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The Real O’Neals Review: ABC’s Wacky Catholic Comedy Is Close to Divine

JIMMY KIMMEL, NOAH GALVIN

The Real O’Neals Review: ABC’s Wacky Catholic Comedy Is Close to Divine

TV Review Grade B+There’s something sweetly old-fashioned about the premise of ABC’s latest family comedy, The Real O’Neals, in which the an image-obsessed Catholic mom desperately attempts to hide her family’s foibles — and her teenage son’s recent coming out — from public scrutiny.

But with quick and clever references to Pretty Little Liars, Game of Thrones, Mumford and Sons and Jimmy Kimmel (just to name a few), the show also manages to be completely of the moment — and damn funny, too.

It’s that nifty juxtaposition — how many shows would attempt to feature the Virgin Mary and a shirtless cologne model in the same scene? — along with the reliable brilliance of Martha Plimpton and a hilarious, star-making turn from newcomer Noah Galvin that makes The Real O’Neals a worthy addition to ABC’s growing list of well-liked comedies with delightfully specific points of view (i.e., black-ish, The Goldbergs, Fresh Off the Boat).

The show’s pilot (airing Wednesday, March 2 at 8:30/7:30c, followed by a second installment at 9:30 — before settling into a regular Tuesday timeslot) kicks off with the family sprinting and screaming from some unseen catastrophe, a riotous moment that establishes both the tone and the pace of everything we saw in three of the episodes ABC made available to the press.

JAY R. FERGUSON, MARTHA PLIMPTONPlimpton makes brusque, conservative matriarch Eileen feel vividly real within minutes — and she’s helped tremendously by a script (by Don’t Trust the B—- and Galavant‘s Casey Johnson and David Windsor) that gives her great zingers like her horrified response to what she erroneously thinks is son Kenny’s first sexual experience: “Father Phil was here — in his collar!”

What she learns by the end of the pilot, though, is that Kenny is actually gay, her eldest boy Jimmy is anorexic and her daughter Shannon (The New Normal‘s scene-stealing Bebe Wood) has a cracked moral compass. The kids are in for a surprise, too, however, as Eileen and husband Pat (Jay R. Ferguson) are planning to get divorced (even if they want to keep it a secret from their entire community).

Ultimately, though, this is Kenny’s story — the show is loosely based on the life of gay journalist Dan Savage — and luckily for The Real O’Neals, Galvin adroitly juggles every ball that’s thrown his way. There are fantasy conversations with Jesus Christ and a disapproving Jimmy Kimmel (“Grrrl, nuh-uh,” the late-night host clucks, when Kenny considers not coming out to his girlfriend). There’s an aborted sex scene in which Kenny briefly mistakes the aforementioned girlfriend for Orlando Bloom. There are even tender moments of understanding between Kenny and his family.

This isn’t to suggest you’re in for a thick layer of sap. Eileen might publicly defend Shannon’s Catholic school science-fair project that disproves God’s existence, after all, but the kid is still grounded ’til she repents — and believes. In other words, while The Real O’Neals may be soft and gooey at its center, but it’s the hard, tart outer shell that gives it its unique flavor.

The TVLine Bottom Line: With Plimpton and Galvin serving up some of the best mother-son hilarity since Lucille and Buster Bluth, we’re lighting a candle thatThe Real O’Neals doesn’t wind up in ratings purgatory.

Mary Pat Bonner

Second from left: Mary Pat Bonner

Mary Pat Bonner, 49, runs the progressive non-profit and Democratic political fundraising firm The Bonner Group, which currently fundraises for Hillary Clinton’s super PAC Ready for Hillary as well as David Brock’s Media Matters for America and American Bridge 21st Century. She started out fundraising for Al Gore’s unsuccessful 2000 presidential bid and has since built a reputation for attracting high dollar donors for Democratic candidates through aggressive (but respectful) means. The Bonner Group shares offices with Media Matters for America.

In early 2015, Bonner was at the center of a fundraising controversy about commissions paid (in excess of $6 million) to The Bonner Group based on donations they secured for Hillary Clinton’s campaign. While charging commission for fundraising is not illegal, it is considered unethical by the Association of Fundraising Professionals as it can encourage abuses, and the story has attracted negative attention from both Republicans and Democrats. This situation mirrored similar controversies within Clinton’s 2008 presidential campaign.

The Bonner Group

The Bonner Group is a Washington, D.C.-based progressive non-profit and Democratic political fundraising firm. Our clients include some of the most prominent and effective progressive organizations across the country. Over the past 24 years, the Bonner Group has worked for major non-profit organizations, Presidential campaigns, House & Senate campaigns, Gubernatorial campaigns, ballot initiatives, capital campaigns, and ‘527’ organizations.

Established by Mary Pat Bonner, the Bonner Group has distinguished itself as a force in the progressive community through its unparalleled experience in major gifts cultivation and ability to develop and execute successful fundraising strategies for a wide variety of clients. Our services include extensive research and strategic planning, major donor solicitation, capital campaigns, event management, database development and grant writing. We interact regularly with key philanthropists, activists and strategists in Washington and across the nation to bring the highest level of service to our clients’ fundraising campaigns.

Founded: 1991
Company Size: 11 – 50
In the Media:

The Secret World of a Well-Paid ‘Donor Adviser’ in Politics | New York Times | Feb 5, 2015
A constellation of left-leaning nonprofits and “super PACs” are raising tens of millions of dollars to pave the way for Hillary Rodham Clinton’s presidential campaign — and nearly all of them have paid Mary Pat Bonner a cut.

Over the past several years, the groups, which include American Bridge 21st Century, Media Matters for America and the super PAC Ready for Hillary, have paid Ms. Bonner’s consulting firm in excess of $6 million to help them cultivate wealthy donors and raise money, according to tax filings and campaign disclosures.

Ms. Bonner’s contracts give her firm a commission, typically 12.5 percent, on any money she brings in. Her tenacity, ties to wealthy givers and mastery of making donors happy have made Ms. Bonner, 48, among the most successful practitioners of a trade that is virtually invisible to voters but has taken on immense power and influence in the post-Citizens United world.

Almost every candidate for high office must now court ultrarich donors to finance super PACs. And with each party more reliant than ever on networks of outside groups to supplement its advertising and opposition research, fund-raisers like Ms. Bonner hold the keys to the big-money kingdom.

“The Bonner Group gets us the best fund-raising product for the lowest cost,” said David Brock, the founder of the monitoring group Media Matters and the super PAC American Bridge. “In my experience, the commission incentivizes the fund-raiser to meet the ambitious goals we set.”

But the growing influence of paid fund-raisers has angered donors in both parties, who are skeptical of Washington’s consultant class and the secret, often lucrative deals they reach with campaigns.

Some organizations, like Freedom Partners, overseen by the conservative billionaires Charles and David Koch, emphasize their reliance on salaried staff members to raise money.

“I want my money to go to the candidate, to get them elected; I don’t want it to go to middlemen,” said Andrew Sabin, a prominent Republican donor.

Several Republican presidential contenders are now courting Spencer J. Zwick, Mitt Romney’s finance chairman in 2012. But some former donors grumble about the fund-raising fees paid by Mr. Romney’s campaign committees to limited liability companies established by Mr. Zwick: about $34 million, according to campaign disclosure reports.

