Journalist in the Crossfire; David Brock Decries Personal Attacks by Columnists

1/13/1994   The Washington Post

by Howard Kurtz

In the last three weeks, David Brock has been assailed in the press as a liar, a smear artist and a woman-hater.

The conservative reporter is accustomed to personal attacks, having been roundly denounced by the left over his book skewering Anita Hill. Now, after disseminating a spate of salacious charges by Arkansas state troopers about Bill and Hillary Rodham Clinton, Brock is being portrayed as a sleaze merchant who will stop at nothing to advance his ideological agenda.

The intensity of these attacks raises a thorny question: Just when are a journalist’s personal views and private life fair game for those who despise his reporting?

“Most people taking the Clinton line find that I’m an easy whipping boy because I’ve written some politically incorrect things in the past,” Brock said. “It’s easy to change the subject to make it look like a right-wing conspiracy. … It seems to me a kind of witch hunt to drum me out of the profession.”

One prominent liberal author says Brock has a point.

“If the principle is that we should not be writing about someone’s private life unless it affects their public life, then the same would apply to Brock,” said Ken Auletta, media critic for the New Yorker. “The kind of vitriol he generates on the part of our journalistic colleagues seems to me disproportionate. If we are outraged by some of the excesses of Brock, for reporters to turn around and commit some of the same excesses is transparently hypocritical.”

Still, separating the personal from the political is not so easy with a reporter like Brock, who writes for the aggressively conservative American Spectator, accepted conservative foundation money for “The Real Anita Hill” and makes no secret of his disdain for the liberal establishment.

For a controversial journalist to find himself the target of slings and arrows is hardly unprecedented. When CNN’s Peter Arnett was reporting from Baghdad during the Persian Gulf War, critics questioned his patriotism and Sen. Alan Simpson (R-Wyo.) accused him of being a communist sympathizer in Vietnam. When Nina Totenberg of National Public Radio helped break the story of Hill’s sexual harassment allegations against Clarence Thomas, her detractors began publicizing a 19-year-old plagiarism incident.

But few journalists have been subjected to an assault as scathingly personal as that mounted last week by Frank Rich, the New York Times’s former theater critic and now an Op-Ed columnist for the paper.

Rich called Brock a “smear artist” whose “motives are at least as twisted as his facts.” Citing Brock’s writings on both Anita Hill and the Clinton story, Rich wrote: “The slightest sighting of female sexuality whips him into a frenzy of misogynist zeal. All women are the same to Mr. Brock: terrifying, gutter-tongued sexual omnivores.”

Brock, who is gay, strongly objected to the focus on his sexual views. He agreed to discuss the matter for the first time for this article.

“It’s ironic that those who say President Clinton’s sex life is irrelevant seem to find mine relevant,” Brock said. “My sexual orientation has never been a factor in my journalism and it never will be. Having said that, any sophisticated reader would interpret the Rich column as a thinly veiled outing. I think one has to look at the journalistic ethics of playing to anti-gay stereotypes and engaging in third-grade psychologizing.

“It’s particularly dismaying that the New York Times decided to publish such a vulgar attack, and it will be interesting to see if the mainstream media regard it as acceptable because it is aimed at a conservative.”

Rich maintained he had no ulterior motive. “I know nothing about David Brock’s personal life,” he said. “I purposely made it a point of not doing what he does, which is go into someone’s personal life. I simply worked with the public record. There are straight and gay misogynists, and I don’t know or care which kind David Brock is.

“It is fair game because the matter he’s dealing with is male-female relations in the broadest sense. His animus as revealed in his writing is relevant. To me, misogyny is as much an ideological bias as a liberal Democrat doing supposedly objective investigative reporting about a Republican.”

Brock, 31, has been an outspoken conservative since his days at the University of California at Berkeley. Drew Digby, a former reporter who clashed with Brock at the student paper, the Daily Californian, recalled a brash, bow-tied young man who loved to belittle the left.

Digby supplied a copy of a university release correcting four statements Brock made in a 1983 article about a physics professor who won a White House award, including an assertion that he was involved in designing nuclear weapons.

“I never believed a word he said,” said Digby, now a doctoral candidate at the University of Chicago. “In his reporting, he would sometimes have a kernel of brilliant truth and he would embellish it with things he would make up. He was a good investigator, but he always spoiled it by adding in things that weren’t really there.”

Brock said he does not recall making anything other than minor errors at Berkeley and that Digby’s comments are motivated by personal dislike.

Brock moved here in 1986 and worked for Insight magazine, the Heritage Foundation and the Washington Times. “He was clearly a prodigy,” said journalist John Podhoretz, who hired Brock at Insight. “He was a very quiet, sober, responsible, serious, well-read person.”

Podhoretz said it is “insane” to suggest that Brock hates women. “David is a political conservative,” he said. “The notion that that makes him suspect as a journalist is something I find wildly offensive.”

When the Arkansas troopers first approached him, Brock said, he worried about developing a reputation as a journalist who traffics in sleaze. But he decided the charges against Clinton were serious enough to be published.

Several liberal columnists denounced the 11,000-word Spectator piece, which did more than detail Clinton’s alleged extramarital exploits as governor of Arkansas. The article also said Clinton could scarf down a baked potato in two bites and depicted a foul-mouthed Hillary Clinton who once ordered state troopers to fetch her feminine napkins. (Brock says the piece contained “elements of satire.”)

Michael Kinsley of the New Republic accused Brock of “dishonesty,” “fundamental bad faith” and “comically sleazy” journalism. E.J. Dionne Jr. of The Washington Post wrote that “Brock simply repeats verbatim charges and dirty stories … the slimier and more prurient the better.” Joe Klein of Newsweek said Brock is “on an ideological mission” and that his portrait of Hillary Clinton “seems a Neanderthal fantasy of what feminists are really like.”

Brock said his critics conveniently ignore the fact that the Los Angeles Times and CNN also reported many of the troopers’ allegations. He said the pundits “with the most at stake in Clintonism” are trying “to deflect attention from the substance of the allegations against Clinton.”

“I wasn’t trying to deflect attention from the allegations,” Kinsley replied. “I was very careful to write about the allegations.”

Dionne said his main point was that Brock seems to be among those conservatives “who are willing to do anything to bring Clinton down. … For years we’ve been hearing conservatives talk about all the terrible, irresponsible things that get into print about conservative political figures. Suddenly the rules change when the people in power change.”

But Brock said there was no such revulsion when journalists reported Anita Hill’s equally graphic and equally uncorroborated allegations. “That’s considered a scoop. … The line here is, how dare the mainstream press pick up David Brock’s tabloid sleaze, that I should be ridden out of town on a rail. Did anyone make an issue of what Bob Woodward thought of Richard Nixon personally? … Why is the New York Times so threatened by me? It seems they consider me more dangerous than Rush Limbaugh.”

Brock, like Limbaugh, has infuriated his critics by making provocative statements on the air. Describing an allegation that a woman was smuggled into the Arkansas governor’s mansion, Brock said on CNN’s “Crossfire”: “Hey, Bill Clinton is a bizarre guy.”

Despite the personal criticism, Brock has no second thoughts about his handling of the story. “Should I have withheld the feminine napkin anecdote? No,” he said. “If that anecdote was about Nancy Reagan, the cultural elite would have taken it as a highly significant detail.”

 

http://www.highbeam.com/doc/1P2-870777.html

 

The fire this time: I started it by introducing Paula Jones to the world. Now I’m trying to stop it.(Letter tot he President)

4/1/1998   Esquire

by David Brock

I started it by introducing Paula Jones to the world. Now I’m trying to stop it.

Dear Mr. President,

My mind keeps drifting back to that paragraph about “Paula” and to the memory that her name wasn’t even supposed to show up in print. Back in December 1993, when I broke the Troopergate story in The American Spectator, neither of us could have predicted its consequences–for you, for me, and for the country. In the piece, Arkansas state troopers alleged that they procured women for you when you were governor. One of the women was remembered only as Paula. Soon after the piece was published, Paula Jones shocked the world by identifying herself as the woman in question and by suing you for sexual harassment. And, of course, Paula Jones begat Monica Lewinsky. Surveying the wreckage my report has wrought four years later, I’ve asked myself over and over: What the hell was I doing investigating your private life in the first place?

