10 Pro Gay Companies To Go And Spend All Your Money With

Queeried

Want to make sure the money you’re spending on your clothes, gadgets and travel is going towards companies that support you and the LGBT community? These ten companies have all shown their support for equal rights for all via political activism, fund-raising and equal rights and benefits for same sex partners of their employees.

1. Levi’s

Big supporters of the No to Prop 8 campaign in California, Levi’s have continued their backing of the LGBT community by joining the White Knot movement earlier this year and tying white ribbons to their mannequins in continued support of gay marriage. The company is also as supportive of it’s LGBt workforce being the first Fortune 500 company to offer unmarried domestic partners health benefits.

2. American Apparel

Another Californian company putting it’s support behind the repeal of Proposition 8, American Apparel went very public with it’s support producing a Legalize Gay T-shirt in 2008 for protestors. Overwhelmed by the response of the tee American Apparel went on to sell it in stores and online even though they were met with protests for doing so. Like Levi’s the guys at American Apparel have also continued with their support of the LGBT community offering two new gay rights tees as part of their new library range.

3.  Nike

Going on record in support of Referendum 71 in Washington, Nike have made a very clear statement that they are in support of equal rights for all. In the past they have also shown their willingness to listen to and support the views of the LGBT community by shelving an advertising campaign after there were complaints that it was sending out anti-gay messages.

4. Microsoft

Another company that received some criticism from the LGBT community in the past, Microsoft recently made it’s position on gay rights crystal clear by donating $100,000 to  Washington Families Standing Together in support of Referendum 71. Bill Gates, the chairman, and Steven A Ballmer, the chief executive also showed their personal support with additional contributions.

5. American Airlines

By setting up the Rainbow Team, the first LGBT dedicated airline sales division and website, American Airlines have made themselves stand out for the rest of the airlines, and don’t just stop at this service. Also working hard to offer the LGBT community useful services,  AA also list gay themed national events on their events calendars and often attend Pride parades with their very own floats.

6. Apple

Speaking out in support of gay marriage and opposing Proposition 8, Apple put it’s money where it’s mouth was donating $100,000 to the No on Prop 8 campaign, and also like Levi’s shows it’s support through the benefits it offers start which includes equal rights and benefits to their employees’ same sex partners.

7. Google

Not a company usually known for speaking out on social issues, Google made the unusual step to do just that last September, releasing a statement stating that “while there are many objections to this proposition – further government encroachment on personal lives, ambiguously written text – it is the chilling and discriminatory effect of the proposition on many of our employees that brings Google to publicly oppose Proposition 8.” Alongside this Sergey Brin and Larry Page, the founders of Google, also donated $140,000 to the No campaign.

8. Starbucks

Calling for the approval of Referendum 71 Starbucks are another company showing their support for gay rights, and whilst they haven’t donated to the campaign in the same way as Microsoft have, they have been long term supporters of the LGBT community featuring a pro-gay message by Armistead Maupin on their coffee cups back in 2005.

9. Boeing

Standing alongside Starbucks, Nike and Microsoft in their support of Referendum 71, Boeing, the commercial airline manufacturer has shown that it is in full support of equal rights for gays and lesbians..

10. IBM

Constantly finding itself at the top of gay friendly employee lists, IBM has worked hard to make its work environment an inclusive one, offering health benefits to it’s employees’ same sex partners and also having an anti discrimination clause. And it’s definitely not just all talk with  the Human Rights Campaign having rated IBM 100% on it’s gay friendly index since 2003, and IBM winning over 40 LGBT awards globally.

Sarah Shepard VRP

Sarah Shepard

IMDB Pro: https://pro-labs.imdb.com/name/nm2416896/

Filmography: Present (Short) – Producer 2006

Most likely her Twitter: https://twitter.com/sarahsheps12 @sarahsheps12 (Looks like she doesn’t really use it.)

LinkedIn: https://www.linkedin.com/pub/sarah-shepard/24/145/38b

Experience

SVP, Television at Smokehouse Pictures
– Present (1 month)

Vice President, Development and Production of Wayfare Entertainment Ventures, LLC
February 2011 – (3 years 6 months)

Development/Production Executive of WAM Films
2008 – 2011 (3 years)

Development Executive of Appian Way
2005 – 2008 (3 years)

Assistant at Industry Entertainment
2004 – 2005 (1 year)

Assistant at International Creative Management (ICM)
2003 – 2004 (1 year)

Education
Wesleyan University (Film)
1999 – 2003
University of Southern California (Film)
2001 – 2002
Trinity School
1996 – 1999

In the Media:

6/6/2014 Dreadcentral.com
The script is by Stacy Chbosky and John Erick Dowdle and Drew Dowdle (Quarantine, The Poughkeepsie Tapes, The Coup). Revolver is fully financing Exorcism on Crooked Lake, with the company’s Nick Phillips and Kelly Martin Wagner producing alongside Sarah Shepard and Ben Browning (Inquest). The Dowdle brothers are exec producing.