In an interview, Mr. Zwick declined to describe his own fee. But he said that the bulk of the payments collected by the companies were in turn paid out to more than 50 other fund-raisers employed by the campaign.

“We raised more money than has ever been raised before at a better cost of fund-raising than has ever been done before,” Mr. Zwick said.

But few fund-raisers seem to command commissions as generous as Ms. Bonner’s. Political fund-raisers are typically paid monthly retainers, which can reach $25,000 a month during campaigns. The Bonner Group is paid almost exclusively on commission, a practice that is legal but frowned upon by some fund-raising consultants, who say it leads to fights with clients and other consultants over credit. It is considered unethical by the Association of Fundraising Professionals, partly because it can encourage abuses and, in the charity world, places self-gain over philanthropy.

“I think it’s a breach of fiduciary responsibility to pay fund-raisers on commission,” said Cindy Darrison, a professor at the George H. Heyman Jr. Center for Philanthropy and Fundraising at New York University.

Allies say Ms. Bonner and her 20-member firm are worth the expense. The Bonner Group maintains a database of 70,000 donors and collects detailed information on their past giving, their families and their political relationships. Many praise her energy and personal touch: thank-you notes, for example, or tickets to Broadway shows.

“Without Mary Pat, we would never be where we are today,” said Craig T. Smith, a senior adviser to Ready for Hillary. Mr. Smith said the group had paid Ms. Bonner and some other fund-raisers a single-digit percentage of money raised.

Ms. Bonner, who cut her teeth as a campaign aide and fund-raiser for former Vice President Al Gore, is also known among colleagues for her aggressive tactics. During the 2012 campaign, Ms. Bonner, who was raising money for American Bridge, clashed repeatedly with other Democratic super PACs over joint fund-raising efforts.

Early in the cycle, American Bridge wanted a larger portion of shared fund-raising so it could begin tracking and researching Republican candidates. The other groups thought that Ms. Bonner was seeking to establish her client as a central financial clearinghouse for other Democratic groups.

Several recalled attending a meeting at American Bridge where they glimpsed a half-erased whiteboard diagram, showing money flowing into American Bridge and then back out to their super PACs.

Opacity surrounds political fund-raising. Priorities USA Action, a Democratic super PAC that is now preparing to back Mrs. Clinton, employed several consultants to bolster its fund-raising efforts in 2012. But a scan of the group’s disclosure reports shows mostly regular, round-number payments to them.

After The New York Times asked about payments to several specific fund-raisers, a spokesman confirmed that the payments constituted commissions to three of them. One, Andrew Korge, a Florida fund-raiser, was paid a 10 percent commission on a single million-dollar check. Another, Janet Keller, based in California, was paid a 5 percent commission on checks from a few wealthy donors totaling more than $2 million.

Irwin M. Jacobs, the billionaire co-founder of Qualcomm, said in an email that Ms. Keller had merely helped arrange for him to meet with two Priorities officials. “I was not aware that consultants might be paid a percentage of the political contributions that they raise,” Mr. Jacobs wrote.

In an email, Ms. Bonner said she routinely disclosed to donors that she was being paid on commission. “We charge all of our clients the same way, so there is no incentive for anyone in the firm to focus on one client more than another,” Ms. Bonner said.

But there is little question who her biggest client is. Mr. Brock’s growing empire, now composed of about 10 interlocking PACs and nonprofits, uses the Bonner Group for all of its development efforts.

Two years ago, reflecting her expanding role in Mr. Brock’s enterprises, Ms. Bonner moved her company and staff into his headquarters, though she continues to serve other clients. She and Mr. Brock have adjoining offices and even share a summer rental in the Hamptons.

Mr. Brock credits Ms. Bonner with helping persuade donors that news media monitoring and opposition research deserve large-scale financial support. His groups brought in more than $28 million in 2014, entitling Ms. Bonner’s firm to about $3.5 million in fees. Her commission represented his entire fund-raising overhead, Mr. Brock said, which compared favorably with that of other nonprofit groups.

He also emailed a statement from 40 donors attesting to the value her firm provided.

Not everyone seems convinced. Ms. Bonner’s fees have been a perennial source of controversy in the Democracy Alliance, a club of wealthy progressive donors, each obligated to contribute money to a select roster of liberal research and advocacy organizations.

Ms. Bonner originally worked there as a consultant, helping recruit new members. Later, when she moved to take on some of the funded organizations as clients, the alliance asked that contributions earmarked by its donors be exempt from Ms. Bonner’s commission. Eventually, the Alliance ended her consulting arrangement. But an Alliance official said that there was no formal policy in place and that its staff had no way of tracking Ms. Bonner’s commissions.

Ms. Bonner said in an email that she abided by the request. She continues to attend the alliance’s private donor conferences, however, as an unpaid “donor adviser” to Marcy Carsey, a prominent Hollywood producer. Current and former executives at liberal nonprofits complain about a perception that hiring Ms. Bonner would improve their chances of being included in the Alliance’s investment portfolio.

One Alliance donor, the billionaire Boston investor Vin Ryan, said that he had not been informed of Ms. Bonner’s commission before donating to Media Matters and later demanded a written guarantee from the group that his contributions would be exempt.

“I don’t know what her role in the D.A. is at this point, nor do I know who she actually is a donor adviser to, nor do I know what organizations she represents within the group of organizations who we are supporting,” Mr. Ryan said. “I think it’s outrageous.”

Brock resigns from Hillary Clinton PAC | Politico | Feb 9, 2015
David Brock on Monday abruptly resigned from the board of the super PAC Priorities USA Action, revealing rifts that threaten the big-money juggernaut being built to support Hillary Clinton’s expected presidential campaign.

In a resignation letter obtained by POLITICO, Brock, a close Clinton ally, accused Priorities officials of planting “an orchestrated political hit job” against his own pro-Clinton groups, American Bridge and Media Matters.

Those groups — along with another pro-Clinton group, the super PAC Ready for Hillary — had their fundraising practices called into question last week by a New York Times report. It pointed out that veteran Democratic fundraiser Mary Pat Bonner got a 12.5 percent commission on funds she raised for Brock’s groups and a smaller percentage commission on cash she raised for Ready for Hillary.

In his letter to the co-chairs of Priorities’ board — former Michigan Gov. Jennifer Granholm and former Obama campaign manager Jim Messina — Brock alleged that “current and former Priorities officials were behind this specious and malicious attack on the integrity of these critical organizations.”

The letter — and Brock’s resignation — offer a rare glimpse into a network of groups upon which Democrats are relying to keep the White House and stave off increasingly robust big-money efforts on the right. The public airing of dirty laundry comes as sources say Priorities is struggling to live up to the hopes of some Clinton allies, who had argued it should aim to raise as much as $500 million to eviscerate prospective Clinton rivals in the primary and general elections.

Brock, who spent his early career in Washington as a self-described “right-wing hit man” before experiencing a political awakening and emerging as the leader of an empire of hard-hitting liberal attack groups, contends in his letter that Priorities is trying to damage his groups’ fundraising efforts, “while presumably enhancing Priorities’ own. Frankly, this is the kind of dirty trick I’ve witnessed in the right-wing and would not tolerate then. Our Democratic Presidential nominee deserves better than people who would risk the next election — and our country’s future — for their own personal agendas.”