As an authority on the subject, I want to tell you how it all began. I didn’t go searching for the story. It found me one steamy August morning, when I received a telephone call from a man I barely knew, asking if I would fly to Little Rock to meet with Cliff Jackson, your Arkansas friend turned nemesis who accused you of lying about your draft record in the 1992 campaign and was apparently still out to get you. I had met the man on the telephone–who I later learned was a major contributor to Newt Gingrich’s GOPAC–once before, in a meeting on Capitol Hill a few weeks prior to the 1992 election. It was my introduction to the gothic world of anti-Clintonism. You appeared headed for victory, and the Republicans were frustrated and desperate: I was being importuned to follow up on a story in a supermarket tabloid that suggested you had fathered a child with a Little Rock prostitute. A mysterious source who identified himself only as “Mr. Pepper” was supposed to help me track the story down. After several furtive telephone calls, he never delivered.

Now, eight months into your presidency, the dirty war was on again. Cliff Jackson, my caller said, could hook me up with several state troopers who claimed to have knowledge of, and even to have helped arrange, extramarital affairs you were said to have had. The call came out of the blue, but I was a natural for the mission, and I jumped at it. I was perhaps the only self-proclaimed conservative journalist devoted to digging up stories rather than writing editorials. A few months earlier, I had published a best-selling attack on Clarence Thomas’s accuser, Anita Hill, and I was the star reporter at the Spectator, the crusading anti-Clinton magazine.

The man from GOPAC, Jackson, and I conspired to damage you and your presidency by exposing what your political enemies have always seen as your main point of vulnerability: your so-called zipper problem. I had no idea how wildly successful we’d be.

A nervous Jackson met my plane in Little Rock–I was told to hold a copy of the Washington Post under my right arm so he would recognize me, and I gamely played along. He took me to a nearby Holiday Inn. Holed up for two days, I listened to four state troopers as they told salacious stories of sexual shenanigans–late-night trysts at the governor’s mansion, oral sex in parked cars, even your alleged statement, which later became famous in the Monica Lewinsky case, that oral sex was not adultery according to the Bible. For a reporter, it is incredibly rare to get a politician’s bodyguards to tell you what he ate for breakfast, much less graphic sexual details of the sort the troopers were retailing. Were these guys and their far-fetched story for real? I wondered as I flew back to Washington. I told no one about the trip as I tried to figure out how to reel in the wary troopers while checking out their story further.

I returned to Little Rock in mid-September, carefully reinterviewed the troopers–one by one and in different combinations–to test their accounts for inconsistencies. I transcribed the second set of interviews and compared them with the first. By now, I was convinced that either the troopers saw what they said they saw or they had spent months rehearsing one of the most sensational lies ever told about a sitting president. My gut told me they were telling the truth. The level of detail seemed too hard to make up. Only later did I allow for more complicated possibilities.

The story was now in my sights. The question I then grappled with–the same question that would vex the press in the Monica Lewinsky case and that has haunted me ever since–was, When, if ever, are allegations about a politician’s personal life newsworthy? For reporters, there are no bright lines, no set rules, on how to handle these stories. For many years, politicians’ personal peccadilloes were considered out of bounds in what was known as the “gentlemen’s agreement” with the White House press corps. Then came Gary Hart, John Tower, Clarence Thomas, and Bob Packwood. Even George Bush was faced with press questions about a long-rumored extramarital affair.

And during the Gennifer Flowers controversy, polls showed that 25 percent of the electorate would not vote for an adulterer. Personally, I was not part of that group. But I had evidence about your private life that went well beyond what Flowers had claimed, and I wasn’t sure what I should do with it.

I discussed my dilemma with two Washington wise men who had been mentors of mine, and the verdict was split. Significantly, perhaps, they were both conservative Republicans with no training in journalism. Significantly, too, in the way of Washington careerists, they focused only on how the piece might affect me personally. No thought was given, by any of us, to how baring the most intimate details of your sexual conduct by a politically hostile writer might dramatically alter the way political battles are fought in Washington. One adviser told me flatly that I was sitting on perhaps the most devastating portrait of a president ever to be published–the biggest story of my career. The other warned that the allegations, even if proved, would be dismissed as tabloid trash and could therefore hurt my reputation as much as yours. They both turned out to be right.

In the end, I decided that the allegations met several tests that made them relevant to public character. If they were true, the behavior described was chronic and exploitative. Using the troopers to procure women was an abuse of power and certainly showed a reckless willingness to allow yourself to be compromised by their knowledge of your private conduct. The troopers also claimed that you lied about Gennifer Flowers in the 1992 campaign, which raised concerns about whether your word could be trusted. When one of the troopers told me that you had called him as I was reporting the story to express concern about my inquiries and dangled a federal job in front of him, my instinct was that you probably weren’t calling from the Oval Office about idle gossip. That tipped the scales.

But to be honest with you, these “tests” were something of a charade, more an attempt to fashion defenses for myself against charges that I was a “tabloid” journalist than they were a neutral set of journalistic principles. I wasn’t hot for this story in the interest of good government or serious journalism. I wanted to pop you right between the eyes. Test or no test, the story was going, and I would have found some way to dress it up ex post facto.

I think a similar disingenuous exercise went on with the Lewinsky story in Newsweek. When it broke, the reporter, Michael Isikoff, and his editors said that the involvement of independent counsel Kenneth Starr made your alleged affair with a White House intern major news. But we soon found out that Isikoff had been working on sex stories long before there was any connection to a criminal investigation. If a reporter is determined to make a name for himself by publishing a sexual expose, he can usually find some high-minded reason to do it. The pieties of the press know no bounds.

In my case, there was an open political agenda at work as well, which must have colored my judgment at least at the margins. I never felt the visceral hatred toward you that many of your detractors harbor, but I did regard you, the first Democratic president in my adult life, as an ideological threat. Ironically, I had just finished a book in which I argued strenuously against the use of personal scandal for partisan advantage in the Thomas-Hill case. In contemporary Washington, I lamented, it was no longer enough to defeat your opponent fair and square on the issues; you had to destroy him as a human being. The hypocrisy involved in what I was about to do to you didn’t strike me until after the deed was done.

In the next three months, as I worked to convince the troopers to go on the record and put their names to the allegations, I ran on an adrenaline high. Two troopers peeled off, refusing to go public, and the other two began suffering bouts of cold feet. Meanwhile, two investigative reporters from the Los Angeles Times were chasing the same story, and I was so focused on getting it first that I didn’t really think about the stakes or the consequences.

The big stumbling block was the troopers’ insistence that their story was worth money. When I told them that no reputable journalist would pay sources under any circumstances, there was talk about how to structure a future book deal, and there were several rounds of negotiations between Cliff Jackson and the GOPAC moneyman about guaranteeing the troopers income and legal expenses if they were fired from the state police after the piece was published. At one point, as the talks faltered, my last two troopers wanted out and came to my hotel room, demanding that I turn over the tapes of our interviews. I told them it was too late and hopped a plane back to D. C.

At this juncture, I brought the editor of The American Spectator, R. Emmett Tyrrell, into the loop. I reached him over Thanksgiving weekend at a vacation home in Kitty Hawk, North Carolina. When I described the reason for the delay, he screeched into the phone: “How much do they want? I’ll write them a check!” Not much help there.

I spent the next few weeks alternately threatening and cajoling over the telephone. Jump in the pool with no protection, I warned, or you’ll Flowerize yourselves. You need to do this for no other reason than the good of the country, I pleaded. How much I believed this, I’m still not sure. But as’ Christmas approached, my pressure tactics worked.

Deep down, though, I knew that the good of the country was the last thing on the troopers’ minds. In fact, in these discussions, I came to realize that the reason they were willing to come forward at all (other than their palpable contempt for Hillary) was not moral principle or ideology but personal pique–they were pissed off at you. They had happily done your dirty work for years and stayed mum when reporters approached them in 1992. Only when you didn’t take care of them when you became president–no jobs, no perks, nothing–did they decide to become truth tellers. In other words, I felt the way Ken Starr must have when wiring up Linda Tripp: The troopers were greedy and had slimy motives, and I knew it. But that wasn’t going to stand in my way.

When the story hit, it made national headlines. The Spectator quickly sold out and went back to the presses several times. The Los Angeles Times ran a similar story based on its own interviews with the troopers. Officially, the White House stonewalled; the press briefing was canceled for two days. Behind the scenes, your aides were in full damage-control mode. One called CNN to protest the airing of the charges. Others dug up stories about the troopers’ involvement in an insurance scam to impeach their credibility and tried to solicit affidavits from the troopers denying the most damaging aspects of the story By week’s end, you called the stories outrageous, but you never denied them.

It was the week before Christmas. I gulped hard when I saw your mother arrive at the white House for the holiday–my first fleeting second thought.

