s most recent film projects include the just-released Duncan Jones sci-fi thriller Source Code, Roland Emmerich’s 2012, and The Messenger. “Mark is a high-quality producer, and we are very happy to have him as a partner at The Walt Disney Studios,” said Sean Bailey, president, Walt Disney Studios Motion Picture Production. Gordon’s next film release will be The Details, with Tobey Maguire and Laura Linney, which will be distributed by The Weinstein Company in the fall. Next up for the ICM-repped producer is Desperados, starring Isla Fischer and directed by Betty Thomas for Universal.
Producer Mark Gordon Uses N-Word Twice At TV Pilot Table Read: Lifetime Notifies ABC Studios “This Needs To Be Dealt With”
8/11/2011 | Deadline.com
http://www.deadline.com/2010/08/producer-mark-gordon-uses-n-word-twice-at-tv-pilot-table-read-lifetime-notifies-abc-studios-this-needs-to-be-dealt-with/

EXCLUSIVE: I’ve learned that Lifetime formally notified Disney’s ABC Studios that prominent TV and film producer Mark Gordon six weeks ago used the word “nigger” twice during a table read of the pilot for the Army Wives spinoff. He did it in front of cast and crew — including two African-American actresses, pilot lead Gabrielle Union and Army Wives series regular Wendy Davis. “Lifetime took all appropriate steps and notified the studio that this is a situation that needs to be dealt with,” an executive tells me.

‘HE HAS HOLLYWOOD TO RUN’
6/29/2006 | Daily Press – Newport News, Va.
http://pqasb.pqarchiver.com/dailypress/doc/343383910.html?FMT=ABS&FMTS=ABS:FT&type=current&date=Jun%2029,%202006&author=Mary%20McNamara%20/%20Los%20Angeles%20Times&pub=Daily%20Press&edition=&startpage=&desc=%27HE%20HAS%20HOLLYWOOD%20TO%20RUN%27%20[Corrected%2006/30/06]

Abstract:

Maybe the best way to describe what Mark Gordon does is “multi- linguist.” Gordon can speak Studio Head but also Screenwriter, he can call shots with the director but also cut to the bottom line with the investor types. Director Roland Emmerich first worked with Gordon on “The Patriot,” and he was impressed with the way Gordon developed the script, so when he had an idea for a post-apocalyptic movie, which turned into “The Day After Tomorrow,” he took it to Gordon.

“I wanted to learn how to be a filmmaker, but unlike everyone else, I really didn’t want to be a director.” After graduating, he came out to Los Angeles, where he did what you do, which is work production assistant jobs. Then a friend convinced him to come back to New York to help produce his play, called “The Buddy System.” He got the financing, worked as the production assistant and even ran the teleprompter. “I had to load it, carry it and run it,” he says. “And that thing was heavy.” The play got terrible reviews, but when the director suggested ending the run, Gordon bristled. He took out an ad in the New York Times suggesting that the critics didn’t know what they were talking about and offering free tickets for two nights to whoever showed up and promised to tell at least two friends about the play. “The Buddy System” ran for one more week and closed. But Gordon was a producer, and that ad hangs on a wall in the offices of the Mark Gordon Co.

Photos (color); Mark Gordon’s successes “Grey’s Anatomy” on NBC Mel Gibson in “The Patriot” “Broken Arrow,” with John Travolta and [Christian Slater] “Saving Private Ryan,” starring Tom Hanks Photo (b&w) Daily Press file Mark Gordon was interviewed by the Daily Press in 1981 while he was visiting the Peninsula on a break from producing in New York.