Brock did not respond to requests for comment about the letter, his group’s relationship with Bonner or with the other big-money groups boosting Clinton.

Craig Smith, a senior adviser to Ready for Hillary, said his group is still working with Bonner, as well as with Priorities and Brock’s groups. “We have worked with them for almost two years. We continue to work with them. We all do very different things, so there’s not a lot of overlap.”

Asked whether he thought rivals on the left were circulating negative information on Bonner, he said, “I would hope not. Not that I’m aware of.”

Priorities spokesman Peter Kauffmann denied that Priorities had anything to do with the Times story, which also noted that his group paid fundraising commissions on at least $2 million worth of checks, including contributions from California tech billionaire Irwin Jacobs. Sources say Jacobs was upset by the revelations.

Kauffmann said Priorities no longer pays fundraising commissions and that it maintains close working relationships with the other groups boosting Clinton.

“Priorities USA Action and allied organizations demonstrated a clear ability to work together effectively in 2012 and we look to replicate that success again in 2016,” he said.

By early evening — hours after POLITICO broke the news of Brock’s resignation — Priorities USA Action issued a conciliatory statement from Granholm saying that the group was “working to address” Brock’s concerns, while Brock issued one saying he was “open to returning to the board.”

Brock in his statement said he’d talked “to several leaders of Priorities USA Action” and was “confident they want to address the situation.” The parties planned to meet “to work on establishing that path and strengthening our relationship and getting back to the important work we need to do in this election cycle,” he said.

Sources familiar with the events say the statement came after discussions between Brock, Granholm, Priorities board member Charlie Baker and Paul Begala, a Democratic strategist with deep ties to Bill and Hillary Clinton.

Still, the groups — as well as Ready for Hillary — do to some extent compete with one another for big checks from wealthy Clinton backers. At one point, Priorities’ allies tried to force Ready for Hillary to shut down. But the groups — along with Brock’s — eventually entered into a sometimes uneasy alliance to lay the groundwork for the former secretary of state to run for president in 2016. Together, the groups formed an unprecedented shadow campaign that combined to raise millions in 2014. American Bridge’s Correct the Record Project defends Clinton against political attacks, while Ready for Hillary builds files of voters and small donors, and Priorities cultivates relationships with major donors.

The idea was to build an infrastructure that would allow Clinton to hit the ground running if and when she declared her candidacy for the Democratic nomination and to project a financial show of force that would overwhelm any prospective rival in the primary or general elections.

The in-fighting is an ominous sign. It calls to mind the squabbles that helped sink Clinton’s 2008 presidential campaign. It, too, was regarded as an unrivaled cash juggernaut, but feuding among cliques of supporters stymied efforts to launch a planned big-money outside effort in time to neutralize a surprisingly robust insurgent primary challenge from Barack Obama.

This time around, her allies tried to pre-empt the sectarianism by cross-pollinating the various groups to keep everyone on the same page and minimize competition. Granholm is on the boards of both Priorities and Ready for Hillary, while Brock joined the board of Priorities, and longtime Clintonite James Carville has been paid by American Bridge for assistance with fundraising and strategic advice.

But there also are more groups competing for big checks from rich Clinton backers than there were in 2008.

In his resignation letter, Brock asserted a “serious breach of trust between organizations that are supposed to work together toward common ends has created an untenable situation that leaves me no choice but to resign my position.”

Liberal Super PAC Had Secret Bain Ties | Buzzfeed News | May 20, 2013
A top liberal super PAC in the 2012 election had undisclosed financial ties to the private equity firm Bain Capital — something that some people close to the group say interfered with its core mission of attacking Bain veteran Mitt Romney’s business record.

American Bridge 21st Century PAC was launched in 2012 as part of a multi-pronged Democratic effort to define and defeat the Republican nominee, a project of David Brock, a former conservative reporter best known as the founder of the liberal media monitoring group Media Matters. By last January, it had amassed a vast store of opposition research, most of it focused on Romney’s tenure at Bain Capital — and on the hard-edged private equity practices that would help define the Republican as an out-of-touch millionaire.

But in January, as Romney’s nomination — and the line of attack — became clear, American Bridge’s top fundraiser took a stand. In a series of meetings through the first half of 2012, several people close to the group confirmed, fundraiser Mary Pat Bonner demanded that the group avoid any public attacks on Bain. That’s because, two sources said, two top Bain executives are key contributors to the network of organizations maintained by Brock and Bonner, which includes Media Matters and American Bridge. And some familiar with the group’s work say it deliberately pulled public punches against Bain — though not against Romney — through much of the year.

“Anything that was discussed doing publicly in regard to Bain, even if it were just a quote piling on, was either shot down immediately, or there was a question, ‘Could Mary Pat be OK with this?’ And the answer was always no,” said one person privy to the group’s internal conversations. The group’s political staffers were “unhappy” about the conflict — but accepted it and tried to work around it, the source said.

People close to the group’s current leadership do not deny that Bonner fought to keep Bain out of the line of fire — and that she in fact at one point threatened to quit if Bridge put Bain at the center of the Romney story. But while some sources close to the group described her objections as a major drag on Bridge’s ability to attack the Republican nominee, the group’s current leadership describe it as a minor and ultimately insignificant issue that didn’t get in the way of the group’s efforts to spread opposition research behind the scenes.

A review of American Bridge communications paints a nuanced picture of a group struggling to attack Romney without smearing Bain. The group made passing mention of the company in 23 of the more than 200 press releases it sent this reporter in 2012, but generally maintained a just-the-facts-ma’am tone in relation to the company, a sharp contrast with the broad critique of “vulture capitalism” being advanced even by Romney’s Republican opponents. Even as Priorities USA, its most aggressive ally, made Romney and Bain synonymous with predatory finance, Bain made it up to the subject line of just one American Bridge email, a forwarded Huffington Post story on Jan. 17.

“American Bridge was at the forefront of educating the public about Mitt Romney’s record at Bain,” American Bridge president Rodell Mollineau said in an emailed statement. “We spent a year producing more than 2,000 pages of original Bain research and worked with our progressive partners to determine the most strategic way to use it. Our Bain-related content was featured in more than 40 print, television and online stories,” he said.

The group provided BuzzFeed with what it said were 14 instances of its “publically engaging” Romney on his time at Bain, which include a contribution to Politico by Mollineau responding to a question about whether attacks on Bain were legitimate. The response, which is in the affirmative, does not use the word “Bain.”

The group also considered, and rejected, the idea of creating a website to be a hub of research about Romney and Bain. One source said Bonner helped kill it; another person close to the group said that no donor objected to the idea of such a site.

American Bridge officials also argue that those public forays were never their main goal. As a group focused on opposition research, American Bridge was a prolific source of tips on Romney’s record at Bain to news organizations (including BuzzFeed), much of it provided on the condition the group not be credited, some of it provided with credit. It was also a key source of research to other liberal groups, said several progressive leaders prompted by the group to contact BuzzFeed.