5/14/2013 Deadline.com
Start Motion Pictures (formerly Wayfare Entertainment) has set 28 Weeks Later helmer Juan Carlos Fresnadillo to direct and Shia LaBeouf to star in Villain, a psychological thriller written by Robocop remake scribe Josh Zetumer. Villain follows two brothers who mysteriously re-connect in an unforgiving wilderness. The role of the other brother will be set shortly. Start Motion Pictures’ Ben Browning, Sarah Shepard and Jeremy Kipp Walker will produce, and Michael Maher will executive produce with Zetumer. Start will also finance. Wild Bunch will be selling the film in Cannes, alongside their other titles that include the Nicolas Refn-directed Only God Forgives, James Gray’s The Immigrant and Guillaume Canet’s Blood Ties.

9/9/2012 Variety
Wayfare Entertainment has tapped Mitchell Akselrad to pen the feature adaptation of short film “The Gate.” ……

Westrup will produce the pic along with the short’s original producer, Spencer Friend, and Wayfare Entertainment’s Ben Browning and Sarah Shepard.

2/4/2011 Variety
“Sanctum” production company Wayfare Entertainment has tapped a trio of execs to join its development and production roster, with Journeyman Pictures alum Jeremy Kipp Walker (“It’s Kind of a Funny Story”) on board as head of production.

Sarah Shepard, former head of film and TV development for WAM Films, joins as VP of development and production, and Evelynda Rivera, who was manager of physical production at Focus Features, has signed on as director of physical production.

Gotham-based Wayfare, established in 2008, expands its ranks while it positions itself as a provider of development, packaging, financing and physical production services. ……

Shepard, who like Rivera joins the company later this month, will run all project sourcing and also will co-manage Wayfare’s emerging-talent lab with Walker.

12/16/2008 Variety
Verbinski will produce with Alain Chabat, Stephanie Danan and Sarah Shepard of WAM Films. The project takes root at the studio through Verbinski’s U-based Blind Wink Prods. banner.

6/9/2014 The Wrap
George Clooney’s Smokehouse Pictures Enters Overall Deal With Sony Pictures Television

The two-year agreement calls for Smokehouse to develop and produce comedy and drama series for broadcast, cable and digital platforms.
(http://www.thewrap.com/george-clooneys-smokehouse-pictures-enters-overall-deal-with-sony-pictures-television/)

Anthony Kaan/Relativity Digital – VRP

Anthony Kaan
Vice President, Original and Branded Content at Relativity Digital Studios

XsVOsqt4_400x400

Projects:
The Biggest Loser (NBC) – Season 14 – BRITA 2012
Parenthood (NBC) – Season 3 – CLOROX 2011 – 2012
The Possibility Shop (DISNEY) – Seasons 1-3 – CLOROX 2 2010 – 2012
Supermoms (YOUTUBE & FACEBOOK) – GLAD, CLOROX, FRESH STEP 2011 – 2012
Kitchen Central (YAHOO) – CLOROX 2011 – 2012
Worldwide Day of Play (NICKELODEON) – CLOROX 2 2010 – 2011
American Idol (FOX) – Seasons 5-7 – COCA-COLA 2007 – 2010
Transformers (PARAMOUNT, DREAMWORKS) – HASBRO 2005 – 2007
Vans Warped Tour – Season 12 – HASBRO 2005 – 2007
Lounge 22 Music Series – ABERCROMBIE & FITCH 2004 – 2006

Languages: French, Spanish

Twitter: @Anthony_Kaan  4,525 followers
https://twitter.com/Anthony_Kaan
Bio: Branded Entertainment…Pop Culture…and Pumpkin Pie…

LinkedIn: https://www.linkedin.com/in/anthonykaan
Vimeo: https://vimeo.com/anthonykaan
Google+: https://plus.google.com/+AnthonyKaan/posts
IMDB Pro: https://pro-labs.imdb.com/name/nm6559473/?ref_=sch_int
Tumblr: http://anthony-kaan.tumblr.com/
Bookvibe: http://www.bookvibe.com/people/Anthony_Kaan

-This should be the same person:
Anthony Kaan, Marketer
Creative Artists Agency, LLC
9830 Wilshire Blvd
Beverly Hills, CA 90212
Company Phone: 310-288-4545
Email: akaan@caa.com
Job Category: Executive
Job Level: Other

-He might be one of the two actors in this (not so good) short: https://www.youtube.com/watch?v=DHICReTxsis&feature=share

-Anthony Kaan donated $35 to a Democrat candidate in Wisconsin.
(http://www.followthemoney.org/database/StateGlance/contributor.phtml?d=2659022650)

Relativity Digital Studios
http://www.relativitymedia.com/Digital.aspx

Relativity Digital, the digital division of Relativity Media, recognizes that online video is a viable distribution alternative to TV and seeks to develop, produce, market, and distribute fresh and original content.