Because it was so brutally invasive of your private life but drew no refutation from you, my work became part of what everyone just knew about you, penetrating the media culture and public consciousness completely across ideological lines. It was now open season on you: Anybody could say just about anything they wanted about the president. A virulent scandal culture was spawned that eventually drew in not only your conservative critics but also the mainstream press.

Politically, though, the revelations appeared to do you little harm and may have even inoculated you somewhat against the current sex charges. The story quickly faded. Washington was titillated, but the public believed that the events described had taken place before you were president, you had tacitly acknowledged an adulterous past in answering the Flowers charges, and, in any case, your private life had nothing to do with your ability to carry out your public duties. The press, meanwhile, characterized me as a bottom feeder in the pay of a right-wing rag and moved on to a less seamy scandal, Whitewater. Case closed.

Or so we all thought. Unknown even to me, there was a time bomb embedded in the piece.

In my interviews, the troopers had named several women they claimed you had had affairs with. I contacted the women, and, not surprisingly, they all declined to comment or denied it. But even if they had been involved with YOU, some of the women were married and had children, and, after Gennifer Flowers, none of them had any reason to throw themselves into a he-said, she-said contest with the president. I had decided that naming the women against their will served no journalistic purpose and scrubbed from the text the paragraph that named names.

“Paula,” however, appeared as an incidental character in a later section of the piece. One trooper recalled that, at your request, he had approached a woman he “remembered only as Paula” and escorted her to your room one afternoon at the Excelsior Hotel in Little Rock. When Paula left the room, the trooper said, she had told him she was willing to be your “regular girlfriend.” Presuming’ that there were hundreds of Paulas in Arkansas, I didn’t think that I was identifying anyone. If I had, I would have taken “Paula” Out, too. I should have removed the name. It was just an oversight. Surely, this will go down as one of the more fateful oversights in the history of your presidency.

One night a few weeks ago in Washington, my doorbell rang. Expecting the dog sitter, I swung open the double doors. “David Brock?” the process server asked as he thrust a subpoena into my hands. “Well, I guess you have a place in history,” he laughed, and walked off.

Almost four years since Paula Jones called a press conference and said she was suing you for sexual harassment to clear her name of the implication in my piece that she had had consensual sex with you, your antagonists are now mine. (That she sued you rather than me may have been an early clue to her motives.)

Twice before, Jones’s lawyers had contacted me on a friendly basis, asking for assistance with their case. They sought the notes and tapes of my trooper interviews. Presumably, the Jones team regarded me not as a journalist but as a political partisan eager to help the cause. I declined their overtures, and when the subpoena was finally served, I hired a lawyer to fight it on the grounds that my trooper interviews were protected by the First Amendment.

No matter how I felt about the case personally, as a journalist, I would never have compromised that important principle. And with the passage of time, whatever sympathy I may have had with the Jones “cause” is gone. And whatever place in history I may have, I’m not proud of it.

When I watched the media hoopla as you got hauled into a deposition by Jones’s lawyers, I had a sinking feeling. My ransacking of your personal life had given your political adversaries–who were now funding and fighting the Jones case–an opportunity to use the legal process to finish the job that I started. Worse still their effort to dig up sexual dirt on you was sanctioned by the Supreme Court, which in a landmark ruling has imperiled future presidents by making them vulnerable to character assassination in all manner of civil suits while in office.

None of this was supposed to happen. Now that I’m living through it, I’m sure it should not have happened.

I made Paula Jones famous. And whatever happens with her case, in a way, the people who hate you have already won, and we have all suffered not only from their malice toward you but also from their contempt for the office of the president. When one of Jones’s key legal advisers told me that he didn’t necessarily believe her story of sexual harassment, my worst fears were realized. “This is about proving Troopergate,” he told me gleefully.

I guess I should confess that as the author of the infamous piece, I think “proving Troopergate” may be a tall order. I was as sure of that story when I wrote it as any journalist can be of any story But in the years since then, the troopers have greatly damaged their credibility

I’m sure you remember that during the Senate Whitewater hearings, the troopers made fools of themselves with improbable claims about the circumstances of Vincent Foster’s death. One of the two troopers who went on the record with me, Larry Patterson, helped promote the infamous Clinton Chronicles, a crackpot video accusing you of drug running and murder. Patterson was also recently cited as a source for several wild allegations in the spurious book The Secret Life of Bill Clinton, by British journalist Ambrose Evans-Pritchard. So I’ve had occasional pangs of doubt: Is it possible that they took me for a ride, embellishing their account for fame and fortune?

Perhaps it was my own tortured experience as a muckraker that has made my reaction to Ken Starr’s attempt to find a crime in the Monica Lewinsky case so different from that of almost anyone I know in Washington. For your political opponents and most of the press corps, the story was like crack. But I was chilled. The spectacle seemed strangely and depressingly familiar. I had seen it all before: Filthy tapes. Too many details not to be true! An accuser whose credibility got shakier by the hour. Hidden agendas. Book deals. Friends betraying friends. Declarations of “war” and even talk of “killing” you by those who forced the sludge out.

Troopergate had come full circle. Watching Newsweek’s Michael Isikoff tell NBC that Linda Tripp’s tapes were too detailed not to be true, I saw myself. I recalled a time when the two of us–for a time, Washington’s leading Clinton sexologists–traded stories over drinks at the Four Seasons Hotel. That night, Isikoff shared with me the outtakes from his own groundbreaking Paula Jones reporting, done for The Washington Post in 1994. Isikoff, an intrepid reporter, had dug up some additional claims by other women that you had hit on them, but the Post decided they weren’t relevant to Jones’s claim of harassment. Isikoff passed them on to me, resident bottom feeder.

I wasn’t interested. I never intended to make a career out of Troopergate. But I didn’t have to. Soon enough, Newsweek would become The American Spectator.

I suppose I could have felt vindicated by the Lewinsky story. Sex is your Achilles’ heel, after all. But I was more wrong than right. Even if all the worst of the charges leveled against you are borne out, this still ain’t Watergate. You’ll be the first president impeached for orchestrating a cover-up of a blow job.

I don’t know what happened between you and Monica Lewinsky any more than I know how much of Troopergate or Paula Jones’s story is true. But regardless of how the drama plays out, as the first r&porter who leered into your sex life, I do know that I didn’t learn a damn thing worth knowing about your character. I also know that if we continue down this path, if sexual witch-hunts become the way to win in politics, if they become our politics altogether, we can and will destroy everyone in public life.

When I published Troopergate, I didn’t much care. Now I do, and many other people don’t seem to.

I’m thinking of getting out of Washington for a while.

 

http://www.highbeam.com/doc/1G1-20420828.html

 

Journal; Brock’s Strange Journalism

12/29/1994   The New York Times

Tabloid journalism is something you think you know when you see it, whether at the supermarket checkout or on the cash-for-trash television news magazines. But it can also be committed in footnoted articles in seemingly sober journals — and can soil the national discourse about subjects far loftier than O. J.

The current master of this insidious trade is David Brock of the right-wing monthly The American Spectator. He has struck again, with a vengeance that might give “Hard Copy” pause.

Mr. Brock, you may recall, is the writer who exactly a year ago gave us a lengthy and salacious treatise on “Troopergate” in which, history now shows, he farcically bungled the only part of the story (Paula Jones) that proved to have any shelf life. His biggest hit before that was Anita Hill, whom he vilified as “a bit nutty and a bit slutty” in a piece subsequently expanded into the book “The Real Anita Hill.” Now that two reputable non-tabloid journalists from The Wall Street Journal, Jane Mayer and Jill Abramson, have written a book, “Strange Justice,” whose detailed reporting essentially corroborates Ms. Hill’s testimony, Mr. Brock is out to smear them.

He does so in a very long “review” in the January 1995 American Spectator that purports to prove that “Strange Justice” is “one of the most outrageous journalistic hoaxes in recent memory.” According to John Sterling, editor in chief of Houghton Mifflin, the book’s publisher, there has not been a single complaint of misquotation in the eight weeks since its publication.

Unable to find mistakes larger than a few mangled job titles, Mr. Brock spins the illusion of substantive error by deliberately falsifying the contents of “Strange Justice” — even to the extreme of attacking its authors for failing to interview sources they not only interviewed but quote by name. His motivation is not to tell an accurate story — the usual goal of journalists — but the reverse. To him, suppressing facts, rather than revealing them, represents the last hope for reviving the reputation of Clarence Thomas.

This time Mr. Brock’s partisan desperation has led him to a tactic that is beyond the pale of even tabloid journalism and that would make any citizen think twice before talking freely again to any journalist: He tried to bully a source in “Strange Justice,” a onetime Hill and Thomas associate named Kaye Savage, to get her to sign a statement denying her own contribution to the book.