It’s impossible for an outsider to arbitrate whether the group’s decision to operate largely behind the scenes was driven by Bonner’s relationship with Bain capital, as some people close to the group charge, or whether it was a purely strategic decision on the merits, as the group’s leaders forcefully argue. There is no dispute, however, that the group produced reams of research, much of which made its way into the slashing attack ads produced by Priorities USA.

“As someone who was an avid daily consumer of their research, I don’t think they pulled any punches,” said Paul Begala, a top adviser to Priorities and one of a few top Democratic figures who contacted BuzzFeed at the prompting of American Bridge to praise its work. Another Priorities USA official, Bill Burton, and Greg Speed, the executive director of America Votes, also contacted BuzzFeed to tout American Bridge’s research on Romney and Bain.

Begala said, however, that his group had sought the support of the same two left-leaning Bain executives tied to Bonner, Jonathan Lavine and Joshua Bekenstein — and said that they declined to support Priorities USA because of its plans to attack the private equity industry in general and Bain in particular.

“For our PAC it actually made sense for [the Bain executives] not to give, because we were very critical of Romney’s business practices, most of which occurred while he was at Bain,” Begala said.

The battle inside American Bridge offers a rare glimpse behind the curtain of money in politics — and an illustration of how much more complicated the question of political money is in practice than in theory. Even as campaign finance reformers denounce the role of billionaires in politics, fundraisers and operatives struggle to cater to the financiers’ perceived whims — often at great cost to their cause. Even as American Bridge’s political staffers pushed to overcome the fundraiser’s objections to Bain attacks, Republican donors with conflicting strategies and agendas were drowning out Romney’s own attempts to project a clear message.

The fact that Bain executives would double as major liberal donors also complicates the portrait of the group as a conservative bastion of high finance. One person familiar with the internal conversations at American Bridge said Bonner, battling “donor fatigue” from donors being tapped for Media Matters, American Bridge, and other groups, was particularly concerned about two men. The attacks could “ruin her relationship” with two big donors, the person privy to internal conversations said Bonner warned: Lavine, a Bain Capital managing director who was also a major fundraiser for President Obama’s reelection campaign in 2012; and Bekenstein, another top Bain executive who also contributed more modestly to Obama’s campaign. Because American Bridge and Media Matters keep their donors secret, public records do not show either man’s contributions and BuzzFeed was unable to determine who had given to which group, and how much. Neither Bekenstein nor Lavine responded to email inquiries.

There is also no evidence that Bekenstein and Lavine directly participated in internal conversations at American Bridge, though Bonner was taken internally to be their proxy. American Bridge paid her Bonner Group $641,094 in 2012, about 5% of the $12.5 million it raised overall, according to federal filings. Bonner didn’t respond to a voicemail seeking her version of events.

Current and former staffers varied in their characterization of what one referred to as the “shadow” cast by Bain, with some saying it was merely a minor irritant, and others arguing that it distorted the group’s work. Senior aides have also told associates that they successfully worked around the uncomfortable bargain, though they denied to BuzzFeed that there was any discomfort at all.

Two senior aides, communications staffer Ty Matsdorf and a former Democratic National Committee research director, Shauna Daly, also departed American Bridge during the election. Matsdorf said he left solely because he wanted to work on the election’s front line in Nevada; Daly declined to comment in response to several emailed questions.

It’s also unclear what, if any, contact there was between Bonner and American Bridge staffers on one hand and the Bain executives on the other, or what amount they gave to American Bridge.

A source close to the organization, and speaking for the group, declined to disclose the names of its donors, but said that he found it “hard to believe anything Mary Pat said would have stopped a program from moving forward.”

“We have more than 300 donors and raised more than $40 million in the last cycle, and we’ve never had a donor who has ever given us reason to think their donations were in jeopardy based on anything we did or didn’t do. No donor concern has ever led us to compromise the integrity or effectiveness of our work,” the person said.

People close to the group also said that the concern waxed and waned, and that by the end of the cycle, the balance had tilted away from Bonner and toward more aggressive political staffers. On Oct. 28, American Bridge released the sort of searing public attack that many had expected from the start, a Priorities USA Action ad featuring an interview with a worker who begins, “Romney and Bain Capital shut this place down.”

The American Bridge version uses a portion of the interview that does not include the words “Bain Capital.”

Bruce Cohen VRP

Image result for bruce cohen
 

Academy Award-winning producer Bruce Cohen recently launched Bruce Cohen Productions, adding live events, theater, and new media to his existing film and television businesses.

Most recently, Cohen produced the Academy Award-nominated film Silver Linings Playbook. The film was nominated for eight Academy Awards and was the first film to be Oscar-nominated for the four acting categories since 1981. The blockbuster grossed over $236 million worldwide, more than eleven times its budget.

Along with producing partner Dan Jinks, Bruce produced Milk, starring Sean Penn as “Harvey Milk.” The film was nominated for 8 Academy Awards, including Best Picture. It was also nominated for Best Picture by the British Academy Awards (BAFTAs) and the Producer’s Guild (PGA), and received the PGA’s Stanley Kramer Award.

Bruce and Dan won the Best Picture Academy Award in 2000 for producing American Beauty. The film, which won a total of five Oscars, as well as the Golden Globe, BAFTA, and PGA Award, was the first film produced through The Jinks/Cohen Company. Their second film was Down with Love starring Renee Zellweger and Ewan McGregor, followed by Big Fish, which was nominated as Best Picture by both the Golden Globes and the BAFTAs. Other films include The Forgotten, starring Julianne Moore, and The Nines, starring Ryan Reynolds and Hope Davis.

In television, the pair executive produced the acclaimed ABC series Pushing Daisies, which won a total of 7 Emmys and was nominated for a Golden Globe as best comedy.

Before his partnership with Dan, Bruce produced The Flintstones and the prequel, The Flintstones: In Viva Rock Vegas, as well as Mousehunt. He executive produced To Wong Foo, Thanks for Everything, Julie Newmar! and co-produced Alive. A graduate of Yale University with a Bachelor of Arts in 1983, he began his film career as the DGA trainee on Steven Spielberg’s The Color Purple and went on to serve as the associate producer and first assistant director on Spielberg’s Hook.

Along with James Moll and Dan Jinks, Bruce produced A Timeless Call, a film tribute to veterans, directed by Spielberg for the 2008 Democratic Convention in Denver. He was appointed by Mayor Villaraigosa of Los Angeles to the Mayoral Transition Team in 2005, and Bruce and his husband, Gabe Catone, were the first LGBT couple to be married by the Mayor at City Hall in May, 2008. He is on the Board of Directors of the American Foundation for Equal Rights, the group behind the federal case to have Prop 8 declared unconstitutional and on the Advisory Board of the Harvey Milk Foundation.

Bruce recently finished up his second term as Vice President of Motion Pictures of the Producer’s Guild. He is on the Executive Committee of the Producer’s Branch of the Academy of Motion Picture Arts and Sciences and produced the first ever Governor’s Awards for the Academy in November 2009.