Relativity Digital provides marketing and production resources to support Relativity Media’s films, television shows and brand partners. Having created numerous video advertising campaigns for Relativity Media, Relativity Digital enlists some of the biggest YouTube tastemakers to produce highly successful branded videos that have garnered millions of views and hit their target audiences.

Relativity Digital is compromised of a number of online properties including:
IamRogue.com, ARTISTdirect.com, YouTube.com/IamROGUE, and The Rogue Movie Network.

IMDB Pro: https://pro-labs.imdb.com/company/co0485605/?ref_=sch_int

Projects:
Interns (TV mini-series) – Production Company (unknown episodes)
Girl’s Guide with Michelle Phan (TV mini-series) – Production Company (1 episode, 2014)

Relativity Launches Digital Studio Division (EXCLUSIVE)
2/5/2014 | Variety
http://variety.com/2014/digital/news/relativity-launches-digital-studio-division-exclusive-1201088355/

Relativity CEO Ryan Kavanaugh — calling traditional TV advertising a dead-end — is expanding the studio’s digital push with a new unit focused on developing original content for digital platforms on behalf of big brands.

Kavanaugh has recruited Roger Mincheff (pictured, above), former president of Myspace Entertainment and head of branded entertainment at Fox Filmed Entertainment, to run Relativity Digital Studios.

Relativity Digital Studios will create original digital content for major brands. As part of its launch, RDS is working with Relativity partner Major League Gaming in an exclusive arrangement on the company’s first slate of non-gaming programming, and the division also is commencing production on workplace comedy series “Interns,” with an unidentified brand partner.

“Relativity Digital Studios will work across all of our company’s platforms to deliver consumers compelling content whenever and however they want it,” Kavanaugh said in announcing the initiative. “Old television advertising is a dying model. Relativity is not a traditional studio, but a content engine that has the capability to deliver consumers engaging programming and give brands a powerful way to reach consumers.”

At Variety’s Entertainment Summit at the 2014 International CES, Kavanaugh advocated for the entertainment biz to shift more quickly to tech developments and changing consumer behavior.

In addition to developing original productions, Mincheff and the rest of the RDS team will work with Relativity’s film, television, sports and fashion divisions to identify digital opportunities for their projects and clients. Mincheff reports to Relativity Digital president Randall Cox, who oversees production of web originals and digital marketing for the studio.

“Ryan has built a company with such an entrepreneurial spirit,” said Mincheff, who is based out of Relativity’s Beverly Hills headquarters. “We’re the group that will make content for digital, to really understand the medium.”

RDS also will look to create non-branded original series, pegged for distribution on Internet-video services like Netflix and Hulu, and also will produce content to support theatrical releases. “We have a very TV-like content model — make compelling content and find the best home for it,” Mincheff said.

Mincheff previously was head of Myspace Entertainment, which was the internal production and entertainment division for original programming and content for the website, which was once a huge social media platform but is now a shadow of its former self. Prior to joining Myspace in 2012, he was at Fox Filmed Entertainment where he led production of branded digital content across the company’s film and television production entities, and was CEO of digital marketing agency Spacedog Media.

Relativity’s other divisions include Relativity Television, which has more than 20 series currently in production; Relativity Sports, which currently represents more than 300 professional athletes; and M3/Relativity, which represents clients across fashion, beauty, style and creative design.
Relativity Media Launching Digital Division for Brands, Hires Chief Marketing Officer
7/2/2014  Chicago Tribune
http://articles.chicagotribune.com/2014-07-02/entertainment/sns-201407021448reedbusivarietyn1201256547-20140702_1_head-creative-advertising-relativity-media-dana-precious

Ryan Kavanaugh’s Relativity Media has hired as its first chief marketing officer Angela Courtin, who will launch a digital division focused on content creation for brands.

Smokehouse’s TV projects

Smokehouse has just signed a deal with Sony Pictures Television. The two-year agreement calls for Smokehouse to develop and produce comedy and drama series for broadcast, cable and digital platforms.

According to Smokehouse’s IMDB Pro page, they are not developing any TV project yet. The only TV series they have done is TNT’s Memphis Beat. Smokehouse produced 4 episodes in 2011.

George Clooney Inks Overall Deal With Sony Pictures TV
6/9/2014 THR
http://www.hollywoodreporter.com/live-feed/george-clooney-inks-deal-sony-710491

George Clooney is joining the ranks of big-screen stars heading to the small screen.