Jamin Raskin, a law professor and associate dean at American University in Washington, received a call seeking advice from Ms. Savage after her encounter with Mr. Brock a few weeks ago. “She was distraught and said Brock was threatening to reveal damaging information about her from a divorce situation unless she agreed to retract everything she had said to the authors of ‘Strange Justice,’ ” he said in an interview. “I told her this is a clear violation of journalistic ethics and might be blackmail and she shouldn’t give in to it. She was beside herself because she had told the truth.”

Ms. Mayer and Ms. Abramson say Ms. Savage called them to describe her encounter with Mr. Brock in similar terms. Reached by phone in Washington, Ms. Savage confirmed the story but would not comment further. Mr. Brock did not return voice-mail messages left at The American Spectator.

As it happens, the “Strange Justice” review is not the only piece by Mr. Brock currently under fire. Douglas Brinkley, a historian and Jimmy Carter biographer who is Director of the Eisenhower Center at the University of New Orleans, says that an American Spectator article this month by Mr. Brock trashing Mr. Carter, Rosalynn Carter and James Baker is “just riddled with errors” and “filled with nasty innuendo and purposely false and misleading statements.” Mr. Brinkley challenged Mr. Brock’s facts and anonymous sources in a confrontation on C-Span last week and, in a conversation this week, listed nearly 30 errors in a 10-page piece, including a reference to a note allegedly written by Zbigniew Brzezinski that, Mr. Brinkley said, “doesn’t exist.”

Accused during his C-Span appearance of practicing “modern McCarthyism,” Mr. Brock snapped, “It’s not modern McCarthyism — it’s modern journalism.” Actually — and chillingly — it’s both, but whatever name it goes by, it increasingly threatens the reporter’s traditional calling of objectively seeking and writing the truth.

 

http://www.nytimes.com/1994/12/29/opinion/journal-brock-s-strange-journalism.html

 

Journal; David Brock’s Women

1/6/1994   The New York Times

To his fans, David Brock, the writer who ruined the Clintons’ Christmas, is a hard-hitting investigative reporter. To everyone else, he is a smear artist with a right-wing agenda. But a reading of Mr. Brock’s oeuvre in the conservative journal The American Spectator suggests that his motives are at least as twisted as his facts. It’s women, not liberals, who really get him going. The slightest sighting of female sexuality whips him into a frenzy of misogynist zeal.

All women are the same to Mr. Brock: terrifying, gutter-tongued sexual omnivores. Such caricatures are a staple of his latest expose and its predecessors, including the article that spawned his book “The Real Anita Hill.”

Hillary Clinton, even more than her husband, is the real obsession in the writer’s notorious 11,000-word treatise on Fornigate (as the alleged scandalous doings in Little Rock are now concisely labeled on the Don Imus radio show). With dour hyperventilation, Mr. Brock charges Mrs. Clinton with such non-crimes as using “language that makes the Watergate tapes sound like a Sunday school lesson” and referring to state troopers’ guns as “phallic symbols.” The prim Mr. Brock also alleges that the ubiquitous Little Rock Peeping Toms overheard Mrs. Clinton expressing aloud a desire to have more frequent sex with her husband. How shocking!

In a similar vein, Mr. Brock wrote that the real Anita Hill was “a bit nutty and a bit slutty.” He described her as having an “obsessive, even perverse, desire for male attention.” (Perverse?) He quoted an unnamed source on Ms. Hill’s “flirtatiousness” and “provocative manner of dress” — “not sweet or sexy [ but ] sort of angry, almost a weapon.”

When Mr. Brock went after Angela Wright, another potential witness against Clarence Thomas, he tracked down one source who accused her of having “a foul mouth” and another who said she “told male co-workers she liked to walk around her house in the nude.” What most of America regards as PG-13, Mr. Brock, a tender 30-ish, rates triple-X.

His rage at women, meanwhile, invariably colors his view of men who commit what he calls “hanky-panky” with them. On “Crossfire,” a smirking Mr. Brock called Bill Clinton “a bizarre guy,” not recognizing that the Fornigate charges, if true, would make the President seem all too pathetically ordinary, not bizarre. Mr. Brock’s idea of a non-bizarre man is one of the troopers, Larry Patterson, whom he idolizes as a macho image of abstinence: “tall and trim, with the upright demeanor and closely cropped hair of a military officer.”

Whom does this skewed perspective serve? Surely not either legitimate journalists or Mr. Clinton’s adversaries. The out-of-control American Spectator piece had the effect of trivializing the professional efforts of The Los Angeles Times and CNN to investigate the troopers’ graver allegations of jobs-for-silence. Mr. Brock also temporarily drowned out the more serious conflict-of-interest allegations against the Clintons in Whitewatergate, which went undetected in his article because they would require a meticulous reportorial effort (the pursuit of a money trail) beyond his abilities.

Mr. Brock’s sins do not, of course, absolve Bill Clinton of all charges, any more than they convict him. Nor, as The American Spectator would be the first to point out, do Mr. Brock’s transgressions absolve liberal journalists of their own. The New Year’s specter of reporters sucking up to the President during an off-the-record Renaissance Weekend in Hilton Head, S.C., is embarrassing.

But Mr. Brock’s misogyny injects a poison more lethal than political partisanship into the national discourse. Among his charges against Mrs. Clinton is this irrational passage: “She would phone the mansion from her law office and order troopers to fetch feminine napkins from her bedroom and deliver them to her at her firm.”

Even if this story were true — even if a high-powered lawyer would really send state troopers on an errand that a clerk could accomplish at the nearest drugstore — who cares? To put a finer point on it, why does Mr. Brock care? Would he have told this story if Mrs. Clinton were fetching aspirin?

Of course not. His animus is so transparent that there will be no need for anyone to write a book in search of the real David Brock.

 

http://www.nytimes.com/1994/01/06/opinion/journal-david-brock-s-women.html

 

Media Matters’ David Brock expands empire

By KENNETH P. VOGEL | 8/13/14 9:26 PM EDT | POLITICO
Updated: 8/14/14 6:35 PM EDT

In a major power play that aligns liberal muscle more fully behind the Democratic Party — and Hillary Clinton — the self-described right-wing hitman-turned-Clinton enforcer David Brock is taking over a leading watchdog group, Citizens for Responsibility and Ethics in Washington.

Brock was elected chairman of the group’s board last week after laying out a multifaceted expansion intended to turn the group into a more muscular — and likely partisan — attack dog, according to sources familiar with the move.

The ambitious plans, which began being implemented this week, also seem to cement Brock’s role as among the leading big money operatives in all of American politics.

Brock confirmed the basics of the shakeup in an interview. The reconfigured CREW, which is searching for a new executive director, will add a more politically oriented arm, expand its focus into state politics and donor targeting and will operate in close coordination with Brock’s growing fleet of aggressive Democrat-backing nonprofits and super PACs — Media Matters, American Bridge and the American Independent Institute.

“CREW gives us some potentially powerful tools in the tool box,” said Brock, who founded his flagship organization Media Matters in 2004. “We have been in the accountability for 10 years very successfully. It is kind of a one-stop-shop now.”

And Brock’s army will be supplemented still further by the formation of a new overtly partisan watchdog group called The American Democracy Legal Fund, which is already preparing complaints against high-profile Republicans, including Michigan GOP Senate candidate Terry Lynn Land. That group will be run by Brad Woodhouse, the president of American Bridge, and will be registered under section 527 of the Tax Code — allowing it to engage in more political activity than CREW’s traditional portfolio. CREW has operated as a nonprofit registered under a section of the Tax Code — 501(c)3 — that prohibits partisan activity; under Brock’s leadership it will add a new more politically oriented arm registered under section 501(c)4.

CREW was founded in 2003 by former federal prosecutor Melanie Sloan and white-collar lawyer Norm Eisen, who went on to serve as President Barack Obama’s chief ethics lawyer and is now his ambassador to the Czech Republic. It carved out a reputation as a leading watchdog by relentlessly pursuing litigation and ethics complaints against primarily — though not exclusively — Republican public officials. It had its heyday during the Bush administration, when its complaints and investigations played major roles in the Jack Abramoff scandal and the downfalls of powerful GOP Reps. Tom Delay and Bob Ney.

But under the stewardship of Sloan, who serves as CREW’s executive director, the group went out of its way to demonstrate that it would not pull punches when it came to Democratic corruption. It boasts in a mission statement on its website, “we work to ensure government officials — regardless of party affiliation — act with honesty and integrity and merit the public trust,” and it also pursued broader good-government initiatives.