Projects in Development
When We Rise (TV Mini-series) Executive Producer Optioned
Demon House Producer Optioned
Young American Producer Pre-Prod
Ade: A Love Story Producer Script
Down to a Sunless Sea Producer Pre-Prod
Rebel in the Rye Producer Pre-Prod
Richard Pryor: Is It Something I Said? Producer Pre-Prod
The Bentley Boys Producer Script
The Monster of Florence  Producer
The Rivals Producer
The Rules of Inheritance Producer
The Secret Life of Houdini Producer
The Ten Commandments (TV Mini-series)  Executive Producer Pitch
The Vast Fields of Ordinary  Director
Untitled Maria Callas Project  Producer
Past Film & TV

Silver Linings Playbook  Producer 2012
8 (Video) Executive Producer 2012
The 83rd Annual Academy Awards Producer 2011
Pushing Daisies (TV Series)  Executive Producer 2007 – 2009

Milk Producer 2008
A Timeless Call (Documentary short) Producer 2008
Movies Rock (TV Movie) Executive Producer 2007
Side Order of Life (TV Series) Executive Producer 2007
Traveler (TV Series) Executive Producer 2007
The Nines Producer 2007
Hate (TV Movie)  Executive Producer 2005
The Forgotten  Producer 2004
Big Fish  Producer 2003
Down with Love Producer 2003
The Flintstones in Viva Rock Vegas Producer 2000
American Beauty Producer 1999
Mouse hunt  Producer 1997
Mistrial (TV Movie) Producer 1996
To Wong Foo Thanks for Everything,
Julie NewmarExecutive Producer1995
The Flintstones Producer 1994
Alive: 20 Years Later (Video documentary) Executive Producer 1993
Alive  Co-Producer 1993
Hook  Associate Producer/1st AD 1991

 
Awards
Silver Linings Playbook Academy Awards Nominated – Best Picture
Independent Spirit AwardsWon – Best Feature
PGA AwardsNominated – Outstanding Producer
83rd Annual Academy AwardsPrimetime Emmy AwardsNominated – Best Special Class Program
Milk Academy Awards Nominated – Best Picture
BAFTANominated – Best Film
AFI AwardsWon – Movie of the Year
PGA AwardsWon – Stanley Kramer Award
Nominated – Outstanding Producer
Big Fish BAFTA Nominated – Best Film
American Beauty Academy Awards Won – Best Picture
BAFTAWon – Best Film
PGA AwardsWon – Outstanding Producer
Literary Agent: Craig Brody (CAA) | 424.288.2000 | cbrody@caa.com
Legal Representative: Alan Hergott | 310.859.6800
Twitter (1,230 followers): https://twitter.com/brucecohen83
Connections to Hillary Clinton

Bruce Cohen is an outspoken supporter of Hillary Clinton on social media – particularly Twitter. He has attended numerous Hollywood fundraisers for her throughout 2015 and 2016, as well as in the run up to her unsuccessful 2008 bid. He also has written op-eds in her support:
Opinion | Hillary: An LGBT champion we can count on | Washington Blade | February 2, 2016
Op-ed: Hillary Will Be the Equality Act’s Heroine | The Advocate | August 3, 2015 http://www.advocate.com/commentary/2015/08/03/op-ed-hillary-will-be-equality-acts-heroine
Connections to David Brock
Besides both being avid Hillary Clinton supporters, there are no obvious connections between Cohen and David Brock. Both operate organizations for LGBT equality and rights: The American Foundation for Equal Rights for Cohen and Equality Matters for Brock.
———
Bruce Cohen Productions 
274 W 11st St #5R, New York, NY 10014
Staff
Jessica Leventhal | Director of Development/Creative Executive
Katherine Nelson | Assistant
Projects in Development
Ade: A Love Story Producer Script
Down to a Sunless Sea Producer Pre-Prod
Rebel in the Rye Producer Pre-Prod
The Bentley Boys Producer Script
———
In the Media

Nicholas Hoult to Play Author J.D. Salinger in ‘Rebel in the Rye’ | Variety | August 30, 2015

Nicholas Hoult will star as J.D. Salinger in the biopic “Rebel in the Rye,” with Danny Strong directing from his own screenplay.

The script was adapted from the Kenneth Slawenski biography “J.D. Salinger: A Life.” Black Label Media is financing, with Molly Smith, Trent Luckinbill and Thad Luckinbill producing alongside Bruce Cohen, Jason Shuman and Danny Strong.

Bloom will introduce “Rebel in the Rye” to foreign buyers at the upcoming Toronto Film Festival, while CAA is representing the North American rights.

The movie will explore the life and mind of the secretive author and tell the story of the birth of “The Catcher in the Rye.” The story will explore his rebellious youth, his experiences on the bloody front lines of World War II, enduring great love and terrible loss, a life of rejection to the pages of the New Yorker and his writer’s block — which led to a spiritual awakening.

“’The Catcher in the Rye’ is a classic coming-of-age story which continues to make a significant impression six generations later,” said Alex Walton of Bloom. “The world has long been fascinated with J.D. Salinger, whom the talented Nicholas Hoult will bring to life in this enigmatic role.”

Strong is known best for creating the series “Empire.” His screenplay credits include “The Butler,” the two “The Hunger Games: Mockingjay” films and the HBO films “Recount” and “Game Change.”

Hoult’s credits include “Mad Max: Fury Road” and “X-Men: Days of Future Passed.”

He also stars in the upcoming sci-fi romance “Equals” alongside Kristen Stewart, Guy Pearce and Jacki Weaver. The film, directed by Drake Doremus, will world premiere in the international competition section at the Venice Film Festival and will have its North American premiere in the Special Presentations program at the Toronto Film Festival.

The Weinstein Company announced in 2013 that it was working with Shane Salerno on developing a feature film adaptation of Salerno’s documentary about the author with a focus on Salinger’s life between his military service in World War II and the 1951 publication of “Catcher in the Rye.”

Salerno began working on the documentary in 2004. Salinger died in 2010. The documentary grossed $650,000 for TWC in 2013.

Hoult is represented by UTA, 42 and Felker Toczek.

ABC Orders Gay Rights Movement Miniseries From Milk Producers | TVLine | December 21, 2015
The team behind the Oscar-winning film Milk is staying in familiar waters for its next project.

ABC has greenlit When We Rise, an eight-hour miniseries about the gay rights movement.

The project, which was in development for more than two years at ABC, chronicles the personal and political struggles of a diverse family of LGBT men and women, who helped pioneer the gay rights movement from its turbulent infancy to its modern successes.

Milk director Gus Van Sant will helm the mini’s first two hours. Dustin Lance Black, the film’s writer, will pen the script and executive-produce with Van Sant and Bruce Cohen (another of the movie’s producers).

Released in 2008, Milk starred Sean Penn as gay rights activist Harvey Milk and won two Oscars for Best Actor and Best Original Screenplay.

Producers Dan Jinks & Bruce Cohen Split Up | Deadline | Feb 16, 2010

EXCLUSIVE: When Dan Jinks and Bruce Cohen launched their producing partnership with 1999’s Sam Mendes-directed American Beauty and shared Best Picture Oscars on their very first film, they probably should have quit right then and there since it was never going to get better than that. Instead, they lasted 12 years, but Jinks and Cohen tell me they have decided to amicably break up their Jinks/Cohen Company. “We’ve had a great 12 years, but we’ve both decided that we want to explore on our own,” Jinks and Cohen told me. Jinks is forming The Dan Jinks Co and keeping Nick Nantell as VP of development, while Cohen is forming Bruce Cohen Productions.