The Oscar winner’s Smokehouse Pictures — which he runs with partner Grant Heslov — has inked a two-year overall deal with Sony Pictures Television to develop and produce comedy and drama series for all platforms, including broadcast, cable and digital, The Hollywood Reporter has learned.

The deal expands Clooney’s relationship with Sony, where Smokehouse has produced features including The Monuments Men, August: Osage County, Argo and more. The company previously had a first-look TV deal with Warner Bros. Pictures and Warner Bros. Television. Under the latter, Clooney and the company produced TNT’s Jason Lee cop drama Memphis Beat, which ran for one season on the cable network.

Heslov, meanwhie, has a long roster of TV credits as an actor. As an exec producer, his credits include Memphis Beat, Unscripted and K Street.

At SPT, Clooney joins a roster of producers including Breaking Bad’s Vince Gilligan, Shawn Ryan (The Shield), David Shore (House), Barry Josephson (Bones) and Televisa, among others.

Clooney becomes the latest big-screen star to ink TV deals. He joins Steve Carell and Jessica Biel (both of whom are based at Universal Cable Productions), among others.

George Clooney & Grant Heslov’s Smokehouse Pictures Inks Overall Deal With Sony Pictures TV
6/9/2014 Deadline.com
http://www.deadline.com/2014/06/george-clooney-grant-heslovs-smokehouse-pictures-inks-overall-deal-with-sony-pictures-tv/

Since launching Smokehouse in 2006, Clooney and Heslov have been focused primarily on features, developing and producing films that the two directed, like Leatherheads, The Ides Of March and The Monuments Men (Clooney) and The Men Who Stare At Goats (Heslov) as well as features directed by others, most recently Argo, helmed by Ben Affleck and last year’s August: Osage County, directed by John Wells. Clooney comes from a strong TV background, having started in television as an actor and then producer. CAA-repped Smokehouse has a history at Sony  — the company moved its feature deal from Warner Bros. to Sony in 2009.

Feature projects in development (10 feature films):

Coronado High ( Drama)
– A look at the lives of a group of young drug smugglers.

Dangerously Funny (Comedy)
– Folk and comedy duo tom and Dick Smothers Brothers work their way up from 1960s San Francisco clubs to landing their own primetime TV show.

Untitled George Clooney Project (Crime | Thriller)
Starring George Clooney

The Yankee Commandante (Drama) (with Focus Features)
– An American named William Alexander Morgan travels to Cuba in the late 1950s to lead a guerrilla force against President Batista and join sides with Fidel Castro during the Cuban Revolution.
Director: George Clooney

The Monster of Florence (Crime | Drama | Mystery) (with FOX 2000 Pictures)
– A reconstruction of eight double homicides believed to have been committed single-handedly between 1968 and 1985 in and around Florence, Italy.
Starring George Clooney.

The Innocent Man (Drama)
– The story of Ron Williamson, a man who sat on Oklahoma’s death row for 11 years for a crime he didn’t commit. Based on John Grisham’s “The Innocent Man: Murder and Injustice in a Small Town.”

The $700 Billion Man (Drama)
– The true story of a Government bailout manager who moved to a cabin in the woods after the U.S.’s financial meltdown in 2008.

Pioneer (Thriller)
– A man working on an oil pipeline investigates his brother’s death. Based on the Norwegian film ‘Pioneer’.

Our Brand Is Crisis (Comedy | Drama)
– A feature film based on the documentary “Our Brand Is Crisis”, which focuses on the use of American political campaign strategies in South America.
Starring George Clooney

Hamdan v. Rumsfeld (Drama | Thriller) (with Civil Dawn Pictures)
– A thriller set against the backdrop of the war on terror, The Challenge tells the inside story of a historic Supreme Court showdown. At its center are a Navy JAG and a young constitutional law professor who, in the aftermath of 9/11, find themselves defending their nation in the unlikeliest of ways: by suing the president of the United States on behalf of an accused terrorist in order to prevent the American government from breaking the law and violating the Constitution.

11 Stunning Facts You Might Not Know About Internet Superstar George Takei

7/23/2014 Huffington Post

NEW YORK, NY – MAY 19: Actor George Takei attends 18th Annual Webby Awards on May 19, 2014 in New York, United States. (Photo by Brad Barket/Getty Images) | Brad Barket via Getty Images

Not everyone can successfully play the social media game, let alone someone in their 70s. George Takei, best known for his iconic role as Enterprise helmsmen Hikaru Sulu on “Star Trek,” has spent the last few years working as an LGBTQ advocate with incredibly funny and poignant accounts on major social media platforms like Facebook, Twitter and Tumblr.

Despite the Japanese-American star’s ever-growing Internet presence and outspokenness on both past and current views, there are still some obscure facts that you might not know about this incredibly talented man.