CREW wins media attention each year with its annual “Most Corrupt Members of Congress” report, which it started in 2005 and which has included 25 Democrats among its 88 featured members. It called for the resignations of embattled New York Democratic Reps. Anthony Weiner and Charlie Rangel, and has pending requests for investigations into the Obama administration, including its use of private emails to conduct government affairs.

Its unwillingness to toe the party line miffed some Democrats, including, sources say, House Minority Leader Nancy Pelosi, whose members occasionally found themselves in CREW’s cross hairs.

That bipartisan focus gave CREW credibility in the watchdog community and made Sloan a go-to quote for reporters, leading Ms. Magazine to ask in 2007 whether she was “The Most Feared Woman on Capitol Hill.” But the take-no-prisoners approach may have complicated efforts to raise money from wealthy Democratic donors. And, in February 2012, the group was demoted from the top tier of recipient organizations recommended by the Democracy Alliance rich liberal donor club during a reshuffling seen as boosting super PACs and other groups closely aligned with Democrats. On the other hand, Brock seems to have a golden touch with rich Democrats, including billionaire financier George Soros.

Brock’s personal evolution is a compelling selling point with the monied class. He began his career as a leading conservative attack journalist in the 1990s, penning stories and books strafing Anita Hill and the Clintons, among other conservative targets, before publicly renouncing the conservative movement and embracing the left. His groups now are at the leading edge of several Democratic causes celebre — declaring war on Fox News and the conservative billionaire industrialists Charles and David Koch, while defending Hillary Clinton against mounting Republican attacks as she prepares for a possible 2016 presidential run.

Brock’s groups have the cash to support such a wide portfolio. They have a combined budget of about $25 million a year and 170 employees, compared with CREW’s $2.7 million 2014 budget and 15 staffers, almost all of whom will be able to stay on, Brock suggested.

Neither CREW nor most of Brock’s groups disclose their donors — something that led to charges of hypocrisy against CREW and other liberal-leaning watchdogs. But anecdotal evidence suggests that there’s a bit of overlap between the donor pools, since Brock’s groups have found great success raising money from Democracy Alliance members. In the CREW shakeup, two donors close to Brock — San Francisco investor Wayne Jordan and Washington-based consultant David Mercer — also joined CREW’s board.

The Huffington Post in its Wednesday afternoon newsletter reported that Media Matters was “acquiring” CREW and quipped “Will It Survive DOJ Antitrust?” but didn’t offer any details on the moves.

Brock deflected when asked if CREW, under his leadership, would continue pursuing complaints against Democrats.

“No party has a monopoly on corruption and at this early juncture, we are not making categorical statements about anything that we will and won’t do,” he said. “Having said that, our experience has been that the vast amount of violations of the public trust can be found on the conservative side of the aisle.”

Brock also had high praise for Sloan, who resigned from CREW’s board and announced her intention to step down as executive director when Brock names a replacement.

“Under Melanie’s leadership, CREW emerged as an effective voice for the kind of honesty and integrity we deserve in our public officials,” he said, promising to “build on her record of success, expanding the portfolio to scrutinize more activity in states, and political organizations that wield just as much influence over our policies as our politicians do, if not more.”

Sloan, who aborted plans to leave CREW in 2011, declined to discuss why she was leaving, but predicted that CREW would fit well into Brock World.

“Given David’s track record of building high-impact sustainable institutions, I am confident that CREW will continue to thrive under this new governance,” she said in a statement released by CREW.

 

http://www.politico.com/story/2014/08/david-brock-citizens-for-responsibility-and-ethics-in-washington-110003.html

 

Ding, Dong, the Cultural Witch Hunt Is Dead

By FRANK RICH
Published: February 24, 2002
The New York Times

These days we look back at the projectile name-calling and nonstop sexual revelations that defined Washington’s all-consuming culture war of the 1990’s and ask: What in hell was that all about? Like the reigning sitcom of the time, ”Seinfeld,” it may have been about nothing, or at least very little — and with a Lilliputian cast of characters to match. In retrospect, the archetypal figure of 90’s Washington may not have been one of its many aspiring Woodwards and Bernsteins or a great man or woman of state (were there any?) who will some day get the David McCullough treatment, but a gossip-mongering schlemiel who is already halfway to being an answer on ”Jeopardy.”

David Brock, you may recall, was the bullying reporter for the late, not-so-great American Spectator who labeled Anita Hill “a little bit nutty and a little bit slutty” and later broke Troopergate, the pioneering expose (much of it culled from clandestinely paid “sources”) into Bill Clinton’s Arkansas Kama Sutra. In his latest incarnation, Brock is turning expiation for these and other past sins into a second career that has played out like a striptease over the past few years. He set out on this path in 1997 by writing an article for Esquire, “Confessions of a Right-Wing Hit Man,” in which he started to recant “The Real Anita Hill,” his best-selling and often fictionalized hatchet job that duped many reviewers (including one at The New York Times) with its lavishly footnoted gossip, half-truths and slander. Next up is a new book, a memoir titled “Blinded by the Right: The Conscience of an Ex-Conservative,” that goes further still by serving as a mea culpa for an entire era, not just himself. In it, he not only takes back the falsifications in his reportage on Hill, Clarence Thomas and the Clintons (among others) but even offers an apologia for the over-the-top excesses of his Esquire apologia, which was accompanied by a photo of Brock in full martyr monty, lashed to a tree, his chest bared, eager to be burned at a stake.

Though I’ve had my own journalistic battles with Brock, I’ve never met him. He may be best observed at a distance. He calls his new memoir a ”terrible book” in its very first sentence, but he’s wrong about that as he has been about so much else during his bizarre, chameleonlike career. His book is terrible only in the sense that it takes us back to a poisonous time. Whatever critics may make of it when it’s published next month, it may be a key document for historians seeking to understand the ethos of the incoherent 90’s. It is also easier to warm up to than the rest of the Brock canon, much of which was written in spittle-spewing blind rage.

The Brock of ”Blinded by the Right” is instead humorously circumspect. There’s an Albert Brooks-in-Broadcast News” moment when he describes how he tried, as a rising young conservative talking head, to imitate the ”magnificent half-recline” of William F. Buckley’s television posture only to ”nearly fall off my chair.” To ingratiate himself with a conservative elite presided over by the likes of Arnaud de Borchgrave, a self-styled journalistic grandee in the toadying employ of the Rev. Sun Myung Moon at The Washington Times, Brock writes of endeavoring ”to look like an old fogy in training, donning a bow tie and horn-rimmed glasses and, ludicrously, puffing on a pipe and occasionally even carrying a walking stick.” A Commentary action figure, in other words.

Brock’s publisher has billed Brock’s confession as a memoir ”in the tradition of Arthur Koestler’s ‘God That Failed,”’ but what makes the book an apt postscript to the dim decade it describes is how little it has in common with Koestler’s disavowal of Communism, or Whittaker Chambers’s ”Witness,” or the rest of the vast modern literature of ideological about-face. Ideology, like goodness, had little to do with the politics of the 1990’s. The cold war was over, Clinton embraced a centrism that was echt Rockefeller Republican, prosperity was on the march and nothing serious seemed at stake (or so we thought at the time). Brock’s book can’t recount an ideological journey because there’s little evidence he was a committed conservative in the first place — or that many of his ambitious allies were, either — any more than he (or the Clintonistas he now aligns himself with) is a committed liberal now. And that’s the point.

His story exemplifies a decade of post-ideological drift and spitball politics in Washington: a cynical, highly pragmatic struggle over power more than ideas that opened with the Thomas-Hill confrontation of 1991, reached its climax with the impeachment drive and now seems to have been interred with so much else in the rubble of Sept. 11. It was a time of take-no-prisoners mudslinging, in which the Republican right, with no Communists to unmask, found a new kind of enemy within that it tried to bring down by means of a disingenuously holier-than-thou moral crusade fueled by a gossip machine of which Brock was an early and influential cog. The hottest partisan battles revolved around Long Dong Silver and Paula Jones, not Stalin.

For the right, the principal means of battle was a kind of cultural profiling that slick (and entirely secular) political operatives adapted from their allies in the religious right. If Anita Hill could be painted as nutty and slutty, if the Democratic leader Tom Foley could be called gay (even if he wasn’t) and if Bill Clinton could be branded as a pot-smoking libertine from Day 1 of his presidency, then liberals in general and Democrats in particular could be dubbed, as Newt Gingrich would have it, ”the enemy of normal Americans,” responsible for every moral breach in the nation. In Gingrich’s formulation, ”The left-wing Democrats will represent the party of total hedonism, total exhibitionism, total bizarreness, total weirdness.” On his way to becoming speaker of the House, he even grandfathered Susan Smith’s 1994 drowning of her two children in South Carolina into 60’s hedonism, as an example of the ”pattern” of ”the counterculture and Lyndon Johnson’s Great Society.”