The duo will continue to work together under their Warner Bros.-based television company, and say they intend to see through several feature projects that include the Catherine Hardwicke-directed Hamlet with Emile Hirsch attached to the Ron Nyswaner script, My Name is Jody Williams, with Audrey Wells directing her script, and the Robin Swicord-scripted The Rivals, a period drama that once had Steven Spielberg attached to direct.

Besides the 5-time Oscarwinner American Beauty, Jinks and Cohen produced the Gus Van Sant-directed Milk, the Tim Burton-directed Big Fish, the mystery thriller The Forgotten, the John August-directed The Nines, and the misfire Down With Love. Their Jinks/ Cohen banner was long located at DreamWorks, then moved to Paramount. That deal ended during the WGA strike and since then they have been Warner Bros-based for their TV output including Pushing Daisies, which won 8 Emmys before ABC canceled it, Traveler, another series for ABC, and Side Order Of Life for Lifetime.

Code/Media: Hulu CEO Says There Isn’t Too Much TV, Just “Too Many Crappy Shows”

Mike Hopkins says Hulu will add documentaries that are consistent with its pop-culture, TV-focused brand.

Hulu could soon be adding documentary films to its slate of original programming.

“The way we’re looking at originals in the doc world is that we’re pop culture, we’re entertainment, we’re TV,” Hulu CEO Mike Hopkins said Thursday at the Code/Media conference in Dana Point, Calif. “When we make something it probably ought to be in that vein.”

Hulu recently added to its small but growing slate of licensed films through an output deal with IFC that gives it streaming rights to titles including Sundance’s Weiner. Hopkins said that such deals help Hulu build up a library to support the investment into originals. “Our customers like it,” he added.

This will be a telling year for Hulu’s push into originals. The company — which is co-owned by Fox Broadcasting Group, ABC Television Group and NBCUniversal Television Group — had its first awards showing in January with comedy Casual up for best original comedy series. (It lost out to Amazon’s Mozart in the Jungle.) Now it is pressing forward into bigger-budgeted scripted drama fare with Monday’s release of J.J. Abrams-produced event series 11.22.63 starring James Franco.
“We’ve been very aggressive,” said Hopkins, arguing that a content creator would not immediately sell their show to Netflix or Amazon over Hulu. “We’ve been in virtually every conversation.”

When asked about whether Hulu’s original content competes with the content coming from its owners, Hopkins was emphatic that that’s not the case. “We look at ourselves as a complement to everything,” he said. “I don’t think people are going to say, ‘I’m just going to buy Hulu or Netflix.’ A huge percentage of our customers buy pay TV as well. We’re an add-on.”

Meanwhile, Hulu is also investing in its product, adding an ad-free tier that Hopkins said has not cannibalized advertising revenue. “Our ad business, since we launched commercial-free, is up 30 percent,” he boasted.

Hopkins sidestepped questions about whether Time Warner will join Hulu’s existing owners. “I’m not going to advance that story here today,” he said, adding that Hulu has a great relationship with Time Warner through a licensing deal with Turner and a partnership with Warner Bros. on 11.22.63.

Hulu, which reported about a year ago that it had 9 million paid subscribers, is one of a growing number of streaming platforms diving into original programming. In addition to industry leaders Netflix and Amazon, YouTube also has started funding programming.

But Hopkins isn’t worried about the “too much TV” argument made by FX Networks topper John Landgraf and others. “My personal point of view is that there are too many crappy shows out there and not enough good shows,” he said. “We’re all trying to make good shows.”

HBO’s ‘Confirmation’ film rattles some Washington power players

By HADAS GOLD 02/18/16 12:40 PM EST

A group of former politicians and their aides are bracing themselves for a new HBO movie that dramatizes the 1991 confirmation hearing of Supreme Court Justice Clarence Thomas, and claims of sexual harassment made by Anita Hill, with some suggesting the possibility of legal action.
The film, titled “Confirmation”, is set to debut in April, but former Sens. Al Simpson and Jack Danforth, as well as at least one former lawyer on Thomas’ team, now are going public with their dismay at early versions of the film script they were given for their input, saying it is a biased portrayal.
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“Obviously, they were going to go forward with [the film], and obviously there are going to be some repercussions because they’ve opened a hornet’s nest,” said Simpson, who called the script he saw a “seriously distorted” version of the actual confirmation hearings.
Simpson and Danforth both brought up the possibility of legal action if the script they saw is the same one used in the movie when it airs in April, though Simpson acknowledged that as a public figure, it would be a hard case to win. And Mark Paoletta, the former White House lawyer who worked on Thomas’ confirmation, wrote a letter to HBO threatening legal action if certain parts of the script he had seen remained in the film.

“I don’t know what I’ll do but it won’t be fun and games,” Simpson said. “I won’t just sit still. I’ll have a response, I always have. An attack unanswered is an attack believed.”
Sandra Day OConnor_AP.jpg

Simpson, who is played by actor Peter McRobbie in the film, said screenwriter Susannah Grant (a prolific Hollywood screenwriter who wrote the movie “Erin Brockovich” traveled to his home in Cody, Wyoming to conduct research for the film. Simpson said he enjoyed his time with Grant and in his first read of the script, he found minor lines he disagreed with, which Grant told him she would change.
But after he was contacted by Danforth and Paoletta, Simpson said he took another look at the script and realized he objected to its portrayal of others involved. He sent a scathing follow-up letter to the screenwriter, saying it “savaged” Danforth’s reputation and hurt others by putting false words into their mouths with comments about Hill and the confirmation process.
Simpson said some scenes, such as a staffer trying to chase a man through the woods to hand him a subpoena, never happened. Other scenes with Simpson had his character saying that the late Sen. Arlen Specter is “such a belligerent little son of a bitch, you know once he starts on [Hill] he won’t be able to stop himself.”

“I do know she chopped up pretty much everyone. I don’t know anyone who came out very good,” Simpson, who described the hearings as one of the toughest “sons of a bitch” he’s ever been through.
In an interview, Len Amato, president of HBO Films, said the filmmakers had gone through extensive research and that the people protesting are passing judgment on a film they have not yet seen.
“There’s no agenda. There’s no slanting of it. Basically, people are talking about something they haven’t seen and when you see the film, you’ll see it’s quite evenhanded. And that’s because we don’t want to push an agenda. We want to find good stories, tell good stories and let the audience decide for themselves what they feel. If we were to make something that had an agenda we’d be alienating half our audience, so that’s not our purpose here,” Amato said. “Our purpose is to bring a story we think is relevant, bring it to a new generation … who have never heard of it. As we’ve seen in recent events, it’s something that’s part of our historical tradition, the stakes are high and in this particular case, it was really a pivotal cultural moment.”