1. He’s named after royalty.

Takei’s father was a major Anglophile, so he named both of his sons after members of the British royal family. George is named after King George VI, whose coronation was just a few weeks after George’s birth in 1937. His brother is named Henry Takei after the infamous King Henry VIII. His sister, Nancy Reiko Takei, managed to avoid the naming trend.

2. He spent part of his childhood in an internment camp.

As a Japanese-American family living in California in the 1940s, the Takeis were placed in an internment camp, first in their home state, then in Arkansas. Takei was 5 years old when he entered, and 8 when they were released. Even though he was just a child, his experiences there deeply shaped who he is as a person, and even inspired the new musical “Allegiance,” starring Takei. Plans are that “Allegiance” will arrive on Broadway soon.

3. His first acting jobs were voice overs.

Given the small number of roles available to Asian actors in Hollywood, it’s not surprising that Takei’s first roles were not on-screen gigs. According to IMDb, Takei’s very first job was as an uncredited voice actor for the film “Godzilla Raids Again,” followed by another uncredited role in “Rodan.” Takei’s big break came in 1959, when he starred in an episode of the hit crime show “Perry Mason,” nearly seven years before he landed the part of Hikaru Sulu on “Star Trek.”

4. Takei and Walter Koenig weren’t always close.

Fans of Takei know of his rocky relationship with “Star Trek” co-star William Shatner, but you may not know that he and co-star Walter Koenig got off to a rough start. Takei had to miss nine episodes of the show’s second season because of his work on “The Green Berets.” Koenig was brought on as Pavel Chekhov to replace Sulu, which Takei was no happy about. In an interview with Mother Jones, Takei said, “When I came back [to the show] I hated Walter sight unseen.” The two had to share a dressing room and a script when Takei returned, but soon they became close friends. Koenig was even best man at Takei’s wedding in 2008.

5. He was involved in a lot of local politics.

Takei was not only involved in Hollywood, but also in Los Angeles politics. He ran for City Council in 1973 and lost, but was appointed to the board of directors of the Southern California Rapid Transit District by Mayor Tom Bradley. He served from 1973 to 1984, and was also the vice president of the American Public Transit Association. And he didn’t only work to better the Southern Californian community; he also served two terms on the board of the Japan-United States Friendship Commission in the 1990s, appointed by President Bill Clinton.

6. He only came out recently.

Takei’s involvement in LGBTQ activism makes up a big part of who he is today, but he wasn’t always involved in the movement. In fact, he didn’t officially come out as gay until 2005, after Governor Arnold Schwarzenegger vetoed a same sex marriage bill. He told The Huffington Post he then knew it was time to reveal his orientation: “I was angry, but I couldn’t speak out without coming out. My voice had to be authentic. And so that’s when I talked to Frontiers [magazine].”

7. He co-wrote a science fiction novel.

Takei is not stranger to the literary world, having written “To the Stars: The Autobiography of George Takei, Star Trek’s Mr. Sulu,” “Oh Myyy!: There Goes The Internet” and “Lions and Tigers and Bears: The Internet Strikes Back.” What you may not know is that he co-wrote a science fiction novel with author Robert Asprin entitled “Mirror Friend, Mirror Foe.” The plot follows a professional killer and his fight for survival after a computer reprograms all the others around the world to destroy humanity. Gene Roddenberry would be proud.

8. He starred in a “Twilight Zone” episode you’ve probably never seen.

Like his “Star Trek” co-star William Shatner, Takei appeared on the famous 1960s show “The Twilight Zone,” but his episode only aired once in the United States, on May 1, 1964. The episode was entitled “The Encounter,” about a World War II vet and a Japanese gardener getting locked in an attic together and dealing with their personal demons. The episode received a lot of complaints due to the gardener’s backstory and its portrayal of Japanese-Americans. It was then pulled from syndication in America, though not anywhere else. It can be found on the Season 5 DVDs as well as on Netflix.

9. He’s a skilled marathoner and fencer.

Takei’s hobbies are not limited to acting and local politics. Takei is a skilled athlete, who showed off his fencing skills on “Star Trek.” He also was on the track team during his high school days as a long distance runner. Along with completing five marathons, he was part of the Olympic Torch Relay for the 1984 summer games.

10. He has his own brand of cologne.

Celebrity scents are a dime a dozen, but they typically belong to young actors looking to bank on their names, not a seasoned science-fiction star. But if anyone could pull it off, it would be Takei. His scent, Eau My, is a unisex scent described as “subtle and charming, with top notes of mandarin zest, Italian bergamot and fresh ozone transitioning to night-blooming jasmine, white freesia petals and grated ginger.” Just in case you were looking for a new signature fragrance.

11. “Oh my!” became his catchphrase because of Howard Stern.