There wasn’t much intellectual content to this debased and often histrionic line of cultural attack; it was to a serious debate over values what McCarthyism was to anti-Communism. But the triumph of Reaganism and the passing of its architects from the front lines left a vacuum that had to be filled. As Brock explains: ”Political movements arise from the spadework of intellectuals, not politicians. The older generation of conservative intellectuals who had framed the political culture that brought Reagan to power and sustained his administration — the Norman Podhoretzes, the Charles Murrays, the theorists of supply-side economics at the Wall Street Journal editorial page — were spent. Whatever one thought of their ideas, they were serious thinkers, and there was no one of their caliber to replace them.”

Their noisiest successors, the prominent younger conservatives of Brock’s Washington generation, had little aspiration to do any intellectual heavy lifting of the sort once conducted by a Buckley or Irving Kristol, whether in book form or in the pages of small-circulation journals like The Public Interest. Rather than fight (or work hard) in the trenches of the academy whose political correctness they professed to loathe, the new conservatives preferred to become what might be called welfare deans; they collected academic-sounding titles that required intellectual output in almost inverse proportion to their financing by right-wing foundations. A Richard Mellon Scaife-financed talk-show bloviator and cut-and-paste writer like William Bennett, rather than a practicing, untelegenic intellectual like James Q. Wilson, was the role model. Even Brock, with no advanced degrees or particular expertise in the subject, was early in his career christened John M. Olin Fellow in Congressional Studies at the Heritage Foundation. The main aspiration of his Washington pack was to churn out quick, slashing character assassinations or screeds (for which ”The Real Anita Hill” and Rush Limbaugh’s ”Way Things Ought to Be” became the ur-texts) and to achieve celebrity in the new medium of cable TV news, a phenomenon whose rapid growth in the 90’s, like that of the Drudge-fueled Internet, paralleled the rise of the mudslinging right and was essential to the dissemination of unsubstantiated dirt.

By his own account, Brock has lied so often that a reader can’t take on faith some of the juicier newsbreaks from the impeachment era in his book, including his portrayal of the murky role supposedly played by Theodore Olson, now the Bush administration’s solicitor general, in the doomed ”Arkansas Project,” in which The American Spectator spent millions of Scaife’s dollars to try to link the Clintons to any and every sexual shenanigan, drug scheme and murder that ever happened within hailing distance of Little Rock. What makes Brock’s tale effective is his insider’s portrait of a political slime operation, much of it comic from even this slight historical remove, about which the facts already exist for the most part on the public record — and sometimes on the legal record as well. (For what it’s worth, his accounts of events in which I figured are accurate.)

The literary antecedent for ”Blinded by the Right” is less ”The God That Failed” than Julia Phillips’s scorched-earth memoir of Hollywood, ”You’ll Never Eat Lunch in This Town Again.” But Brock, unlike Phillips, can write, and he seems to have expelled much of the bile that marked his past writing. In his portrayal, there are some honorable and principled conservatives who cross his path — John O’Sullivan of The National Review (which had the guts to pan ”The Real Anita Hill”), Tod Lindberg of The Washington Times, the writer Christopher Caldwell — and there’s a humanity to some (though not all) of the gargoyles and lunatics who outnumber them. R. Emmett Tyrrell Jr., the editor who exploited Brock’s ”investigative journalism” to increase exponentially The American Spectator’s circulation and then overreached to the point of losing his magazine altogether, is such a colorful, self-destructive and at times generous eccentric that it’s hard to hate him even as he plays editorial muse to all the Clinton-haters. He’s a nut, perhaps, but with a soft Dickensian center.

What makes history that seemed ugly at the time play like farce now is the almost unending hypocrisy of so many of Brock’s circle in journalism and politics. Those who led the charge against the morality of Anita Hill, Bill Clinton and the rest were almost to a man and woman living in glasshouses of their own, whether pursuing sex, alcohol, abortion or some combination thereof. The checkered ”family values” of the likes of Gingrich, Scaife, Dan Burton, Henry Hyde, Bob Livingston and The Wall Street Journal’s anti-Clinton polemicist John Fund, among many others, are now part of the historical record. Clarence Thomas’s history of regularly renting pornography in the 1980’s — documented by the Wall Street Journal reporters Jane Mayer and Jill Abramson (Abramson is now the Washington bureau chief of The Times) in their book ”Strange Justice” — also stands virtually unchallenged, now that Brock has withdrawn his previous rebuttal of it. It’s particularly hilarious that The Washington Times was the paper of record (and of frequent employment) for this whole pious crowd, given that its owner, Moon, with his mass weddings of mostly strangers, probably took more direct action to undermine the institution of marriage in America than any single person in the 20th century, the Gabor sisters included.

For a political movement that wanted to police sexual ”lifestyles” and was pathologically obsessed with trying to find evidence that Hillary Clinton was a lesbian, the New Right of the 90’s was, in Brock’s account, nearly as gay as a soiree in Fire Island Pines. Even before Brock publicly acknowledged his own homosexuality at the height of his fame, he tapped into a Washington subculture of closeted conservatives that seemed to hold forth everywhere from The American Spectator to the closest circles around Gingrich and Kenneth Starr. There is, of course, a long history of usually closeted gay men, some but not all of them public homophobes, on the American right, including Roy Cohn, J. Edgar Hoover and such top Reagan-era operatives as Terry Dolan, Marvin Liebman and even Jesse Helms’s political consultant, Arthur Finkelstein. The same goes for such intellectual patron saints of conservatism as Chambers and Allan Bloom. But that’s just the short list. When Brock revealed his homosexuality, he expected to be hit with bigotry from his publicly antigay allies, but to his surprise was at first more often hit on instead. At a party at his Georgetown home, ”the house that Anita Hill built,” he had to eject a conservative columnist ”after he pushed me onto a bed, into a pile of coats, and tried to stick his tongue down my throat.” There is also, among others, ”the closeted pro-impeachment Republican congressman, who had pursued me drunkenly through a black-tie Washington dinner offering a flower he had plucked from a bud vase, condemning Clinton for demeaning his office.” It all plays like slapstick out of ”The Birdcage.”

Why would a conservative movement so obsessed with vilifying homosexuality as a subversive ”lifestyle” contain so many homosexuals? Looking at his own past, Brock writes, ”The doctrinaire absolutism, the thunderous extremism, the wildness of expression — these qualities were not uncommon among other closeted right-wing homosexuals I had known. . . . At the bottom of my rage there must have been a loathing not of liberals, but of myself. By giving voice to their hatred of Anita Hill, I was trying to force the conservatives to love a faggot whether they liked it or not.” Certainly after reading Brock’s account, you’re left feeling that too many of those protesting about homosexuality are protesting too much — not necessarily because they’re gay themselves in the manner of the cliched militaristic neighbor of ”American Beauty” but either because they may be angry to discover that their children are (as in the case of Phyllis Schlafly) or, most conventionally, because they may be politically jealous of the clout of the tight-knit cliques of gays on their own team. (The numerous gays in ”the seniormost ranks of the Reagan administration called themselves the ‘laissez fairies,”’ writes Brock.) A similarly self-destructive overcompensation — the eternal Jimmy Swaggart syndrome — seemed to be at work among the straight right-wing womanizers, like Gingrich, who led the charge against Democratic hedonism while engaging in their own.

What’s clear now is that David Brock’s mea culpa for this era may also be its epitaph. The holier-than-thou cultural profiling used by Gingrich, Brock and their peers in the Hill-Thomas-Clinton era is in serious decline as a political tool. The proximate causes of its demise can be found in the immediate aftermath of Sept. 11. The televised testimony by Jerry Falwell and Pat Robertson to the effect that America was attacked in part because it gives safe harbor to ”the pagans and the abortionists and the gays and the lesbians” was renounced by virtually the entire country, up to and including Rush Limbaugh and President Bush. Cultural profiling took an equally dramatic hit when the first leader to emerge in the postattack aftermath proved to be a walking compendium of the attributes that horrified the lifestyle police of the Clinton years: Rudolph Giuliani, a married man who publicly abandoned his wife for a mistress and chose to live in the household of a gay couple. He was a Republican, besides. So was one of the attack’s first heroes — Mark Bingham, a gay rugby player believed to be one of those who fought the hijackers for control of Flight 93 before it crashed in Pennsylvania. Suddenly the pre-Sept. 11 game of ”gotcha” with Gary Condit (another hypocrite who piously supported the impeachment inquiry) seemed to belong to a vanished age.