In his January letter to HBO, Paoletta asserted that in a version of the script he read the scenes that include a character with his name are “false and defamatory” and that he would pursue legal action if they remained in the movie. According to his letter, the scenes included the character named after Paoletta making comments about Hill looking “cheap” and another scene where Paoletta is reviewing Thomas’ affidavit and advising Thomas that he offer a “single, categorical denial.”
“Based on the script I reviewed, it’s a dishonest film,” Paoletta said in a statement provided to POLITICO. “It takes some real facts, even some real testimony, and mixes it with lots of made-up dialogue and imaginary people — all with the intent of presenting the hearings in a very one-sided way. It is clearly not a fact-based film. It’s a propaganda piece for Anita Hill and for Hillary Clinton’s run for the White House. It’s unfair to Clarence Thomas, Jack Danforth and, most surprisingly, to Joe Biden.”
HBO responded to Paoletta’s letter last month, disputing that the two scenes defame or portray him in a false light and advising him that the script he read is “quite outdated” and that he is not depicted in the film at all. According to IMDB, the actor originally assigned to portray Paoletta, Daniel Sauli, is now playing a character called Chris Levinthal. A similar character name change occurred for Harriet Grant, who was chief counsel for Biden during the hearing. The actress originally assigned to her role, Zoe Lister-Jones, is now playing a character named Carolyn Hart.

Amato said the allegation that the film had an agenda to support a candidate was “absurd” and noted that just as in other movies, the film has been changed multiple times from script to editing and beyond, while declining to comment on specific characters or scenes.
“People aren’t really familiar with [the] process that goes into making a movie. It’s not a documentary, so yes, some of the words aren’t going to be exact words said. Some characters might be composite characters, some time periods might be compressed,” Amato said. “This is all within the realm of making any movie, but we don’t do it with some kind of agenda, and we always do it with a higher purpose. We just want to get it right. That’s been our mantra from the beginning.”

“Confirmation” is far from the first movie HBO has made dramatizing contentious moments in political history — and complaints from some of the players in the real drama have also complained. Sarah Palin and John McCain both blasted HBO in 2012 over the film about the 2008 election, “Game Change”, based on the book by Bloomberg Politics’ John Heilemann and Mark Halperin (though other high profile McCain/Palin advisers and aides called the movie accurate). The 2008 film “Recount,” about the 2000 election, received similar scrutiny.

Amato said they went through a similar vetting process with “Confirmation” as they did with “Game Change” and “Recount,” going through primary documents, transcripts, books written by the people portrayed in the film, consulting with journalists who covered the events, and speaking with as many of the people portrayed in the film as possible. (Not all of them chose to participate).

“Even though there are sometimes varying points of view, the events are pretty well-documented. When we did come into the situation where people had different points of view in terms of their interpretations, we kind of cross referenced that with all the source research that we did in terms of speaking with various people and cross referenced with our journalistic consultants and came up with what we thought was the most reasonable point of view for a particular scene or sequence. That’s what we did with “Confirmation” and that’s what we did with all the others,” Amato said.

Biden is being played by Greg Kinnear in the film. According to sources familiar with the negotiations, there has been some concern from the Biden team about his portrayal, though both the vice president’s office and HBO declined to comment on what interactions the vice president and HBO may have had.
But both Simpson and Paoletta said Biden is not given a fair treatment in the film.
“It’s unfair to everyone but Anita Hill, including Joe Biden who did a hell of a good job (during the hearings), the best he could,” Simpson said.

In a statement, Danforth, who is portrayed by actor Bill Irwin in the film, said he was sent a draft of the script in August, seeking his feedback. Danforth said he found the script “was full of errors and distortions where I was concerned.”

“What concerned me the most, however, was an error of omission. The script gave the impression that politics motivated my defense of Justice Thomas during the ordeal of the hearings. That was not the case. In fact, what led me to stand by him was our close friendship, which at that time had already stretched over more than 15 years,” Danforth said.

“Specifically, and as I described at length in my book on this subject, “Resurrection,” I visited Justice Thomas in his home shortly after the accusations against him were made public. I found him grief-stricken. He felt he had been humiliated before the world and that his reputation had been permanently destroyed. It was obvious to me as it would have been to anyone: What made his life worth living hung in the balance. So I stood by my friend. None of this was in the script that I saw.”
Danforth acknowledged he hasn’t seen the full film and, therefore, he’s not fully aware of how he and the “terrible events of 25 years ago” will be portrayed.

“All I can say for certain is that what I read last summer severely distorted the situation as I experienced it,” he said.

Amato said the movie will speak for itself and that they had no need to make anything up.
“What we found is no, we don’t have to make it up. All we have to do is just put it out there,” he said. “That’s what’s kind of crazy about these movies. They are all different in their own ways, they all have the kind of built-in eccentricities and absurdism about the process that you don’t really think about unless you see it in a story.”

Ian McKellen Reading This Coming Out Letter Is Going to Give You All the Feels

Ian McKellen Reading This Coming Out Letter Is Going to Give You All the Feels
Image Credit: Getty Images

Ian McKellen Reading This Coming Out Letter Is Going to Give You All the Feels

MIAMI HEAT’S RAY ALLEN OPENING HEALTHY FAST-FOOD CONCEPT IN SOUTH MIAMI

Forgo McDonald’s and Taco Bell. Former Miami Heat player Ray Allen and wife Shannon are openingGrown, a new fast-food concept in South Miami (8211 S. Dixie Hwy.) this March.

Developed by the couple, Grown is said to be “real food, cooked slow, for fast people,” meaning it fuses a farm-to-table concept using organic, local, and nutritious ingredients with the essence of a fast-food locale.

“Grown was born out of frustration,” Shannon says. “At home, I do my best to prepare delicious, nutrient-dense meals for our five children, including our son Walker, who is living with type 1 diabetes. Like most busy families, we juggle homework, after-school sports, and everyday commitments — we live in our cars. I had an aha moment where I realized I couldn’t sit around helpless waiting for someone else to create a fast-food option that met our family’s dietary needs.”

To help conceive Shannon’s idea, the couple organized a team of experts to build Grown from the ground up. Dubbed the “kitchen cabinet,” the health-knowledge squad that worked with the pair includes Michael Rose of Rose Capital Advisors; Tara Mardigan, director of nutrition at Fruit Street Health and former team nutritionist for the Boston Red Sox; Asha Loring, executive director of Health in the Hood; Faheem Mujahid, a trainer and holistic lifestyle coach; Sally Sampson, founder of ChopChop, a family-oriented cooking magazine; and Gabriele Marewski, founder of Paradise Farms Organic in Homestead.

Todd Kiley, previously of Boston’s Legendary Restaurant Group and Rainforest Café, will be the eatery’s executive chef. He, along with Ray and Shannon, crafted an easy-to-navigate menu highlighting organic and locally sourced foods. Though dishes are made in a healthful way, they’re still approachable and appetizing to adults, children, and families.

Using an open-kitchen concept, the restaurant will offer breakfast, lunch, and dinner plates ranging from $4 to $18 and all made from scratch daily. Menu items include small-batch soups, salads, sandwiches, and wraps; gluten-free baked goods; and customizable cold-pressed juices and fruit smoothies. There will be family-style meal options too.

All dishes will be available for sit-down, take-out, and through its full-service drive-thru.  Guests can eat in the 38-seat dining room or on the patio, which seats up to 42.

For private luncheons, dinners, and small parties, Grown offers a space dubbed the “Kindergarden,” which will also house special events such as nutritional workshops, cooking classes, and wellness demos.

The 1,900-square-foot space will also include an urban rooftop garden, which will produce a variety of fruits and vegetables that will be used for the eatery. Chefs will transport the greenery to the kitchen using a dumbwaiter system.