It may be hard to believe but Takei’s signature “Oh my!” was not originally meant to be his catchphrase. He uttered the words during an interview on Howard Stern’s radio show, and Stern captured it as soundbite for his show before Takei came on as an announcer in 2006. The phrase became associated with the actor, who in turn embraced it as his go-to motto.

 

http://www.huffingtonpost.com/2014/07/23/george-takei-facts_n_5584773.html?utm_hp_ref=tw

 

PBS Chief Paula Kerger Talks ‘Sherlock,’ Streaming and Cable’s Exit From Education

7/22/2014   The Hollywood Reporter

“I’m the only person who will stand on this stage and say I hope people steal our ideas,” the president and CEO tells the TCA crowd, “because that means more good television for the public.”

Paula Kerger

With Downton Abbey, Sherlock and a few other scripted successes currently on its roster, PBS is certainly part of the “golden age of television” that seems to have been touted more than ever during this summer’s Television Critics Association press tour. But one thing isn’t quite as golden, says chief Paula Kerger, is the kind of nonfiction programming currently on offer.

The public broadcaster’s president and CEO spoke with reporters at the start of its two-day session on Tuesday morning — and in addition to touting big plans for streaming (and teasing a move into original stateside dramas), she emphasized that her channels were among the shrinking number of those committed to educational nonfiction and not just reality.

“A lot of cable networks that were at one point formed as an alternative to PBS, they’ve gone down a different path,” said Kerger, mentioning A&E, History and Bravo. “I often say we’re not in the same business. Our work is very different.”

Education is still a priority

Yes, it’s great to be the U.S. home of Emmy darling and international phenomenon Downton Abbey. That’s just one piece of the PBS puzzle. Kerger emphasized that their scripted successes, while great, are not her biggest mandate. Kerger brought up cable’s significant departure from science, art, history and curriculum-based kids programming as voids she is constantly trying to fill. “Art, except for competition series, is gone,” she said. “Ovation is still out there and trying to capture an audience, but we see ourselves as standing alone in that space. … My hope is that if we do our job well and more people watch, other channels will follow suit. I’m the only person who will stand on this stage and say I hope people steal our ideas, because that means more good television for the public.”

Ratings don’t matter — but they’re still growing

Several times during the Q&A, Kerger emphasized that the publicly funded organization put little stock in viewership. Their “mission” is still to air programming that connects and educates viewers, but knowing people are watching still helps. “We actually have a broad audience,” she said. “If you look at the numbers, 90 percent of people are watching us at some point in the year.” What’s more: Nights with targeted programming — like Sunday’s drama hub, home to Downton Abbey — are growing substantially year over year. Sunday, for 2014, is up 14 percent from the previous year.

Streaming is key

Using the day to also announce that Ken Burns‘ sprawling, 14-hour The Roosevelts: An Intimate History will be available in full online only a day after the first part airs, Kerger said that boosting streaming options is a big priority for both PBS’ widely distributed content and its local offerings. “We have put a lot of effort into [streaming],” she said. “To be able to be in different platforms where people are looking for content seems like a good investment.”

Sherlock‘s return date remains up in the air

The recent announcement that Sherlock will tape additional episodes in 2015 has not cleared up when the Benedict Cumberbatch and Martin Freeman starrer will be back on the air in the U.S. Kerger was quite happy, however, knowing that they still have the rights to air the Christmas special and three additional episodes. “We’re so proud to have it on public broadcasting,” she said. “We have to wait to really know when it will be finished. Whenever it comes, we’ll put it in a wonderful place, and we know it’s going to be terrific.”

Domestic drama could come soon

No, there was no news of a new series order, but when asked about the likelihood of PBS moving into original dramas produced here in the U.S. — not just the imported Masterpiece fare — Kerger was playfully cryptic. “I’m smiling, and I’ll be able to tell you something sometime,” she said. “How’s that for a tease?”

 

http://www.hollywoodreporter.com/live-feed/pbs-chief-paula-kerger-talks-720317

 

Sex Tape Gets One Thing Amusingly Right About Technology

7/17/2014   Slate

Sex Tape, which hits theaters Friday, is not a good movie, but it does have a premise that ought to resonate in our Internet-addicted, gadget-worshipping, privacy-compromising times. A husband (Jason Segel) and wife (Cameron Diaz) use their new iPad to record themselves having sex, after which the husband not only “forgets” to delete the video, but accidentally uploads it to “the cloud.”

The cloud! That nebulous realm where so many of us store our files without really understanding what it is we’re doing or why. Who runs the cloud? Where is it located, exactly? Does it have something to do with the weather?

And, most importantly: If we inadvertently put something embarrassing there, is it liable to wind up on the iPads of all our friends, family, and bosses, as it does for the unfortunate couple in Sex Tape?