In the months since the attack on America there have been some efforts on what remains of the Brockian right to revive the old culture wars. The biggest push has been to turn John Walker Lindh into an exemplar of the 60’s, much as Gingrich did with Susan Smith. But as the effort to pin Smith’s murders on the left failed — it later turned out that she was the stepdaughter of a Christian Coalition official (and Pat Robertson-for-president supporter) who had molested her from age 15 — so the pin-Lindh-on-liberals effort has waned.

The case was most prominently laid out on The Wall Street Journal editorial page, a knee-jerk home to cultural profiling of this sort, by the conservative Hoover Institution scholar Shelby Steele, who said the American Taliban recruit exemplified ”a certain cultural liberalism” to be found in Northern California — never mind that Steele also lives there (the Hoover Institution is at Stanford University), as did a hero like Flight 93’s Mark Bingham (who was from San Francisco). To drive his point home, Steele also invoked Cornel West (though he misspelled his name) and noted that Lindh was a child of divorce, was named after John Lennon, had read ”The Autobiography of Malcolm X” and went to an alternative school. Unfortunately, to make his case, Steele had to glide by the reality that the anti-American creed of the Taliban was as far removed from San Francisco liberalism as one could imagine — an antiwoman, antigay fundamentalist sect. Steele also had to ignore the fact that Lindh had spent the first and more formative half of his childhood not in Marin County but in Takoma Park, Md., a Washington suburb, where he and his family were then regular Catholic churchgoers.

It shows the arbitrariness of Steele’s case that he would probably have had an easier time arguing that Catholicism turns Americans into traitors — since at least he’d have another example to go with Lindh in Robert Hanssen, the F.B.I. mole who was one of the most effective spies in American history and a rigorous member of the conservative Catholic sect Opus Dei. But of course that argument would have been as silly as the one Steele did make. Post-Sept. 11, choosing cultural profiling as a political weapon can lead to incoherence, if not absurdity. In a recent issue of The Weekly Standard, for instance, one article tried to pin Lindh’s defection to the Taliban on the alleged homosexuality of his father (while carefully ignoring the boy’s Catholic background) while another tried earnestly to examine Hanssen’s defection to the Soviet Union by focusing on his Catholicism.

Most Americans believe that Lindh and Hanssen are each sui generis — anomalous case studies that cannot be pinned on any particular cultural influence, family constellation, religion or sexual history. That’s why the efforts of the last practitioners of 90’s cultural profiling fall flat. Most Americans also know by now that for better or worse both Thomas and Bill Clinton are going to be judged by history for what they did in their official capacities, not for what porn they watched or enacted.

This isn’t to say that witch hunts ever become extinct in American politics; they only go into remission. But in the meantime, we’re so removed from the political fisticuffs that made a star out of David Brock that the landscape is at times unrecognizable. As you watch those on the right look the other way at Rudy Giuliani’s sex life, it almost seems as if they are flirting with what they used to hate most — touchy-feely cultural relativism. You know the ground has shifted when the one prominent legal lion to feel ”empathy and sympathy” for John Walker Lindh — and to argue that he be treated not as ”a Benedict Arnold” but as a ”young kid with misplaced idealism” — is Kenneth Starr.

Frank Rich is a columnist for The Times and a senior writer for the magazine.

 

http://www.nytimes.com/2002/02/24/magazine/24BROCK.html?src=pm&pagewanted=1

 

An All-Out Attack on ‘Conservative Misinformation’

10/31/2008   The New York Times

The Washington offices of Media Matters for America, a highly partisan research organization.

WASHINGTON — They are some of the more memorable slip-ups or slights within the news media’s coverage of the 2008 presidential campaign.

A Fox News anchor asks whether Senator Barack Obama and his wife had greeted each other with a “terrorist fist jab.” Rush Limbaugh calls military personnel critical of the war in Iraq “phony soldiers.” Mr. Limbaugh and another Fox host repeat an accusation that Mr. Obama attended a madrassa, or Islamic school, in Indonesia.

Each of these moments might have slipped into the broadcast ether but for the efforts of Media Matters for America, the nonprofit, highly partisan research organization that was founded four years ago by David Brock, a formerly conservative author who has since gone liberal.

Ripping a page from an old Republican Party playbook, Media Matters has given the Democrats a weapon they have not had in previous campaigns: a rapid-fire, technologically sophisticated means to call out what it considers “conservative misinformation” on air or in print, then feed it to a Rolodex of reporters, cable channels and bloggers hungry for grist.

Producers for both “The Daily Show with Jon Stewart” and “The Colbert Report” on Comedy Central take calls from the organization. James Carville, the Democratic strategist and CNN commentator, has read from its items on the air, not least, he says, because they “just irritate the right to no end.”

“It was always kind of a dream, that we needed something like that,” Mr. Carville said. “I wouldn’t say they’ve become as effective as the entire conservative media backlash thing, but they’re probably more effective than any single entity.”

At the core of the Media Matters operation is its ability to hear and see so much of the news and commentary that streams across the nation’s airwaves, and to scan so many major newspapers and blogs. The group has an annual operating budget of more than $10 million — up from $3 million in 2004 — much of it donated by wealthy individuals with ties to the Democratic Party, including Peter B. Lewis, chairman of Progressive Insurance; Steve Bing, a movie producer; and Marcy Carsey, a television producer.

That money allows the group to monitor and transcribe nearly every word not only on network and cable news but also on nationally syndicated talk radio and, lately, local radio. It was Media Matters that widely disseminated a transcript of Don Imus making racially and sexually offensive comments about the Rutgers women’s basketball team. (On its own this summer, the group also circulated a photo of this reporter that had been digitally altered by Fox News.)

Media Matters says it does not coordinate its efforts with the Obama campaign — the campaign has its own media-criticism Web site, FightTheSmears.com — though some Democratic operatives have, at the least, suggested potential items to Media Matters over the years.

But Mr. Brock, the founder and chairman of Media Matters, makes no secret of the candidate he favors in the election: he hosted two fund-raisers recently that, he said, raised $50,000 for Mr. Obama. And John D. Podesta, a former chief of staff to President Bill Clinton who helped create Media Matters, is a chairman of the team that would facilitate Mr. Obama’s transition to the White House, should he win.

“I’m a good progressive,” said Mr. Brock, who also gave money to the primary campaign of Senator Hillary Rodham Clinton.

Though its sleek, glassed-in offices here on Massachusetts Avenue resemble the former law firm that once occupied them, the team of researchers search for the kind of “gotcha” moment that the organization might publicize.

“The local guys are harder to listen to,” said Julie Millican, 26, who oversees the transcription and analysis of more than a dozen radio programs, from Michael Savage and Mr. Limbaugh to Chris Baker of KTLK-FM in Minneapolis and Dan Caplis of KHOW-AM in Denver. Ms. Millican said local hosts “will go off and spend 20 minutes talking about a pothole in the neighborhood. The next thing you know, they’re calling Hillary Clinton a” — and here Ms. Millican used a vulgarity.

Each morning at 9:30, several dozen researchers and editors gather in a low-ceilinged conference room for their “edit call,” in which they essentially pick their shots. On a recent morning, they decided to take aim at Mr. Savage, the radio host who reaches an estimated eight million listeners a week, for saying that “the only people who don’t seem to vote based on race are white people of European origin.” He made his comment after suggesting that “B.O.,” as he calls Mr. Obama, was endorsed by former Secretary of State Colin L. Powell “because of his race.”

Whether Media Matters has affected the course of the 2008 election — by intimidating some reporters or commentators, or forcing a change in the tone of others — is difficult to judge, with no shortage of blogs now trying to do some version of what it does.

One of its most concerted campaigns was to cast doubt this summer on the veracity of “The Obama Nation,” a book by Jerome Corsi. In a live interview on MSNBC with the author, Contessa Brewer cited “some 8, 9, 10 pages of factual errors” unearthed by Media Matters, and then asked Mr. Corsi, “Why should we give you the credibility?”

While the book’s claims wound up getting little traction in the mainstream press, Media Matters was hardly alone in sounding the alarm.

“I don’t pay any attention to them,” said Stuart Rothenberg, editor of The Rothenberg Political Report, a Washington newsletter. “Whether it’s conservatives evaluating the media, or liberals evaluating the media, I just have no confidence in any of the ideological stuff.”