Follow Clarissa Buch on Twitter.

‘Chance’ Drama Series Starring Hugh Laurie Lands 2-Season Order At Hulu

HughLaurie1

EXCLUSIVE: House star Hugh Laurie is returning to primetime as the lead of another drama series named after the complex doctor at Hulu large logoits center. Chance, a hot package that includes author Kem Nunn,Room director Lenny Abrahamson, showrunner Alexandra Cunningham and producer Michael London, has landed at Hulu with a two-season, 20-episode order for a late 2016 premiere. The series hails from Fox 21 TV Studios, marking the cable studio’s big entry into the SVOD space. It also represents a major move for Hulu as it is looking to establish itself as an original series player. The streaming service landed Chance by stepping up in a very competitive situation, bidding against established traditional networks, much the way Netflix nabbed House of Cards with a two-season order several years ago.

“It’s one of the rare situations when you have a burgeoning network that is saying, ‘we are going to plant our flag with this series’,” said Fox 21 TV Studios president Bert Salke, acknowledging Hulu’s Mike Hopkins and Craig Erwich for their role in making the deal. “It’s also a beginning of what hopefully will be a new business for us with new partners, making this an even more exciting time for content creators.”

chancekemnunnBased on Nunn’s novel, Chance is described as a provocative psychological thriller that focuses on Eldon Chance (Laurie), a San Francisco-based forensic neuropsychiatrist who reluctantly gets sucked into a violent and dangerous world of mistaken identity, police corruption and mental illness. After an ill-advised decision regarding an alluring patient who may or may not be struggling with a multiple personality disorder, Chance finds himself in the crosshairs of her abusive spouse, who also happens to be a ruthless police detective. In over his head, Chance’s decent into the city’s shadowy underbelly, all while navigating the waters of a contentious divorce and the tribulations of his teenage daughter, soon spirals into an ever deepening exploration of one of mankind’s final frontiers — the shadowy, undiscovered country of the human mind.

Alexandra CunninghamImage (1) michaellondon__130912235043.png for post 622810Nunn and Cunningham (Desperate Housewives, Aquarius) wrote the TV adaption of Nunn’s novel and will executive produce, with Cunningham serving as showrunner. Abrhamson will executive produce and direct several episodes. Michael London (Milk) executive produces through his Groundswell Prods. Brian Grazer (Empire) also executive produces.

The project had been in the works since Chance was published in 2014. It was put together by WME, which reps Nunn, with London, who had been eyeing the book for a potential feature adaptation, and Cunningham, who considers noir her favorite genre, quickly coming on board. With Cunningham at the time under a development deal at 20th TV, London under a first-look deal at the studio’s cable division Fox 21 and Nunn working on Fox 21’s FX drama Sons of Anarchy, Fox 21 felt like a natural home for Chance. Salke immediately sparked to the idea, being a self-professed Kem Nunn fanatic with Nunn’s seminal Tapping the Source as one of his favorite books. In fact, Salke already had been pursuing the author for development. A spec pilot script by Kenn and Cunningham was commissioned.

Lenny Abrahamson - RoomSalke felt that was a tall order. “It was very challenging to get the depth and fullness of the book, but they did a phenomenal job, surpassing all expectations,” he said.

Meanwhile, after a lengthy courtship and careful consideration, Laurie, who had been the choice for the lead from the get-go, signed on to star some 18 months after he was first approached. In the years since House ended its run on Fox, the Golden Globe-winning actor had been heavily pursued to headline a new series but had turned down every offer. With Chance, he is all in, and already is actively working with the other executive producers. “Hugh has very strong feelings, and he will be involved in every aspect of production,” Salke said.

Fox21televisionThe script garnered strong interest from major directors, with Abrahamson emerging as the clear choice for the job based on his acclaimed work on awards contender Room, which has three Golden Globe nominations, including for best picture drama. With a pilot script and a map of the first season, which will follow the arc in Nunn’s book, as well as future seasons, the project was taken to the marketplace, triggering a heated bidding and eventually landing at Hulu. I hear the corporate tie between Hulu, which is partly owned by Fox 21 parent 21st Century Fox, and the studio, was not a factor, with Hulu securing the project by offering a big commitment.

Casting of the other roles on the show is already underway, with production likely to begin in the spring.

Hulu has been mounting a major push in high-end original programming, recently landing a Golden Globe nomination for one of its first major efforts, the Jason Reitman series Casual. Coming up is the Stephen King/JJ Abrams limited series11/22/63 starring James Franco.

Nunn has developed a big cult following for his “surf-noir” novels, starting with the debut Tapping the Source. In TV, in addition to his work on SOA, he co-created with David Milch John From Cincinnati for HBO.

Nunn, Abrahamson, Laurie, who has been recurring on the HBO comedy Veep,Cunningham, who created the US adaptation of UK’s Prime Suspect, and London, who recently produced awards contender Trumbo, are repped by WME.  Abrahamson is repped by Rachel Holroyd from Casarotto Ramsay and Laurie is repped by Christian Hodell from Hamilton Hodell. Nunn also is with Echo LakeManagement.

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Hulu’s CEO explains why TV networks should sell shows to him and not Netflix

On Tuesday at Business Insider’s IGNITION conference, Hulu CEO Mike Hopkins took an indirect shot at Netflix by saying Hulu had a more “network-friendly” approach to acquiring shows than its competitors.

But what does that mean?

Promoting networks

The first element Hopkins pointed to was Hulu’s “promotion” of the original networks, especially when current episodes of the show are still being aired. This probably means things like leaving the original network’s logo on the show, which seems to be Hulu’s policy.

Netflix, in contrast, usually strips its reruns of the original network’s branding. An exception to this is ABC’s hit show “How to Get Away with Murder,” which runs on Netflix with a tiny “ABC” overlay in the Netflix menu, as well as a few-second promo at the start of each episode that also features the “ABC” logo. This was reportedly the result of the network playing a little hardball with Netflix on this issue.

When Hopkins says Hulu is more “network-friendly,” the implication is that Netflix’s policies hurt networks by cleaving their brand from the hit shows they produce.

Dealing with ads

The second element where Hopkins said Hulu differentiates itself is in training customers to deal with ads. While Hulu does offer an “ad-free” option (which isn’t completely ad-free anyway), Hopkins said his service gets people used to the choice of either paying a small monthly fee and ads, or a larger monthly fee without ads.

“If you want it without ads, you have to pay more,” he said. This stands in opposition to Netflix, which has no ad-supported tier. The thinking is that when customers get used to an ad-free experience, every ad starts to bug them. And the implication from this is that Netflix’s basic model erodes traditional cable’s ability to sell ads by creating a viewership that sees ads as an imposition.

Hopkins rounded out this answer by saying that he is positioning Hulu, generally, as a “better” place for networks to sell content. This makes sense given that Hulu is owned jointly by Disney, Comcast, and Fox — and potentially soon Time Warner.

But one person who probably doesn’t agree with Hopkins is Netflix CEO Reed Hastings. Hastings has said that Hulu is a “cord-cutter’s dream” and “much more disruptive” to traditional TV than Netflix. Hopkins likely believes the opposite.