Thankfully, the answer in most cases is no. As GQ points out, simply uploading a file to Apple’s iCloud will not automatically make it accessible to anyone who doesn’t share your Apple ID. There’s also the simple fact that a three-hour-long video would eat up gigabytes’ worth of storage and take quite some time to upload and download. Most cloud-storage services, including iCloud, aren’t designed for streaming movies.

But that doesn’t stop Sex Tape from gleefully toying with our societal confusion about the inner workings of those shiny high-tech devices we’ve so naively entrusted with the most intimate details of our lives.

Besides, if we’re going to get technical about it, the objections raised by GQ are mostly irrelevant, because Segel’s character isn’t using iCloud like a normal person to back up his files for personal use. He’s a professional DJ who gives all his friends customized iPads as gifts and employs a special, super-duper syncing service (aptly named “Frankensync”) to automatically update them with his latest playlists.

The movie doesn’t explain exactly how this works, and Segel’s character himself appears not to fully grasp the program’s machinations. In one of the movie’s funnier exchanges, he tries to explain to his wife that the movie somehow went “up into the cloud.” Can’t he get it back down from the cloud, she asks? “Nobody understands the cloud!” he raves. “It’s a fucking mystery!”

He’s right—the cloud is a mystery to a lot of us, even though it really shouldn’t be. That’s partly because the term itself is misleading. The cloud isn’t any one thing. It just refers to computing that takes place on remote servers, rather than on your own device. Many of us use cloud services like Gmail and Dropbox every day without a second thought. Still, it’s true that in the tidy and user-friendly world of Apple devices and software, iCloud stands out—along with the bloated mess that is iTunes—for its less-than-intuitive functionality.

In the end, Sex Tape’s goal isn’t to get technology right. It’s to poke fun at the ways in which we get technology wrong, even as we soak up the gauzy marketing that surrounds it and proudly deploy the buzzwords that Silicon Valley feeds us. Put aside the schizophrenic pacing, the hastily drawn characters, and the inexplicable plot twists, and Sex Tape is really a movie about our dangerous liaisons with a lover whose friendly face masks an inner life we’ll never understand—a lover named iPad.

 

http://www.slate.com/blogs/future_tense/2014/07/17/icloud_privacy_sex_tape_movie_gets_one_thing_right_about_apple_and_the_cloud.html

Q&A: Wentworth Miller Wants to Be Honest With You

The former Prison Break star talks candidly about coming out, the strange place that is Hollywood, and his new film, The Loft.

8/1/2014   Details

DETAILS: After Prison Break ended in 2009, you walked away from acting to write screenplays—eventually writing last year’s Stoker under the name Ted Foulke. Why?
Wentworth Miller: I knew I needed a change. I was fried after four years on an intense network drama. The body-tattoo makeup alone took four hours every day. So the idea was to see what was behind that other door. I hadn’t thought of myself as a writer, but when I wrote Stoker, the feedback was very positive. I used a pseudonym because I didn’t want other actors thinking I’d written the part for myself only to decide I didn’t want to play it.

DETAILS: If nothing else, it must be easier maintaining a screenwriter’s physique.
Wentworth Miller: True. There’s a lot of pressure on actors to have a six-pack and everything that goes with it. But that’s never been an obsession of mine. I like being heavier sometimes. It feels like you’re a force to reckon with. Then again, at one point I was about 45 pounds heavier than I am now. I was looking to food as a fix for something missing inside. It was about putting layers of protection around me.

DETAILS: You’ve admitted to struggling with serious depression all your life. What got you through?
Wentworth Miller: I’m part of a group called the ManKind Project. It’s a circle of men I sit in with every week that’s a safe sounding board for whatever’s up for me: good, bad, ugly, really ugly. We know how to respond to someone coming out now—we’ve had that training—but admit you’re sad or that you’ve thought about suicide and people don’t know what to do. With sadness, particularly with men, that conversation is unfamiliar.

DETAILS: Last year you also publicly came out as gay. Was a burden lifted?
Wentworth Miller: I feel more fully expressed. After Prison Break, I came to grips with the fact that my public persona was in misalignment with how I actually felt. I was out to a handful of people in my twenties, and once I hit 30, I was out to family and friends. But professionally, I was feeding a fantasy. I created this air of “We don’t address that thing.”

DETAILS: Do you ever regret lying in interviews by saying “I’m not gay”?
Wentworth Miller: My face was on billboards, and I thought it was my job to act a certain way. But I think audiences knew to a certain degree.

DETAILS: Really? Crowds of women used to scream for you. Did you worry about alienating that demo?
Wentworth Miller: No. The people onscreen aren’t the characters they’re playing. They’re our projection of who we want them to be. I think it’s possible to have a man-crush if you’re not gay or to have a crush on a guy you know to be gay if you’re a woman. Attraction is fluid, and I think our imaginations are strong enough to hold a container for all of this complexity, even if we know on a subconscious level something’s not what it appears to be.