Moreover, for all the organization’s culling, the sheer number of items it pumps out can be overwhelming to those reporters who cover the news media, or the campaign.

“At the risk of incurring their wrath,” said Mark Z. Barabak, a political reporter for The Los Angeles Times who has covered the Obama and McCain campaigns, “I think it does become, at a certain point, white noise.”

Similarly, David Folkenflik, the media correspondent for National Public Radio, said: “They’re looking at every dangling participle, every dependent clause, every semicolon, every quotation — to see if it there’s some way it unfairly frames a cause, a party, a candidate, that they may have some feelings for.”

That said, Mr. Folkenflik said the organization was a source of useful leads, in part because of the “breadth of their research.”

At the least, the organization has succeeded in proving nettlesome to Republicans, as well as the mainstream press at times. “I think they are one of the most destructive organizations associated with American politics today,” said Frank Luntz, a pollster for Rudolph W. Giuliani and Newt Gingrich who this year has led on-camera voter focus groups on Fox News, a frequent Media Matters target. “They are vicious. They only understand one thing: attack, attack, attack.”

“If I were a Democrat, I would tell them to shut up,” Mr. Luntz said. “If I were a Republican, I would tell my candidates to ignore them.” And yet, the right should expect no let-up from Media Matters in the coming months, whoever is elected president, Mr. Brock said.

“The news obviously doesn’t stop when the election is over,” he said. “This was never created to be anything other than a permanent campaign for media accountability. It was not designed to rise and fall with election cycles.”

This article has been revised to reflect the following correction:

Correction: November 8, 2008
An article last Saturday about Media Matters for America, a left-leaning research group that seeks to combat what it calls “conservative misinformation,” provided insufficient context for a quotation from Julie Millican, who oversees the transcription and analysis of radio programs for the group. When Ms. Millican said that local hosts are “harder to listen to” because they might “spend 20 minutes talking about a pothole” and then use a vulgarity to describe Hillary Rodham Clinton, she was speaking generally. She was not referring specifically to either Chris Baker of Minneapolis or Dan Caplis of Denver.

 

 

 

Gotcha TV: Crews Stalk Bill O’Reilly’s Targets

Published: April 15, 2009
The New York Times

When Bill O’Reilly’s camera crew ambushed Mike Hoyt at a bus stop in Teaneck, N.J., a few months ago, the on-camera confrontation and the microphone in his face reminded him, oddly enough, of the “60 Minutes” interviewer Mike Wallace.

Mr. Hoyt, executive editor of The Columbia Journalism Review, was well-versed in the venerable art of the on-camera, on-the-street confrontation, perfected by Mr. Wallace and other hard-charging television journalists in decades past. Now, in an appropriation of Mr. Wallace’s techniques, ambush interviews have become a distinguishing feature of Mr. O’Reilly’s program on the Fox News Channel.

Mr. Hoyt, one of more than 50 people that Mr. O’Reilly’s young producers have confronted in the past three years, said the interviews were “really just an attempt to make you look bad.” In almost every case Mr. O’Reilly uses the aggressive interviews to campaign for his point of view.

Mr. O’Reilly, the right-leaning commentator who has had the highest-rated cable show for about eight years, has called the interviews a way to hold people accountable for their actions. “When the bad guys won’t comment, when they run and hide, we will find them,” he said on “The O’Reilly Factor” recently.

In recent months the ambushes have come under increased scrutiny, partly because the targets have changed. While most of the initial subjects were judges and lawyers whom Mr. O’Reilly perceived to be soft on crime, many of the past year’s subjects have been political and personal opponents of the host. Mr. Hoyt, for instance, was criticized for assigning an essay about right-wing media to a writer with a liberal background. Hendrik Hertzberg, a senior editor for The New Yorker, was confronted for what Mr. O’Reilly described as taking a “Factor” segment out of context. And Amanda Terkel, a managing editor at the liberal Web site ThinkProgress.org, was interviewed about a protest she helped organize against Mr. O’Reilly.

Ms. Terkel’s case generated immense attention on the Internet last month partly because she called it an incident of stalking and harassment. ThinkProgress discussed taking legal action but instead decided to lead a mostly unsuccessful effort asking advertisers to boycott Mr. O’Reilly’s program.

The Fox News producer responsible for most of the ambush interviews, Jesse Watters, refused repeated interview requests. But the network did make David Tabacoff, the program’s senior executive producer, available to comment. Mr. Tabacoff — who started a telephone interview by asking, “This is going to be a fair piece, correct?” — said the interviews are “part of the journalistic mission” of “The O’Reilly Factor.” He called the program an “opinion-driven show that has a journalistic basis.”

“We’re trying to get answers from people,” he said. “Sometimes the only way to get them is via these methods.”

The attitude, as summarized by Mr. Watters in a BillOReilly.com blog post: “If they don’t come to us, we’ll go to them.”

A Fox spokeswoman said the interview approach was first used in 2002. It became a staple of “The O’Reilly Factor” in 2006. Since then Mr. Watters, a 30-year-old who worked for a Republican candidate for New York attorney general, Dora Irizarry, before joining Fox in 2003, has approached high school principals, lawmakers, journalists and celebrities whom Mr. O’Reilly has accused of being dishonest. He conducts background checks, uses Google Earth’s mapping software to scout the locations and tries to identify a public place where he can surprise the person. Some interviews require days of waiting in trucks and hotels.

When the subjects don’t answer — at least not to the satisfaction of Mr. Watters — the questions become more provocative and emotional. Last summer Mr. Watters asked Gov. Jim Douglas of Vermont about that state’s criminal statutes and asked, “About how many dead girls are we going to tolerate here?”

Sometimes the questions are statements. While trying to provoke a Florida judge last month Mr. Watters seemed to speak on behalf of the victims of a sexual molester, saying, “You owe that family an apology.”

While Mr. Watters has never been injured on the job, there have been some close calls. In Virginia Beach, while confronting Meyera Oberndorf, the city’s mayor, about its laws toward illegal immigrants that Mr. O’Reilly calls too lenient, Mr. Watters said the mayor’s husband tried, unsuccessfully, to seize the microphone. “This will be great TV,” Mr. Watters recalled remarking to the camera operator and sound technician in a blog post.

Rather than “60 Minutes,” the confrontations may bring to mind the liberal filmmaker Michael Moore, who documented his attempts to ambush the chairman of General Motors in his 1989 film “Roger & Me” and later asked members of Congress to enlist their children to serve in Iraq in 2004’s “Fahrenheit 9/11.”

Mr. O’Reilly has rejected the comparison, saying on Fox in 2006 that Mr. Moore is “doing it to put it in his movie and exploit it,” while “I’m doing it because there’s no other way to hold these villains accountable.”

Some subjects of the interviews strongly disagree. “They weren’t interested in my views,” Mr. Hoyt said of the January incident. “They just wanted to have me looking surprised or irked or whatever.” After several minutes at the bus stop, the camera crew tried to board the bus with Mr. Hoyt, disembarking only after the driver demanded that they leave.

In some cases the subjects of the interviews seek help from the police. Matthew Dowd, who has since retired as a Kansas judge, said Mr. Watters “kind of jumped me” outside a restaurant two years ago, prompting his wife to call 911. In at least three other instances, subjects called the police.

For some journalism practitioners Mr. O’Reilly’s tactics are unsettling. “Nobody should hijack the power of journalism or use the public airwaves (or cable signals) simply to settle personal scores,” Al Tompkins of the Poynter Institute, a nonprofit that supports journalism education, said in an e-mail message.

Ten of the last 12 people confronted by Mr. O’Reilly’s crews were either outwardly liberal or had criticized Republicans. Fox staffers insist, however, that Mr. O’Reilly is not partisan, and Ron Mitchell, an “O’Reilly Factor” producer, said that “if you go over the dozens and dozens of these, the primary balance is not about left or right.” (In October, for instance, Mr. Watters approached the ousted Merrill Lynch chief executive, E. Stanley O’Neal, outside his apartment.)

Regardless, some people criticized by Mr. O’Reilly have learned how to avoid added embarrassment when it is their turn in front of Mr. Watters’s microphone. When he confronted Rosie O’Donnell at a book signing to ask about her views of 9/11 conspiracy theories — she had said on “The View” that it was impossible that World Trade Center 7 could have fallen the way it did “without explosives being involved” — a member of her entourage placed his hand over the camera lens. Ms. O’Donnell told her employee to stop, adding, “That’s what they want you to do.” Mr. O’Reilly played the tape the next weeknight.

 

http://www.nytimes.com/2009/04/16/arts/television/16ambush.html