DETAILS: Later this year, you’ll be back in front of the camera in the thriller The Loft, about a group of men who find a dead body inside the secret apartment they keep for their mistresses. Did being a screenwriter change your perspective on acting?
Wentworth Miller: You have to accept that everything’s a collaboration. I’m not entirely responsible for everything I write, just like I’m not entirely responsible for my performances. Anything I do should say “By Wentworth Miller and the people in Editing Room C.”

DETAILS: You once said that you’ve been on more than 450 auditions. What was the worst job you’ve had to take to make ends meet?
Wentworth Miller: My first job in the business was as an office manager at a small company that made movies for TV. My boss called me in for what I thought was a promotion. Turned out, his toilet was broken. I spent an hour drawing a diagram of the inside of the toilet tank to show the guys down at Plumbers Depot, so that I could go back and spend four hours with my hands in the bowl fixing the thing. I must have flushed that toilet 200 times.

DETAILS: Any life lessons to share from the set of the Resident Evil franchise?
Wentworth Miller: People like zombies. Playing zombies is more fun than being an accountant. Finally, zombies get you paid.

DETAILS: You graduated from Princeton with a degree in English in 1995, then landed your first acting gig as a fish monster on Buffy the Vampire Slayer four years later. Did you ever go, “I went to Princeton for this?”
Wentworth Miller: Honestly, I was completely out of my depth and doing whatever I could to keep up. They glued this prosthetic piece covered with scales to my chest. Then there was a piece over it that looked like human skin. I had to peel through the top layer to reveal the beast within. Deep into the third hour of this, the makeup artist says to me, “We only have one of these pieces to tear through, so you need to get this right.” Hollywood can be a deeply strange place.

 

http://www.details.com/celebrities-entertainment/movies-and-tv/201408/wentworth-miller-prison-break-actor-stoker-screenwriter-the-loft?mbid=facebook

Zucker wants to grow his own

7/11/2014   Capital

CNN has now launched a half dozen original unscripted series in primetime. Most of them (with the exception of “The Sixties” and “Death Row Stories”) have had a recognizable face fronting the show.

Anthony Bourdain started the push with “Parts Unknown,” and Morgan Spurlock followed with “Inside Man.” John Walsh, Lisa Ling and Mike Rowe are joining them this year.

“That was a pretty concerted effort to use some folks who were established and who had a following, they are easier to market, easier to generate some attention for,” CNN Worldwide president Jeff Zucker told Capital earlier this week.

The strategy made sense for CNN as it sought to launch its unscripted lineup. The channel needed buzz for the new formats, and it wanted to lure loyal fans that each of the “names” had.

Still, as any regular viewer of CNN’s new unscripted competitors like Discovery, A&E and Travel Channel know, the biggest hits often come from talent that is developed, not bought. To that end, CNN intends to try and develop talent of its own to complement its roster of known names.

“I think going forward we would like to create some of our own [talent], and that is something you will probably see us try over the next year or two,” Zucker told Capital.

Often times the names most often associated with a channel, like Adam Richman from Travel Channel, or Guy Fieri from Food Network, were essentially created by the channel. Yes, they may have been known in certain areas or fields, but it is the TV show that made them household names.

The benefit to a network in creating its own talent is that the channel can become more closely associated with the brand of the personalities, and strictly from a budgetary standpoint, untested or newly-famous names are much cheaper than high-profile poaches.

CNN knows this, and regularly applies this principle to its on-air news talent, the only difference is that now it is applying that philosophy to its unscripted programming.

Before hosting a TV show, Bourdain was a chef who gained a following after he wrote a book, Kitchen Confidential, that spelled out the surprisingly seedy underbelly of the restaurant business. The book deal led to a Food Network show, “A Cook’s Tour.” That show didn’t last long, but Travel Channel added him to their roster, renaming the show “No Reservations.”

Rowe was a journeyman TV host, with various gigs for QVC, Military Channel and PBS, but it was “Dirty Jobs” on Discovery that made him a household name.

Speaking at the Television Critics Association Summer press tour on Thursday, Rowe said that his new CNN show, “Somebody’s Gotta Do It,” will be less about people with unique jobs than it is about people with unique sensibilities or passions.

“‘Somebody’s Gotta Do It’ is about people who simply do what they do because of a weird mix of love, compulsion, obsession, dedication — whatever it is,” Rowe told Critics, according to TheWrap. “We’re looking for people who wake up everyday a little afflicted because the world is not exactly what they want it to be. They’re on a mission”

One job Rowe will not be profiling is that of the TV critic, of which there were many in the Beverly Hilton Thursday morning.

“Some jobs are just too hideous to contemplate,” Rowe said when asked about the allure of writing about TV.

 

http://www.capitalnewyork.com/article/media/2014/07/8548740/zucker-wants-grow-his-own